More on this 426th weekly Disquiet Junto project — Cellular Chorale / The Assignment: Make music with the source audio from (and inspired by) a Patricia Wolf project — at:

https://disquiet.com/0426/

Thanks to Patricia Wolf for collaborating on this project.

More on the Disquiet Junto at:

https://disquiet.com/junto/

More on Wolf’s Cellular Chorus at:

https://www.cellularchorus.com/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0426-cellular-chorale/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

The image associated with this project is a still from a video, provided by Patricia Wolf, of a Cellular Chorus event.

Disquiet Junto Project 0426: Cellular Chorale

Le château dans le ciel

Resonance in the Forgotten Tree Fort

This week’s podcast features music made by Naviar’s community inspired by 
Ozaki Hosai’s poem “The gate shuts / with a loud groan / The temple sleeps”

https://www.naviarrecords.com/2023/07/12/naviarhaiku497-the-gate-shuts/




Tracklist:

noksidam - The Gate Shuts The Temple Sleeps
zenbytes - the temple sleeps
Estetiche dell'Alienazione - Settembre - The Gate Shuts
windspace - Restless Sleep
mikey_a - Temple Sleep
ablaut - the temple sleeps
Raymond Stull - Stormless Minds


Credits:

music intro: “This ruined house” by Tuonela
voice intro: Ian Joyce
cover image: Micah Hallahan
voice reciting the poem: Marco Sebastiano Alessi

Naviar Broadcast is a radio programme curated by Naviar, broadcasted on Resonance Extra every Wednesday at 7pm UK time. Thirty minutes of experimental music made in response to a weekly assigned haiku poem.
To have your music featured on the show, you'll have to participate in the Haiku music challenge: https://www.naviarrecords.com/about/naviar-haiku
support the show: https://www.naviarrecords.com/support-us/

Naviar Broadcast #278 – The gate shuts – Wednesday 26th July 2023

@ttuttle: drumset, percussion, xylophone, misc
doug: bass, zither, bulbul tarang, percussion, strings, harmonium, misc

poopy pup

Live act recorded at Habitat Festival 2023
Hamburg, DE

*Hardware live with machines: modular synthesizer, sampler, looper, polyphonic synthesizer, effects.

An On Bast LIVE at Habitat Festival / Hamburg 2023

Tracklistings Radio Show #142 (2023.08.07) : Dj Vtr (After-hours) @ Deep Space Radio

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Every Friday at 9AM (EST)
▶︎ https://deepspaceradio.com
▶︎ https://soundcloud.com/tracklistings3-0

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Dj Vtr ("Avidya", facet under which he produces Electro/Techno, and "Mutki", where his IDM vein sprouts out). This versatile artist from Madrid moves between different styles with astonishing ease. His sessions and productions can be framed within Electro, Techno and IDM.

AllanGrey is his other dj aspect of his with whom he navigates through Soul, Funk or Jazz.

He is an active member of the Antizer0 ( https://soundcloud.com/antizer0 ), Atzlán and Misión 115 collectives.

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Tracklist : 
01. Nearfield - One Moment
02. Blochemy - Sone
03 Kero - 3-21
04. Iameb 57 - HpfrxX3
05. Nukua - Gran Trg
06. Enabl.ed - Crayon Mouth
07. Proem - Your Bones Back Together
08. User 404 - Homecookdbeatz
09. Tapage - Ancient Tiger Proton
10. Miori - Rapier
11. Min-Y-Llan - His Hell (Plaid Remix II)
12. Nukua - Scaler thesis
13. Tapage - 114120all
14. Recue - Bright & Ascending
15. Kid Bucle - Branquia
16. Sk'p - Gyo
17. Aphex Twin - End E2
18. Super Collider - Messagesacomin

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Follow Dj Vtr (Avidya / Avenue313 / Mutki) :
Soundcloud : https://soundcloud.com/avidyasound
https://soundcloud.com/mutki
https://soundcloud.com/user-647125774
Bandcamp (ANTiZER0) : www.antizer0.bandcamp.com
Bandcamp (Aztlán) : www.aztlan.bandcamp.com
Facebook : www.facebook.com/djvtr.avidyasound

Follow Deep Space Radio :
Facebook : www.facebook.com/deepspaceradio365
Instagram : bit.ly/37P3YbE
Mixcloud : bit.ly/3Nhx2HV
Twitch : bit.ly/3MpA1OG
Twitter : bit.ly/3Ptkter
Website : www.deepspaceradio.com

Deep Space Radio

Tracklistings Radio Show #142 (2023.08.07) : Dj Vtr (After-hours) @ Deep Space Radio

Third track I made on m8, called starling because I sampled and chopped starling bird sounds for this one. Was quite fun first chopping the sample and then trying to write the bass around it and figure out the off-kilter rhythms present in the sample

Starling

Trails of Memory

pursuit of light

Just got a new module so this is my first jam with it! Module I got is called veno echo. It's this very versatile delay with a bunch of clever routings. Here i am running it through a mid/side processor to get different delay times and feedback on mid and side parts of the signal.

