The Visitor Arrives by William Wright from the film The Green Planet directed by Brandon Paradise

About the film

An interdimensional traveler visits a flourishing green planet abundant with strange life.

The Green Planet demonstrates the capabilities of a newly developed process of AI video generation. This process, called AI Composite Animation, makes it possible to tell narrative stories with AI generated video. By reducing the incoherent and unpredictable nature of traditional AI video methods, AI Composite Animation allows for characters and locations to remain consistent from shot to shot. While simultaneously achieving a greater level of cinematic control over the camera. Turning AI video, into AI film.

The Visitor Arrives by William Wright

SENTINELS composed by Elliott Lanam for the film Sentinels directed by Matthew Luhrman

About the film

Determined to save her father from a worsening illness, an
imaginative girl attempts to conjure magical guardians to protect
him. But when her tempestuous younger brother sabotages her
mission, she must find a way to heal the rift before her whole family crumbles apart.

SENTINELS by Elliott Lanam

Conceal by JPCanal from the soundtrack of the film Consolation directed by Hannah Decker

About the film Consolation

Mankind faces the consequences of climate change and technological reliance when oxygen runs out in a future society's safety bubble. A young woman reflects on her life inside the bubble and makes a profound decision in her final moments.

Conceal by John-Paul Canal

Underwater by Gabriele Pezzoli from the soundtrack of the film Mission Asclepios directed by Patrik Soergel

About the film

A group of young space enthusiasts from all over the world decides to simulate a mission to the moon in a vast underground complex in Switzerland. An old military fortress which, with its long tunnels dug into the rock, recalls the lunar subsoil.

Mission Asclepios (Original Soundtrack)

Underwater by Gabriele Pezzoli

The Fight by Alexander Arntzen from the soundtrack for the film Zero Method directed by Ben Myers

About the film

It's 2082, and a renegade chrono-refugee joins a cult of rogue time travelers, risking everything in a desperate attempt to break the prime rule of time travel that separates him from his old life; going to the future is permanent, but travel to the past is only temporary.

The Fight by Alexander Arntzen

Curse of the Cosmos - original score by Joe Friend

About the film

Two astronauts attempt a dangerous mission on the edge of the universe.

Director Biography - Michael Dorfman, Emmett Dorfman, Maxwell Dorfman

We are experimental filmmakers from Los Angeles, California! We combine live action, stop motion, green screen and practical visual effects to create original and amazing short films!!

Curse of the Cosmos - original score by Joe Friend

RESTORE by Vishnu Saiz

A post-apocalyptic, sci-fi drama about the last man on earth. Jason employs holographic tech to recreate a special memory with his partner, Brian. But, to rebuild his old world, he must connect all of the pieces.

RESTORE by Vishnu Saiz

Nail Him by Quentin Chiappetta from soundtrack for the film Found In Time

More comfortable expanding sonic and musical boundaries than being confined by them, Quentin enjoys an unusually wide-ranging creative career as a composer, sound designer and mixer for the stage, the screen, and the art world.

Quentin’s music can be heard in hundreds of broadcast series, films, installations and stage productions. He has mixed and created immersive sound design for everything from film to multi-channel permanent installations in museums around the globe. Quentin founded Medianoise in 2000.

Nail Him by Quentin Chiappetta

OSMOSIS film score by Mirko Rizzello

About the film Osmosis directed by Dave Lojek

Brazilian mission commander Sam struggles with establishing a stable connection from earth to his lover. German scientist Joy explores planet Kepler 452b at her research facility for Alchemy Plasma, a revolutionary energy source. Their long-distance relationship faces doom, when alien Dardesh invaders attack the human outpost, 1400 light years away.

OSMOSIS

OSMOSIS film score by Mirko Rizzello

This was the week it all started. Everything was cancelled and it was unlikely we'd be going anywhere soon. Out of fear and depression came this spaghetti western style new wave song recorded on the Sunday morning we knew we weren't going back to work.

credits
from Quarantine, released April 24, 2020
Bass guitars, synthesizers, drum programming, samples performed by mike b. Inspired by Sergio Leone and Clint Eastwood and the band Big Country

- - - - - - - - - - - - 

While others emptied the store shelves of toilet paper, one man new he had one chance to get to his storage space and grab every synthesizer, patch cable, vocoder and guitar in his stockpile.

NWSPR was in this for the long haul. And Quarantine is his chronicle of the first 5 weeks. Best described as a home brew of Spaghetti Western punk and new wave recorded in the kitchen (between meals).

Full EP and Bonus Tracks available at: https://nwspr.bandcamp.com/album/quarantine

The Good, The Bad, and the Bass

From release "Screamers Demo Hollywood 1977," forthcoming on Superior Viaduct, 2021. www.superiorviaduct.com

Screamers Demo Hollywood 1977

Screamers - Punish Or Be Damned

New Wave Solar Powered Robots = electronic music for robots by robots

The Good, The Bad, and the Bass

nwspr

Related tracks