Ansiedad Toxica - Beep

In ‘Next Life’ the ashes of Tzusing’s tracks are reanimated by some of his favorite producers.

Tzusing - 風雲再起 (Dirty K Wakanda Theme Variation)

Arena 

Disponible en Bandcamp FL:
https://undrwght.bandcamp.com/track/arena

Arena

DOWNLOAD

SLIKBACK X SWORDMAN - 22GAZA

On New Existence, personalbrand presents three fidgeting, hyperactive tracks that use grime-inspired motifs and experimental club influences to communicate a sense of future shock, the feeling that change and transience has become so rapid that it is now overwhelming. Yet rather than becoming preoccupied with cascading catastrophes, the tracks' more abrasive aspects repeatedly interact with organic elements, alluding to decelerated ways of living that combine technological development with appreciation of the natural world.


personalbrand makes experimental electronic music and is currently based nowhere in particular. Realising the futility in earlier fixations on dystopias and doomerism, he now uses music to explore how visions of hope might be reflected in the shards of our contemporary failures.

Producer, curator, and founder of experimental label POSTWORLD, the current iteration of personalbrand is exploring how visions of hope might be reflected in the shards of our contemporary failures. Despite his moniker, he is presently focused on illuminating the music and art of others that share this anticipative outlook.

personalbrand has released music on TAR and Over My Body, and is a former resident DJ at Taipei's FINAL.

New Existence

Disurbanism ( B_E_N_N_ REMIX)

𝙥𝙚𝙧𝙨𝙤𝙣𝙖𝙡𝙗𝙧𝙖𝙣𝙙 - 𝘿𝙞𝙨𝙪𝙧𝙗𝙖𝙣𝙞𝙨𝙢 ( 𝘽 𝙀 𝙉 𝙉  𝙍𝙀𝙈𝙄𝙓)

Since his first productions emerged back in 2010, Munchi has put his own spin on everything he's approached, bending moombahton into breakcore and creating moombahcore fusing skullstep and trap and making skulltrap, and curving bachata and merengue … . A voracious listener, he's been able to absorb sounds from across the diaspora - from reggeton and baile funk to Dutch bubbling and Chicago juke - and effortlessly engineer his own twist, creating tracks and mixes with a journalistic hunger for storytelling and contextual deconstruction. Blogger and musicologist Wayne Marshall even coined a separate genre for Munchi's diverse spread of genre-agnostic productions back in 2010: Munchiton. Since then, Munchi has worked with M.I.A. and Pharell Williams among others, and remixed everyone from Skrillex to Nguzunguzu, Noisia to Buraka.


 "I Love Mambo" was put together in 2010 for Dave Quam's notorious It's After The End Of The World blog. It was Munchi's first proper mixtape, and matched a handful of his original productions with his favorite tracks from the Dominican Mambo canon, that had evolved throughout the 2000’s after merengue ... even got more stripped down with live instruments replaced with digital sounds with the use of daws like fl studio. Munchi was fascinated by this music at the time, downloading everything he could get his hands on, scraping the internet's darkest corners for "the cheapest, cheesiest, dirtiest, most Fruityloops-ish" tracks. He laments that this era has come and gone, leaving "polished, pretentious and almost soulless" reggaeton to dominate the landscape. "At least when the rhythms were extremely raw you could feel the energy and spirit in it," he says. "It felt like it was alive and breathing." Listening now, the mix sounds as raw, fresh and vital as it did back then, brushing the dust off an often forgotten and certainly misunderstood moment in the history of Dominican music. At any moment the tracks sound so brittle they could collapse completely, only to be bolstered by a swift beat flip, vocal chop or cheeky bass drop. Over the course of an hour, Munchi accompanies us on a thrill ride through a genre that's left an indelible mark on dance music throughout the Caribbean and further afield. … "I Love Mambo" serves as a critical missing link. Munchi's "Detonao EP" is a collection of unreleased material recorded in Rotterdam between 2008 and 2010, and is among the most experimental, minimal and uptempo material Munchi has put his name to. Here he purposefully approximates the kind of jerky, plasticated speed dance that used to dominate the Dominican scene, offering his own spin on the mambo sound. Each track is unsettlingly clean, assembled from detuned toybox pianos, radio sting voices and cheap, groggy horns: opening track 'Damu Mambo' crashes into view thru hollow clunks, horror movie voices, pained air horns, glass smashes and rolling snares before ceding to looped vocals and "X-Files" whistles.In the wrong hands, this chaotic assemblage would be as playable as nails on a chalkboard, but Munchi's genius lies in his ability to massage almost anything into a coherent groove. There are even parallels to be drawn with Portugal's wiry batida sound, and Tanzania's hi-nrg singeli (just check those pacy percussive sounds on 'Comenzo El Party'). There's a sense that Munchi is aware of everything existing in the same continuum, shuffling through Dutch bubbling scrapes and bassline womps on 'Luis Esta Seguroski VIP', and mind-altering 'Percolator' trills on the hypnotic 'Ayoba Mambo'. A history lesson and wild-eyed cultural mashup that'll leave you breathless, "Detonao" is proof that Munchi is operating in a league of his own.

