I'm listening right now and enjoying this work. Nice performance!

2019|48 - #ComposersWeeklyPlaylistSoundCloud

This playlist is dedicated to the growth and development of music creators. The creators highlighted have posted their music for others to discover, while both actively seeking and providing support and constructive feedback on the music posted. 

===========================
Thanks again to all these composers for creating such great music!

To all listeners, I highly encourage you to LISTEN - LIKE - SUBSCRIBE.

If you really want to show some love, please leave the composer a comment on their post. The more love, the more that is created :)

This week's SoundCloud playlist features 

Albert Roda
  - http://bit.ly/SC-AlbertRoda

Alberto Bellavia
  - http://bit.ly/SC-AlbertoBellavia

Andrey Lubimtsev
  - http://bit.ly/SC-AndreyLubimtsev

Annie Smart
  - http://bit.ly/300b0oT

Brooke Pierson
  - http://bit.ly/2Il14Ou

Bruce Klepper 
  - http://bit.ly/32UszDU

Ewing Lauder
  - http://bit.ly/2tsu8JA

Florent Ainardi
  - http://bit.ly/2Jf5pT2

Haris Vucan
  - http://bit.ly/31xQs3G

Hybrid Orchestra
#N/A

Jaco Joubert
#N/A

James Newman
  - http://bit.ly/SC-JamesNewman

Jamie Rhind
  - http://bit.ly/31wdNDf

Jérémie Vinet
  - http://bit.ly/SC-JérémieVinet

Jess Henderson 
  - http://bit.ly/2YZBQNl

Jesse Voogt
  - http://bit.ly/30T1f86

Joshua Sohn
  - http://bit.ly/2KQFFgk

Jostein Kauserud
  - http://bit.ly/2KPVljV

Julia Lesnichy
  - http://bit.ly/SC-JuliaLesnichy

Kalle Edh
  - http://bit.ly/SC-KalleEdh

Kirill Belousov
  - http://bit.ly/2IkXBzh

Kjell Prytz
  - http://bit.ly/SC-KjellPrytz

Klaus Ferretti
  - http://bit.ly/SC-KlausFerretti

Michel Teixeira
  - http://bit.ly/SC-MichelTeixeira

Nathalie Itta
  - http://bit.ly/31ksc5t

Nathaniel Ehrnman
  - http://bit.ly/2YWZ7ek

Nicklas Löfstrand
  - http://bit.ly/2UXylSC

Nicolas Djebiri
  - http://bit.ly/2VsvOP8

nordic audio
  - http://bit.ly/2Ika3iY

Rick Riccled
  - http://bit.ly/SC-RickRiccled

Ronald Roumanis
  - http://bit.ly/SC-RonaldRoumanis

Sam Sergeant
  - http://bit.ly/301xX6y

Sean Calvo
  - http://bit.ly/SC-RamonCalvo

Sharon Gabrieli
  - http://bit.ly/SC-SharonGabrieli

Ted Maguire
  - http://bit.ly/2JSxcK8

Victor Birkan
  - http://bit.ly/2GA0adz

=========================================
IONIATE Weekly Playlists feature new music from our IONIATE group members. Members of our IONIATE groups create original works in many styles including : 

 - #Soundtrack 
 - #BattleMusic
 - #Orchestral
 - #Symphonic
 - #EpicTrailer
 - #ThemeMusic
 - #SoloPiano
 - #TrailerMusic
 - #DreamScene
 - #AvanteGarde
 - #NewMusic

You can submit music for playlist consideration via IONIATE's Playlist Submitter (http://bit.ly/IONIATE-Playlist-Submission)  or oy joining one of our dedicated groups.