Really enjoying the module, it's excellent for dub delays, sounds amazing and full - I don't even feel like I'd add a reverb here.

Veno Echo Jam

More on this 425th weekly Disquiet Junto project — Cellular Chorale / The Assignment: Make music with the source audio from (and inspired by) a Patricia Wolf project — at:

https://disquiet.com/0426/

Thanks to Patricia Wolf for collaborating on this project.

More on the Disquiet Junto at:

https://disquiet.com/junto/

More on Wolf’s Cellular Chorus at:

https://www.cellularchorus.com/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0426-cellular-chorale/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

The image associated with this project is a still from a video, provided by Patricia Wolf, of a Cellular Chorus event.

Cellular Chorale - disquiet0426

More on this 426th weekly Disquiet Junto project — Cellular Chorale / The Assignment: Make music with the source audio from (and inspired by) a Patricia Wolf project — at:

https://disquiet.com/0426/

Thanks to Patricia Wolf for collaborating on this project.

More on the Disquiet Junto at:

https://disquiet.com/junto/

More on Wolf’s Cellular Chorus at:

https://www.cellularchorus.com/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0426-cellular-chorale/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

disquiet0426

I didn’t expect the first experiment to sound any good, so I just laid all bar one of the samples out in sequence (in name order), adjusted its length to 21 minutes and cut it into 3 equal 7-minute tracks. These were laid over each other to play simultaneously. These were duplicated with slight reverb.

I took one short section, which sound a bit like part of a synth arpeggio, and made two longer sequences out of it. The second, towards the end, is downpitched and equalised to sound like an older synth.

The long Montezuma Oropendola clip was stretched to 7 minutes, then ruthlessly reverbed and put through Abstract Chamber to create a dreamy ambient background. This is the only track that sounds different to the source material.

Finally the last 30 seconds of the mix was duplicated, reversed, reverbed and appended to the mix, creating the quirky faded ending.

What amazed me was how logical, structured and ‘composed’ the result sounds. A tribute, I think, to Patricia’s choice and range of sounds.

All done in Audacity using basic effects and plugins.

----------------------------------------------

The Assignment: Make music with the source audio from (and inspired by) a Patricia Wolf project.

Step 1: This is a collaboration with Patricia Wolf, based on her Cellular Chorus. Check it out at:

http://cellularchorus.com 

Step 2: Download the 64 source tracks of the Cellular Chorus at:

https://www.dropbox.com/sh/v0w2kl69ys9bzvx/AAC4Ydqg7KeGCuICxO6gIipEa?dl=0 

Step 3: Create a new piece of music using only the source audio. Use as many of the samples as you’d like, but don’t add other sounds, or process the samples to any extent more than slightly altering the individual material.

Background. Patricia Wolf has said of her original piece: “Cellular Chorus is a work of spatialized aleatoric music using smartphones to bring people physically closer to have an interactive and collective experience with light and sound. The piece is played by each user visiting Cellular Chorus on their smartphones. … The sounds I made are meant to harmonize. There is no right or wrong way to play them. The intention of this piece is to repurpose your smartphone for deep listening, creative experimentation, and to immerse groups of people in a sound and light environment with face to face interactions.”

More on this 426th weekly Disquiet Junto project — Cellular Chorale / The Assignment: Make music with the source audio from (and inspired by) a Patricia Wolf project — at:

https://disquiet.com/0426/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Cellular assembly [disquiet0426]

Disquiet0426 - Cellular Chorus

Patricia Wolf  3 samples 
release date : 28_02_2020
More on this 425th weekly Disquiet Junto project — Cellular Chorale / The Assignment: Make music with the source audio from (and inspired by) a Patricia Wolf project — at:

https://disquiet.com/0426/

Thanks to Patricia Wolf for collaborating on this project.

More on the Disquiet Junto at:

https://disquiet.com/junto/

More on Wolf’s Cellular Chorus at:

https://www.cellularchorus.com/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0426-cellular-chorale/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion

Little Song (disquiet0426)

Recently I've tried out the phasing technique of looping (https://en.wikipedia.org/wiki/Phase_music), which was popularized by composer Steve Reich. 

As I really liked the idea of the Patricia Wolf project (see below) I've used this technique on some of the vocal parts she provided and I'm really glad about the opportunity of participating. 

My piece was puzzled together in Ableton Live, only some detuning, looping, cutting and reverb were added.

More on this 426th weekly Disquiet Junto project — Cellular Chorale / The Assignment: Make music with the source audio from (and inspired by) a Patricia Wolf project — at:

https://disquiet.com/0426/

Thanks to Patricia Wolf for collaborating on this project.

More on the Disquiet Junto at:

https://disquiet.com/junto/

More on Wolf’s Cellular Chorus at:

https://www.cellularchorus.com/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0426-cellular-chorale/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

The image associated with this project is a still from a video, provided by Patricia Wolf, of a Cellular Chorus event.

Hmm Aah - disquiet0426

home recording electronic artist.
member of @zenvampires collective.

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

Hmm Aah - disquiet0426

nystada

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