Red Ballon #1

Thanks for jamming \m/

Lyrics:

I'm coming unbound and I'm falling out -
I'm gone so often.
I'm lost and enthralled. I'm afraid that I'll fall -
The hole I dig so often.

So happy, no frowns - my hairs falling out.
I'm here so often.
Screaming at the walls, I'm shocked the neighbors haven't called -
Like, fuck, it feels so often.

That wave goodbye - that kiss goodnight.
Cyclic in our way of life.
Grasped so tight, can't let it die.
Need to settle down, it's worth the fight.

I hoped that I'd find some peace of mind as I -
drive for miles.
Instead all I've found's that I'm chasing the ground - 
though, it's gorgeous out here. (It scorches out here...)

All happy, no frowns - it's all just in how I build my worldview.
So what respite comes to mind as the earth starts to die and we rejoice the view.

That wave goodbye - that kiss goodnight.
Cyclic in our way of life.
Grasped so tight, can't let it die.
Need to celebrate what passes by.

Settle down - it's worth the fight...
Need to celebrate what passes by...

All happy, no frowns from the earths falling out - we're here for just a moment.
So let go of the strife, it's not worth all your life - you're here for just a moment.

All happy, no frowns as the Earth's lying down - we had just that moment.

---

Oleka is the awareness of how few days are memorable.

Oleka

A Free to use beat made by Printz V 
(Remember that any use of my beats requires credit in the title    "(Prod. Printz V)"

MOONWALKING

This track was inspired by my ongoing journey to find myself. 'Free' embodies the vibes I wish to feel everyday of this beautiful life ✌🏼

Free

Celtic Blu

Musica Para Claudia

Within silence, the echo of being persists. Shadows hum beneath perception.

-- ABOUT Ouroboros: --

Ouroboros is a continuous loop of sound and sensation ... a Synthwave album built around renewal, decay, and the quiet pull of repetition. Across eight tracks, it moves from ritualistic lows to neon-soaked highs, tracing the arc of a system that’s always collapsing and rebuilding itself.

Pulsing basslines, glowing arpeggios, and atmospheric vocals that hover between human and machine, creating a seamless cycle that feels both ancient and futuristic ... the hum of an old myth running through modern circuits.

It’s not about nostalgia, exactly. Ouroboros sounds like memory folding back on itself ... the moment when light turns to echo, and echo turns to life again. Enjoy the ride!

Shadow Frequency

Finaly feel comfortable releasing my first proper album, please enjoy and rate, any feedback is welcome.

Neon Mirage

​Duo for Flute and Marimba - Music by Robert Paterson
Duration 15'
Performers: Sato Moughalian, flute; Robert Paterson, marimba

Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=1209

For more information: https://robertpaterson.com/duo-for-flute-and-marimba-six-mallet-version

NOTE: this work is also available as a version for four-mallet marimba:
https://robertpaterson.com/duo-for-flute-and-marimba-four-mallet-version

PROGRAM NOTES
There were two particular goals I had while writing Duo for Flute and Marimba. I wanted to write a piece that was substantially longer than a usual five-minute, one-movement chamber piece, and I also wanted to write a work with a marimba part that uses six mallets for someone other than me. Ingrid, being one of my most courageous friends, offered to learn this difficult technique if I would write a piece for Kesatuan.

This duo is constructed in three contrasting movements. Although the two outer movements have more in common with each other than with the jazzy second movement, shared motives, melodic fragments, textures and rhythmic ideas permeate all three. The flutist has an opportunity to use an alto flute in the last movement, and the marimbist uses six mallets in the first movement and five mallets in the third. My general goal with this duo is to squeeze as much color, contrapuntal interplay and excitement out of this combination of instruments as possible.

The first movement, Allegro Misterioso, is meant to have a somewhat soothing quality, defined by lightly ornamented flute lines and ostinati in the marimba part. The structure of this movement is essentially a simple A, B, A’ form.

The jazz-influenced second movement, Playfully Seductive, is written for a friend I met during the summer of 1998 named Elyse, with whom my wife Victoria and I became good friends. Elyse not only has a beautiful singing voice but also happens to be a flutist. During one discussion, she told me that her father played the role of Tony in the first Broadway production of Leonard Bernstein's West Side Story. A few times, we had fun playing and singing through her West Side Story songbook. During this movement, I refer to West Side Story and also to Elyse, her bass-playing ex-boyfriend (now her husband), Victoria and even myself through thematic leitmotifs. The form of this movement is similar to the first, in that the introductory material is re-introduced near the end of the movement.

The third movement, Vivace, is similar to the first movement in that it also contains ornamented flute lines and marimba ostinati. Themes are borrowed and developed from the first two movements, and both the first and third movements contain flute cadenzas. The end of this movement provides an exciting conclusion to the entire three-movement work.

Six Mallet Marimba

Duo for Flute and Marimba - I. Allegro misterioso

Duo for Flute and Marimba - II. Playfully Seductive

Delay

This light, calm track is inspired by pastoral classics from the 18th century. A velvet iridescent piano in the laconic frame of a chamber orchestra. The track is ideal for commercials, TV programs, documentaries, movies, TV series, cartoons, anime, games, vlogs and much more. If you want to emphasize in your videos such topics as health, taking care of children or the elderly, pets, education, ecology, positive thinking, nature, 18th century, classical, baroque and others, then this music is for you!

Masks

OLiN

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Jason Del Campo

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