IONIATE GROUPS - NEW ON YOUTUBE
https://www.facebook.com/groups/181521019453661

IONIATE GROUPS - NEW ON SOUNDCLOUD
https://www.facebook.com/groups/IONIATEGROUPSNewOnSoundCloud/

IONIATE GROUPS - NEW ON SPOTIFY
https://www.facebook.com/groups/IONIATEGROUPSNewOnSpotify/

IONIATE PLAYLIST REQUEST - COMPOSER'S WEEKLY PLAYLIST
https://www.facebook.com/groups/2033343396793747/

---------------------------------------------------------------------
#IONIATE #EricSchultheiss #Composers #FacebookComposersPlaylist #ComposersClub #VirtualOrchestralComposers #TheArtfulComposer #GrupaFanówNiesymfonii

2019|48 - The Composer's Playlist | Music from today's BEST internet based music creators

A CUBE performance from March 30, 2001 at Columbia College, Chicago

Leaving, Arriving (2001)---Russ Grazier
	for violin and ensemble (World premiere)

Guillaume Combet, violin
Caroline Pittman, flute
Patricia Morehead, oboe
Teresa Reilly, clarinet	
Greg Flint, horn
Lewis Kirk, bassoon	
Jon Johnson, percussion
Sebastian Huydts, piano	
Philip Morehead, conductor

A chamber concerto for violin and chamber ensemble, Leaving, Arriving was composed in New Hampshire between November 2000 and February 2001. It is a single movement piece in two primary sections that are connected by a violin cadenza at the center of the piece. For several years prior to the composition of this piece I had been interested in writing a chamber work that featured violin, specifically a work in which the violin would be the only string instrument. The idea of a supporting cast that primarily consisted of wind instruments intrigued me. The ensemble I decided upon is a woodwind quintet plus a percussionist and pianist. This combination offers a wide range of instrumental qualities to play off the violin within a relatively small cast. The slow opening section of the work is filled with a recurring motif – descending half-steps which are often accompanied by half-step trills in the winds. These half-steps become an integral part of the fast-paced second half of the piece in which the violin trades frantic riffs with the ensemble. The piece was written for and dedicated to both CUBE and this evening’s guest soloist, Guillaume Combet.

Russ Grazier, Jr. is a Co-Founder of the Portsmouth Music & Arts Center (PMAC) and its Executive Director. A native of Portsmouth, New Hampshire, Russ is a composer and saxophonist who has taught saxophone, composition, and music theory for over 25 years.
He earned his Bachelor of Music degree in Composition with Saxophone Concentration at Boston Conservatory and a Master’s degree in Composition at Peabody Conservatory. Additionally, he studied graduate-level composition at the University of Chicago.
He has taught at some of the most prestigious music schools in the country, including Boston Conservatory, Roosevelt University (Chicago), the University of Chicago College, the New England Conservatory Preparatory School, and the Merit School of Music (Chicago). Russ has been composer in residence with Chicago’s CUBE Ensemble, and his music has been performed by the Contemporary Chamber Players of Chicago, the West End String Quartet, CUBE, Voices from the Heart, and many other ensembles and soloists. In 2011, he won the Duo Fujin one-day composition competition and his winning work, analecta for flute and saxophone, was performed by the duo on their tour of the Southeast U.S. in Spring 2012.
He is past president of Art-Speak, the cultural commission for Portsmouth, where he lives with his wife, Katie, and their two sons, Max and Jake.

Eurocurrents/American Streams

Leaving, Arriving (Russ Grazier)

Aventure Concerto, 2nd movement (demo)

Ben Boretz talk, National Conference on Music Theory.NEW ENGLAND CONSERVATORY, BOSTON. 1977.

READING: WHAT LINGERS ON, 1977

OIRIGINAL COMPUTER VERSION 1973 CRI REISSUE

CRI300 Group Variations (for Computer)

UPSAMPLED BY PAUL LANSKY 2002 
OPEN SPACE CD 5

Group Variations II For Computer - 2005 version

GROUP VARIATIONS FOR ORCHESTRA - GROUP FOR CONTEMPORARY MUSIC - CHARLES WUORINEN (1968)

Ryo Noda's GEN performed with the Oakland University Wind Symphony, Nov. 2014

GEN - Ryo Noda

Stravinsky: Violin Concerto.  Samuel Dushkin, violin, Lamoureux Orchestra, Igor Stravinsky, conductor, Paris 1935

STRAVINSKY - Violin Concerto Samuel Dushkin, violin, Stravinsky, cond. 1935

Performance of String Quartet no. 2 by Larry Thomas Bell performed by the Columbia String Quartet in NYC St. Michael's Church (1985)

String Quartet no. 2

Sonata in One Movement for Piano - 8-11-25

a 30 sec version of Ocean written for a Composers challenge

Ocean 30 Second

Meditation

I propose you to listen to my sixth composition « Le Passé » from my album “ Le Temps “.

