An example of a Stravinsky-style 12-tone lullaby. Inspired by Stravinsky's "The Owl and the Pussycat," based on the Edward Lear poem of the same name.

From the video "Twelve Tones" http://youtu.be/4niz8TfY794

Jazzy version here: https://soundcloud.com/vihartvihart/the-bowl-and-the-laser-bat-1

This recording is meant to be an example only; neither my performance nor production are meant to sound professional. But if you like it that is cool too!

The Bowl and the Laser Bat: Operatic Version

An example of what happens when you take a Stravinsky-style 12-tone piece (https://soundcloud.com/vihartvihart/the-bowl-and-the-laser-bat) and jazz it up. Inspired by Stravinsky's "The Owl and the Pussycat," based on the Edward Lear poem of the same name.

From the video "Twelve Tones" http://youtu.be/4niz8TfY794

This is meant to be a musical example, not a complete track.

The Bowl and the Laser Bat: Jazzy Version

Probably the best piece of music I've ever written

From: http://youtu.be/4niz8TfY794

Party Yeah Party Woo

An arrangement of Mary Had a Little Lamb for vocal quartet, where each voice sings a different 12-tone row. Two new verses have been added based on the real Mary's actual history.

Sheet music here: http://imgur.com/a/hgy9Q#0

From the video "Twelve Tones" http://youtu.be/4niz8TfY794

Mary Had a Little Lamb: 12-tone Quartet

*WARNING* This mixture is blended extra well for your convenience.

Full Tracklist: https://www.1001tracklists.com/tracklist/2dqfxzck/kream-kream-pres.-liquid-lab-vol.-7-kistefos-museum-norway-2022-01-28.html

Our seventh episode of LIQUID : LAB is here! This mix consists of 100% unreleased mashups, remixes, upcoming singles and a bunch of secret edits from our sets. Filmed at Kistefos, Norway.

You can download our unreleased remixes and get them on your Spotify/Apple Music app. More info: www.wearekream.com/downloads

FREE DOWNLOAD

KREAM Pres. - LIQUID : LAB Vol. 7 (Tale Of Us/Vintage Culture/Rüfüs Du Sol)

Slapatek

https://www.youtube.com/watch?v=UUL8Xjcoo58

Free to use

Antarctica

Acid Frog

Nomen est omen. Composed by myself, pre-mix by myself.

This track is designed to first bring tension and a "calm before the storm"-type atmosphere, then fade into a menacing situation to finally dessolve into the combat-crescendo.

Note: This particular track is a pre-release. The mix is not finished yet, also, this track needs to be divided into separate loops (I guess you can easily hear the different parts) Because of that, the track has not been compressed yet. (That's why it's in high quality)

Boss-Villain Theme

Le « sonal vigilance lacune » est en fait un mélange entre des bruits de grillons et ceux rappelant un sonar. L’idée de ce bip est d’attirer l’attention au sol dans les stations en courbe forte (ce qui est le cas d’Etoile, Bastille, Nation sur la 1). Le bruit d’alerte seul (les bips) étaient considérés comme trop fonctionnels ou répétitifs. Pour ajouter de l’originalité, une singularité et capter davantage l’attention par un effet de surprise, il fut décidé de le mixer avec un son complémentaire pouvant suggérer le sol, avec l’idée de ne pas faire un son d’alerte au sens dramatique du terme. Le bruit de grillon a été choisi car c’est un clin d’œil aux grillons du métro que l’on pouvait trouver sur les voies du métro dans le secteur Opéra, où l’humidité et la chaleur dans cette zone leur offrait un terrain propice. Un séquencement spécial a été créé afin de ne pas avoir de boucle répétitive, surtout si le temps de stationnement en station est plus long ! En savoir plus  http://scope.ratp.fr/definition/sonal-de-vigilance-3/

Boss-Villain Theme

nuvaboy

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