@yura_gorodezkii: фабрики интересней на мой взгляд и они микс, а это лайв. спасибо)

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IYv - Už Kalnų. Taken from the album “Upės” out on Vrystaete / Enfant Terrible (Vrystaete15 / 2022).

More information and sound previews here: https://www.enfant-terrible.nl/releases/iyv-upes/

Upės

IYv - Už Kalnų

B2. Andogred

extract from the A-Side of the JOE COLLEY 10inch "Acting As If" released in the Substantia Innominata series in December 2022. 
order it here:   https://www.dronerecords.de/album.view.html?album=21114

press release: 
MECHANICAL RITUALS: 23 years after his EP for Drone Records (DR-28, as CRAWL UNIT) we are proud to release another / new work of conceptual / minimal / object drone artist JOE COLLEY from California.   
We think JOE COLLEY (*1972) is a master of using mechanical object sounds and electronic static, but also strange low fi found found sources and field recordings, creating alienating, surrealistic effects, similar to the likes of SMALL CRUEL PARTY, JIM HAYNES, DAS SYNTHETISCHE MISCHGEWEBE or even the more experimental side of ZOVIET FRANCE...  
His newer compositions seem always to be filled with electro-magnetic hummings, strange hissing and the pourings of metallic objects as a basis, but you never find the use real instruments, synths, or masses of effect procession. Thus a very own scent of mystery appears, as all of these radiations are not really from this planet, without any "cosmic" connotations..
For the creator, these sounds are connected with unreal emotions of "Being Lost", a mistrust in what may be called reality, and a general feeling of alienation... - you can only wonder how this can result in such beautiful droning expanses.. 
Presented here are over 30 minutes of very best new COLLEY material (entitled   "Limit / Limit"  und "Always I / Always II") => through these drones of strangeness the mind is thrown inside an unrecognizable and confusing realm of broken electricity and something like audible-made atmospheric pressure.. 
Lim. 300 copies with artwork by dutch designer and micro label hero MEEUW, using a special silver print (on reverse board), BLACK vinyl. glossy black inner sleeves.

REVIEW:  "When Joe Colley speaks about his work and even about his life, he shrugs in an awkward attempt to stave off an existential frustration that not only his work addresses but also seems to consume his identity. There are numerous metaphors through his titles that allude to endless failures and a nihilism full of contempt, but Colley also implores a desperate urgency to express these poetics no matter how painful they may be. For three decades now, Colley has been a central and persistent figure in the California noise community. First recording under the moniker Crawl Unit and running the short-lived Povertech label, Colley presented a preternaturally strong acumen of electro-acoustic techniques and abstraction through a vast language of blistered textures, atonal noise, and gnarled drone. By 2000, he dropped the Crawl Unit moniker in favor of his own name with an ongoing discography of damaged yet exploratory electronics. 

Colley returns to Drone Records for this 10" on the Substantia Innominata series, many years after his Crawl Unit "Tuscon Mon Amour" 7." In describing "Acting As If," Colley offers a vague series of descriptors: unheimlich, terror of the familiar, and no faith in what is "real." Within the sustained movements of scrabbling textures, motorized abrasions, and uncomfortable harmonics, such conditions are made manifest and Colley amplifies them into something eeriely sublime. 
All of that held within a self-contained logic that works within and against his deep knowledge of drone-on minimalism, musique concrete dynamics, and the explosiveness of noise culture. His swarming masses, throttled rumbling, and smoldering tension are all encircling and folding in on themselves. Rhizomes of sound that speak poison. Drink up, if it doesn't kill you, it will only make you stronger. "- Jim Haynes / Northern California, 2023

JOE COLLEY - Limit (edit)

SHU-GOON

Vexd - killing floor
Cercle Futur - cantique du soleil  noir
Savier - bulk bogan (opine kosinsky kiwi protein remix)
Ed Devane - wharf feat scurvy lass
Jega - steel drum
Scorn - flap
J/K Flesh - dogmatic
J/K Flesh - posthuman
Phoenecia - odd job discrimination (otto von schirach tre duece ave. smash &  grab)
The Bug - beats bombs bass weapons
The Bug - politician & pedophiles
Miss Red - war
Somatic Responses - noggins revenge
Scorn - can but try
Kero - 2advanced4you
J/K Flesh - nothing is free
Savier - bulk bogan
Loraine James - dark as fuck

Boogaloo Special: Ibuprofen Mondays

Remix on @o0one8 track from the album Praise the Queen of The World

0018 — Wild Terrors Creep And Hover (Nadja Sky Remix)

009

 On this episode of F.B.I. Pathology Report we explore the conflict in Northern Ireland that lasted for about 30 years from the late 1960s to 1998, known as The Troubles.
For this episode, I decided not to write a description for it's facts, 
placing a selected piece from a poem by Douglas McClarty instead.

"Yet I remembered when we all seemed to be free
When we played together Seamus, Paddy and me
At a time when our names didn't condemn us to blame
If you were a child of the troubles.
Both sides trying to score more killing points
A grotesque game played out each day
Why should they make us all pay
If you were a child of the troubles.
Somehow one day the killing all suddenly stopped
Then it was just shouting about who was to blame
It's much better than bombs, bullets and blood
If you were a child of the troubles."

 The ironic resemblance of past & present situations that reminds of the famous quote “Those who cannot remember the past are condemned to repeat it.” by George Santayana [The Life of Reason, 1905. From the series Great Ideas of Western Man,] & a writing found on Maurizio Bianchi's industrial masterpiece [& one of the pioneer artists & records of the genre] "Symphony For a Genocide" [1981], stated as the moral of the work itself, quote 
"The past punishment is the inevitable blindness of the present".

Sin of The Father/Hands Of Providence is a multifaceted project based in London.
Operating and collaborating with Islington ARts and performance collective Chronic Illness. Using array of contrasts/juxtapositions and contradictions within his artwork & audio projects, his approach is to explore duality of things found along the way.

https://www.instagram.com/sinofthefather/
https://www.instagram.com/chronicillness_sewage/
https://soundcloud.com/marco-conway

F.B.I. Pathology Report 009 w/ Morgan Hall invites  Sin of The Father (19.01.24)

Out Of Theory

JSR060624vers2

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Une voix parcourt le Rhône - I
Cette œuvre de Julie Rousse est le fruit d'une recherche qui a commencé en 2019, travail au long cours donnant corps à la voix du fleuve Rhône. Field recordings, procédés expérimentaux et création sonore.

Une voix parcourt le RhÃ´ne

III - Coeur de Fleuve

fast and brutal harsh noise cutups mixed with lo-fi synth atmosphere 

active since 2010

side projects:
@andreevka
@neolithic-nation

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.nyctalops.

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Village Creeper ◊◊

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Deprecation

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