I hope you like it ! Thank you for your listening and your great support...

«Le Passé », the sixth composition of the album «  Le Temps » composed, arranged and produced buy Nathalie ITTA ( 2019) All right reserved

Photos : Pixabay : https://pixabay.com/en/

🎼 Support my creations on uTip : https://utip.io/compopiano

🎼 Do not hesitate to support me by likes, comments, share my music and suscribed on my Youtube channel, I will be very pleased:-)
https://www.youtube.com/channel/UC4nqKMxTdTtQnw-DRp6GV2w

Don’t forget to press the bell beside the "subscriber" icon to receive my real-time notifications of my next compositions :-)

🎼 You can download my albums or unit titles from my Wiseband store:

 https://www.wiseband.com/yo/shop.php?boutique=5854

🎼 If you wish to make a donation to support my musical creations you can click on this link: 

https://fr.tipeee.com/compo-piano 

You can follow me on Soudcloud: https://soundcloud.com/nathalie-itta

You can Support my COMPO PIANO page on facebook :  https://www.facebook.com/nathalie.Itta.compopiano/?ref=settings

Subscribe to my Newsletter on my blog to receive by email all my compositions once a week: www.compopiano.com

Je vous propose d'écouter ma sixième composition « Le Passé » de mon album « Le Temps ».

J'espère qu'elle vous plaira ! Je posterai ma prochaine composition dans 15 jours :) 

Je vous souhaite une agréable écoute et je vous remercie de prendre « le temps » d'écouter mes musiques :) 
« Le Passé »  sixième composition de l'album «  Le Temps » composée, arrangée et produite par Nathalie ITTA ( 2019) 
Copyright, Tous droits réservés 

Photos  : Pixabay : https://pixabay.com/en/

🎼
Soutenez mes créations sur uTip : https://utip.io/compopiano

🎼N'hésitez pas à me soutenir en mettant des likes, des commentaires, partager mes musiques ou vous inscrire sur ma chaine Youtube : 
https://www.youtube.com/channel/UC4nqKMxTdTtQnw-DRp6GV2w
ça me fera très plaisir:-)
N'oubliez pas d'appuyer sur la cloche à côté de l'icône " abonné " pour recevoir mes notifications en temps réel de mes prochaines compositions. 

🎼Vous pouvez acheter en téléchargement  mes albums ou titres à l'unité sur ma boutique Wiseband : https://www.wiseband.com/yo/shop.php?boutique=5854

🎼Si vous souhaitez effectuer un don pour soutenir mes créations musicales vous pouvez cliquer sur ce lien : https://fr.tipeee.com/compo-piano 

Vous pouvez aussi me suivre sur Soudcloud : https://soundcloud.com/nathalie-itta

Soutenir ma page COMPO PIANO sur facebook : 
https://www.facebook.com/nathalie.Itta.compopiano/?ref=settings

Vous inscrire à ma Newsletter sur mon blog pour recevoir par mail toutes mes compositions une fois par semaine : www.compopiano.com

Le Temps

Le Passé - Album Le Temps

Interloper by Robert Gross
Woodwind Quintet Plus Viola
Performed by Ensemble Green

untitled playlist 7

Interloper

Je vous propose d'écouter mon interprétation et arrangement au piano de cette magnifique musique  « Rose » composée par James Horner pour le film Titanic de James Cameron. 
J'ai fait une petite intro avec les voix de mon piano numérique.
J'espère qu'elle vous plaira ! 
Merci pour votre écoute !

I invite you to listen to my piano performance of the beautiful piece “ Rose ”of the movie Titanic by James Cameron. I made a small introduction with the voices of my digital piano ..
I hope you enjoy it! 
Thanks for listening !