Que Maldito Disco

@lilatirandoavioleta
https://lilatirandoavioleta.bandcamp.com/track/lila-tirando-a-violeta-sayveeyun-whirlwinds-wrack-remix

Lila Tirando a Violeta & Sayveeyun - Whirlwinds (WRACK Remix)

Boomkat Product Review:

Heavy-duty Indian soundsystem carnage by its leading proponent DJ Smiley Bobby, on Uganda’s immense NNT - unmissable for anyone wowed by recent videos of Indian sound clashes, priming the label for incoming heat by DJ TSR.

A proper mazza from Maharashtra State in Western India, DJ Smiley Bobby’s ‘Dhol Tasha Drum Exercises’ presents nearly an hour of up-to-the-second, electronic re-interpretations of ceremonial drums. It’s a full-frontal example of the rave energies in BRIC countries currently catching fire internationally, paralleling innovative mutations of Baile funk in Brazil or from the Svbkvlt lot in China with a ruthlessly rough brand of dancefloor discipline that sharply bends tradition into the hot present. Yr ears will not deceive you - DJ Smiley Bobby’s gear is frankly some of the sickest we’ve heard in a minute and we expect this introduction to be prized by any ravers unsatisfied with Western club music’s increasing tendencies to imitate-not-innovate.

First formed by the late Shri Appasaheb Pendse in the ‘60s, Dhol Tasha Drum exercises were originally performed on a sort of acoustic kettle drum but became electronically adapted in recent years thanks to the likes of DJ Smiley Bobby and peers including DJ Aasif, DJ Ammy, and DJ TSR, the latter of whom is due to drop an album with NNT this year. DJ Smiley Bobby’s introductory session finds the sound at its stripped down and breathless best with a ceaseless battery of drums and percussive madness that truly puts willing bodies thru their paces as the mixtape steps from side A’s 90-110bpm workout to its 150bpm ‘Hard Drum Sound System’ on the flip.

Also kinda mirroring the way DJ Plead has flipped Arabic drum styles, how Bilou XIV have transposed Senegalese mbalax drum patterns onto machine grids, or DJ Diaki’s Malian balani knee-ups, we’re certain this one will light up the pleasure centres of proper dancers everywhere, and dovetail with the sort of thing Beatrice Dillon makes, or anyone who’s been scouting zones where Indian bhangra and UK rave music bump fists, a la Mick St. Clair’s remixes of Nusrat Fateh Ali Khan.

Un-fucking-missable!!!

DJ SMILEY BOBBY - Dhol Tasha Drum Exercises from Maharashtra (sampler)

Buy : gridrecords.bandcamp.com/album/sans-rel-che
Stream : li.sten.to/vcjyvgex

To celebrate Grid 2nd anniversary, we gathered together thirteen earth-shattering tracks from the bass scene’s most promising creators, all aimed to move you in the most primordial way. Evoking images of vast landscapes and deep underground catacombs.

