Thank You For Letting Me Trespass

Try To Stop Us

Youtube: https://www.youtube.com/watch?v=uxWQXR_qdXY
Apple Music: https://music.youtube.com/channel/UCjckwSeYbSOSqL9oZVEVO_Q
Spotify: open.spotify.com/artist/1tQtIo2nFCo2n8mF1M5UtU
youtube music: music.youtube.com/channel/UCIUZdqJ1vMX3g3C4TRflgPA
Merch:schoolofhardknocks.ru
Vinyl:qrates.com/projects/23789-quar…tine-boom-bap-beats

Contact me:

badmad12@mail.ru

www.facebook.com/nickkabebm​

Nikab2000@gmail.com

Last BEATS only 2021

Life Has Two Sides

Enough said(#584)

New lofi track enjoy:)
Check out my instagram: https://www.instagram.com/36studioberlin/
Did with Fl studio:)

Pizzeria de la Lofi

Menace (prod. zeus the elevated)

Violin Concerto No. 1 in B flat major, K. 207 - Wolfgang Amadeus Mozart

Violin Concerto No. 1 in B flat major, K. 207 - I. Allegro moderato - Wolfgang Amadeus Mozart (8D Binaural Remastered - Music Therapy)

Spotify

@der-bagalud
lyrics:

i be,
causin da static 
& slaughterin faggots 
i’m too, hard to be average 
i’m caught up in action 
so i, hop in the lab an
stay creatin wicked chemistry 
so quit it wit the fakin you niggaz cannot get rid of me
yo, these niggas fakin like they really got the energy 
you must be sadly mistaken thinking that you gon finish me
fatality! yall niggas is done for
stay mad at me an lemme know when you want war

energetic ⚡️ [prod. BAGALUD]

Heltah Skeltah - Leflaur Leflah Eshkoshka, Pt. 2 ft. OGC

In 1997, Jay Dee was the still new kid on the block. With the success of singles like Runnin' (Pharcyde), and Stakes is High, he had his own undeniable sound, but the majors still weren't sold.
This is proof of that.  
Jay was solicited by a lot of majors to do remixes for artists on their rosters. Time and time again, they would go with someone else. 
The joints he was coming up with were fucking nuts, but to no avail. In one case, he was led to believe that one of his mixes got thru, only to see another producers remix when the 12" showed up at Record Time. 
I told him fuck it I wanna put it out.
I had never put a record out.
Got an investor. 
Then I made a phone call.
Chris Manak, aka Peanut Butter Wolf, was my rep at TRC distribution in California. I was working at Street Corner Music ordering records from him every week. I got the #'s 
from him. Sent the masters over and we had a record.
The first pressing was on blue vinyl. Limited to 1500 copies. 
Gone.
Second press was on green vinyl.
Gone.
I also learned to listen to test presses on multiple turntables.
There was a skip in the middle of the fucking Woo Hah rmx that did NOT SKIP on my 1200. Swear to god I had the onlt 12 that could play that shit. It skipped on EVERY other 1200 turntable in the world. Fucked up. Check your test pressings on a few setups. But, that's fixed now. These records go for $100 plus on the internets these days. 
Remastered by Dave Cooley directly from a sealed blue copy.
Why? Because the plates broke at the plant, and I lost the master in a flood 3 years later. That's why.


Enjoy the Gift...

Shoes

07 Abandon Ship (Remix) Busta Rhymes

Emotional boom bap typa beat.


Free for non-profit use (must credit "nutsogotbeats")
BUY THIS BEAT HERE (for commercial use): https://www.beatstars.com/nutsogotbeats


Email: whogotbeats19@gmail.com
Instagram: https://www.instagram.com/nutsogotbeats/

JOEY BADA$$ x CAPITAL STEEZ BEAT 2023 | "In My Mind" 94.3 BPM

10.25.24 prod. nutso

I make beats basically. 

FOR BEAT LEASING:
Beatstore: https://nutsogotbeats.beatstars.com/
Email me: whogotbeats19@gmail.com

(FORMELY KNOW AS "ef dee") after a long hiatus, I now go by "nutso".
I'm from Montreal, Canada and have been making beats since 2017.

I mostly make "classic" hip hop with drum breaks, lots of synths, and samples.  My favourite producers are; J Dilla, Pete Rock and DJ Premier.

I use an MPC Studio for 99.9% of my beats. I mix, master and sometimes arrange my compositions on Ableton.

JOEY BADA$$ x CAPITAL STEEZ BEAT 2023 | "In My Mind" 94.3 BPM

nutsogotbeats

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