Photos : Pixabay : https://pixabay.com/en/

Support my creations on uTip : https://utip.io/compopiano

Do not hesitate to support me by likes, comments, share my music and suscribed on my Youtube channel, I will be very pleased:-)
https://www.youtube.com/channel/UC4nqKMxTdTtQnw-DRp6GV2w

Don’t forget to press the bell beside the "subscriber" icon to receive my real-time notifications of my next compositions :-)

You can download my albums or unit titles from my Wiseband store:

 https://www.wiseband.com/yo/shop.php?boutique=5854

If you wish to make a donation to support my musical creations you can click on this link: 

https://fr.tipeee.com/compo-piano 

You can follow me on Soudcloud: https://soundcloud.com/nathalie-itta

You can Support my COMPO PIANO page on facebook :  https://www.facebook.com/nathalie.Itta.compopiano/?ref=settings

Subscribe to my Newsletter on my blog to receive by email all my compositions once a week: www.compopiano.com

Titanic

" Rose "  - Titanic - Composé par James Horner - Interprétation et arrangement de Nathalie ITTA

Classical orchestration dedicated to Gandalf. It starts with an introduction theme describing how Gandalf comes to Sheer and does hi magic, then appears his theme played by bassoon, then comes the third part where he fights with evil forces. After that the introduction theme and his theme return.

Gandalf Theme

Eric Schultheiss stands at the vanguard of contemporary composition, forging a unique path that bridges the rhythmic drive of global percussion with the infinite possibilities of digital sound. As a composer, percussionist, and educator, Schultheiss is acclaimed for his hybrid electro-acoustic works—pieces that fuse the organic pulse of drums with orchestral richness and the sonic innovation of modern electronics.

Rooted in a Southern California upbringing steeped in progressive rock, classical discipline, and the improvisational freedom of jazz, Schultheiss draws on a vast tapestry of influences. His music channels the off-kilter accents of Stewart Copeland, the lyrical intensity of Neil Peart, the storytelling depth of Peter Gabriel and Sting, and the progressive artistry of Genesis, Dream Theater, and Spock’s Beard. This synthesis results in compositions that are as intellectually rigorous as they are emotionally evocative.

Currently, as Head of Percussion Studies and Electro-Acoustic Composition at the Middle Tennessee Conservatory of Music, Schultheiss is an outspoken advocate for the DAW as a true instrument. In his hands, digital workstations become canvases for sonic experimentation, allowing for real-time orchestration, microscopic precision, and the layering of polyrhythms and timbres that would be impossible with traditional notation alone. He champions technology not as a shortcut, but as an authentic extension of the composer’s voice.

Signature works such as Lights Twinkle—a Christmas percussion-ensemble piece blending Japanese Taiko, harp, and haiku-inspired vocal textures—showcase his ability to unite tradition with innovation. Airidea’s Journal explores the dialogue between structure and freedom through dance-driven percussion and atmospheric synths, while As You Sleep and Terminal Memory reveal Schultheiss’ penchant for ambient soundscapes, introspective melodies, and cross-media collaborations. His compositions have been commissioned for film, dance, and multimedia productions, performed by leading ensembles, and praised for their intricate interplay of rhythm and resonance.

As an educator, Schultheiss is dedicated to shaping musicians who are not only technically skilled but also creatively fluent in both acoustic and digital modalities. At the Middle Tennessee Conservatory, he mentors young composers in hybrid techniques, polyrhythmic structures, and DAW-based workflows, encouraging them to embrace technology as a creative partner. His influence extends beyond the classroom, as he helps students gain visibility in the digital era and equips them to thrive in an evolving musical landscape.

Through his relentless curiosity, innovative spirit, and commitment to artistic growth, Eric Schultheiss is redefining what it means to be a composer in the 21st century. His work is a testament to the power of bridging tradition and technology, and to the limitless frontiers that await those willing to explore them.

Interloper

Robert Gross

Recent comments

Gary Lloyd Noland, composer

Related tracks