This compilation takes the listener deep into the earth with twisted percussion workouts from the likes of Jabes, Piezo, Ronan and Sister Zo… and back into the light with serene compositions from E-unity, Tammo Hesselink and A Psychic Yes, whilst Jay Duncan, Basile3 y Clara!, Jonny From Space, Flaty, Seekersinternational, and blu-e join the dots with their genre-defying creations.

As was the case with Grid’s previous compilations 'Improvisations' and 'Da Capo Al Coda', the label once again puts its stamp on a moment in the underground by collecting together productions of the highest quality that push the boundaries but undeniably make you want to move.

1. Tammo Hesselink - Paint Reduce Trick
2. Ronan - Shadowbox
3. E-Unity - Of all the places I could be
4. Basile3 y Clara! - Respira
5. Jay Duncan - Frog Work
6. Jabes - Gaol Figure
7. Seekersinternational - Guide Dem Selecta
8. blu-e - Taken A Turn
9. Jonny From Space - Never The Right Time
10. Sister Zo - EMP
11. Piezo - 4e4u
12. A Psychic Yes - Moz Loves Frogs
13. Flaty - Crossmath

Mastered by Krikor Kouchian
Artwork by Unité Services

Supported by : Akanbi, Anaco, Animistic Beliefs, Aquarian, Aroent, Atrice, Ayesha, Batu, Bill Kouligas, Blank Patrick, Blume, Borusiade, Celestian, Ciel, Cleyra, Danielle, De Grandi, Deena Abdelwahed, Deft, DJ Voices, Doctor Jeep, Ed Davenport, Eric Cloutier, Flore, Formally Unknown, Forest Drive West, Giant Swan, Giulia Tess, Gramrcy, Henry Greenleaf, Huerco S., Glances, Jay Carder, Joanna OJ, Jurango, k means, Kaval, Kouslin, Hassan Abou Alam, Laced, Laksa, Lee Gamble, mad miran, Madam X, Mia Koden, Mumdance, Nazira, Neinzer, Nick Craddock, Oceanic, Ojoo Gyal, Om Unit, Oxyd, Pearson Sound, Ramzi, Realitycheck, Rhyw, Romy Mats, rRoxymore, SHE Spells Doom, Shifted, Slam, SSSLIP, Sofay, Solid Blake, Soso Tharpa, Steve Barker, Syz, Tia Cousins, Unknown Mobile, Valesuchi, Will Hofbauer, Wordcolour, Yilan, Zenker Brothers and more.

Basile3 y Clara! - Respira

Absolutely killer 10-tracker debut album on Hakuna Kulala by Russian avant-club producer and DJ Wulffluw XCIV. Designed to cause serious cerebral and physical damage on dance floors across the world.
Innovative and genre-blending, Wulffluw XCIV incorporates industrial/EBM techno and synthetized tones with dembow rhythms, kuduro and gqom to forge layered corporeal music with no geographical borders that feels vast. Each track is richly textured, surgically produced with agility and fierce finesse connecting a barrage of sounds and cultural influences plus high doses of playful and visual appeal. Wulffluw drops multiple emotional club bangers that are intriguing and jittery, marked by the front, harsh and unrelenting percussions, and enriched with repetitive sonic explosions, haunting vocals, cyberpunk ambience, and emphasized loud-soft dynamics. Standout tracks include Ash Bay and the psy-trancy Endelea.
With this album (was he in residency here in Kampala?) Wulffluw XCIV's reveals a vigorous artistic sensitivity defined by his interest in connecting disparate communities and diasporic styles. In the past he has collaborated with musicians from all over the world, among others Ink Midget, Santa Muerte & Rafa Maya, Blastah, Nahshi, Yoshitaka Hikawa, AN System, Icy Flame, and Whiterose.

Ngoma Injection

Durilla

Nyege Nyege Tapes is a Kampala based label exploring, producing and releasing outsider music from around the region.

For bookings email: tapes@nyegenyege.com

Que Maldito Disco

Nyege Nyege Tapes

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