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NWAQ - Above EP - Last Age - LASTAGE01

a1. Above II
a2. Above I
b1. Dume

Jochem Peteri comes drifting back into earshot with some new NWAQ tackle in tow. Beyond the plentiful reissues of his timeless earlier works, Peteri is just as productive in the here and now. Now he’s minting a new label with three pieces that embellish the NWAQ soundworld with a fresh slant. ‘Above II’ is a crystal clear beam of light strapped to a kick that trips over itself with grace and poise. It’s forthright and yet wholly untethered, a pre-echo for the anchorless expanse of ‘Above I’, which buries some heavy bass ruminations very far down in the mix. That leaves it to ‘Dume’ to come staggering out all bleary-eyed, caked in last night’s distortion and yet still exuding a cracked beauty that stands up to the first light of dawn. The artwork which adorns this record is by environment sculpting internet artist Jan-Robert Leegte. NWAQ has always stood for a kind of environmental immersion, and this new emission compounds that idea in three distinct, refreshing ways.

https://www.delsinrecords.com/release/6967/nwaq/above-ep
https://www.rushhour.nl/record/vinyl/above-ep

NWAQ - Above EP (LASTAGE01) snippets

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threshing

The Jak has retUrned witH 2 new Dirty bLends 12 inches in 
extremely limited quantity introducing the 1st nU cOhort 
to the label:

Zodiac (a lowdown henchman)

this new artist alias to the label has contributed to the 
further effort of maintaining the sound from the early 
inception of dance tracks like the days of old that still 
lives and breathes in us today that honors and treasures 
enriched essential dance music history.

Dirty Blends 4 is Tribalistic Madness⚡️⚡️* ULtra BaDness*☄️

The Jak kicks the A-Side off with Gravity D-Lyte 🔊🎶 
Zodiac beAts the B-Side with The Final Voice 🗣🎶

(The Jak) Gravity D-Lyte(soundbyte)

Die Orakel long time collaborator Edward gracefully reappears with a three track emission called Time Stretch. Edward’s appliance of the titular technique is not restricted to various sonic elements at all, as it extends to the tracks’ mental notes and their trajectories beyond the digital realm. 

Time Stretch fills the entire side A with vibrant sonic elements, a warm bassline along an eerie pad, all on top of a straight and punchy bass drum. La Grotta’s signature melody, plus chirps and cowbells, inject a slight touch of exotica to the musical meta-data, while time stretch artefacts refer back to a befittingly themed EP. Finally, the undercurrents of Black Sea evolve along a modulated melodic pad, a pulsating bass and beat structure, and a light 90s IDM morse figure on top of frequency sweeps.

PREMIERE : Edward - Black Sea

Keep it steady, pass through alone, in some city without any friends

Big thanks to Loz, Amarz, Nesh, Ana & João

Experimental musician and performer Moss Kissing debuts on vinyl for Lisbon collective Vilamar. Thick layers of ambience and intense bass weight form a canvas for plaintive melodies and brooding dance rhythms. These latter range in tempo and gait from dubstep to techno to jungle and back again, summoning contrary moods often within the confines of a single track. This freedom with form arises from Moss Kissing’s background in noise guitar and his current focus on dynamic improvisation led hardware jams, which have gained him notoriety around his chosen city of Lisbon. The British connection is unmissable, though, as the Pass Through LP is haunted by many of the spectres conjured by FSOL, Autechre and Burial before it. As with their previous releases, Vilamar bring to light an artist playing with the boundaries of dance music without ever losing sight of what’s at its core: the physical texture of bodies and minds in space, moving, seeking connection.

All tracks produced by Moss Kissing
Mastered by Angstrom
Artwork by James Usill & Sky Goodman
Layout and text by David Rubio Meau

Pass Through

Pass Through LP - VMRLP002

VMRLP002 - Moss Kissing - Pass Through LP (Snippets)

Here we are with second volume of our yearly compilation!!! 

Pho Beat Bazar embodies the classical atmosphere you breathe in an Asian Market, a jumbled stand where who is patient enough to root around can find the oddiest goods. 
 It's a shared virtual place where different artists come close together through the power of music.
credits
releases July 12, 2022 

Mastered by Ruud Lekx 
Artwork by Federico Spini

Pho Beat Bazar Vol. 2

Matteo Coffetti - Frambo's Wood

Artist: https://soundcloud.com/enceence
Track: Untitled
Label: https://soundcloud.com/silvaelectronics
Format: Digital LP
Release date: 28/02/23
YouTube: https://youtu.be/Hu1pRP23LoI

“Days On End” serves as a sonic archive of mid-pandemic moods. Through a collection of live-recorded tracks, it captures a raw, creative burst from Solotape during a period of stripped-down production. Signature rhythm-work and gritty sound design return for this extensive collection, released in two parts.
“I was kind of burnt out on music early during the pandemic - everyone at my house was suddenly home all the time and I never had any alone time to work on it. Eventually, I ended up renting a shared rehearsal spot nearby in San Francisco. My audio interface was still at home when I first moved in there, so I didn't have a way to digitally record. I brought my tape deck instead and pressed record when things started sounding good.”
“My whole setup was pretty basic with less instruments than I usually have. There was a sort of simplicity to making stuff that I think was good for me. I was just excited to work on music again, and wasn’t obsessing over the technicalities. I didn’t have any particular plans for what I was recording, and just set the tapes aside for a while. I had forgotten most of what I had recorded by the time I returned to them months later. I didn’t know what to expect once I listened back and essentially rediscovered all of the material like it was new. The tapes felt like a physical little time capsule of an earlier period. After I realized that I liked what I had made, I dubbed the tapes to digital and made some edits to clean them up. Almost everything from the three tapes is included here.”
Despite this simplified approach (or perhaps because of it), Solotape has created a body of work that is full of excitement, joy, and playfulness, as well as frustration, catharsis, and dread. At times rambling, at others immediate and visceral, it resembles a series of vignettes, tied together through a common tonal palette and form rather than emotional valence. “Days On End” strikes a balance of raw emotion and analog textures, providing an honest snapshot into the artist's internal world.

Days On End (pt. I)

PREMIERE | Solotape - Untitled [Silva Electronics] 2023

Out now on Adepta.
Buy: https://adepta.bandcamp.com/album/the-amen-experience

Artist: @pearl-river
Label: @adepta

[Premiere] Pearl River Sound - The Horny (out on Adepta)

Настроение Gescom

A sound story from across the globe all the way up from Japan, King Rambo Sound shares with us dystopian deconstructed rhythms and leftfield soundscapes. Having recently released an EP on his label A2 Production, his imprints on labels such as Unknown Precept, Hard Return, New York Haunted are extremely unique and worth coming back to.

NWAQ - Above EP (LASTAGE01) snippets

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