RVREDRRRTYMIXTAPE

100% FIT (INTRO)

Le bourgeois tient les portes et les battants sont lourds
C'est l'ascenseur qui chute et les passants sont sourds

D'un poignet émacié je pointe l'avare du doigt, l'Océan d'yeux s'abat : la Force du Syndicat

Et j'admirais détaché, le cortège éclater
La panse pleine et grasse de
L'usurier, gavé

Et j'admirais détacher les poings et pieds liés
De ces jeunes hommes, comme moi, 
Qui ne font que travailler

Frère, entends-tu le galop qui passe?
L’âpre aboiement des chiens qui s'en vont en chasse
Frère, entends-tu le galop qui passe?
C'est nos messieurs qui donnent la chasse
Frère, entends-tu le galop qui passe?
Au chant vainqueur des cors de chasse
Frère, entends-tu le galop qui passe?
C'est nos messieurs qui donnent la chasse

Et ces hommes avançaient fiers et droits
Sur les cadavres gras, la force du syndicat!
La force du syndicat!

Le poings lourds et le coeur las
C'est qu'ils ont barroudé,
Les hommes du syndicat, les hommes du syndicat!

La nouvelle voie s'ouvre enfin, c'est que je me fourvoie : les hommes du syndicat sont les nouveaux bourgeois...


Ma machinerie lourde claque; 
Rabat les presses et gonfle les mâts
C'est le coeur travailleur qui pompe
A dieu vat!

-

Rose pour France Froide, 2020

FRANCE FROIDE - PARTI OUVRIER

The 1990s were a fascinating moment for music and new idioms of experimental music began to bubble in the underground. While often belonging to highly localized scenes and thus overlooked by a broad listenership in the moment, many of these gestures have proven to be profoundly important and influential and have left an indelible mark on the musical landscapes that have followed in their wake. Particularly notable among others C.C.C.C.'s first album ,Cosmic Coincidence Control Center, that sprang from Japanese noise scene, during what can be considered the "golden age of noise".
The Japanese noise act C.C.C.C. was formed in 1989 by Hiroshi Hasegawa and Japanese bondage film star Mayuko Hino and was active until 1998. On their first work , recorded at Telecom Studio in Higashi-Nakano, Tokyo on 1991 and released by Hasegawa’s own label Endorphine Factory  in CD format on 1992, there are four members; each playing a different instrument, to create their own unique sound.  Hiroshi Hasegawa  and Fumio Kosakai on electronics and synths, Ryuichi Nagakubo on bass and Mayuko Hino on vocals and metal percussion working together make for a diverse project that goes a way beyond the standard "electronic roar" that most noise artists rely on. The result is a startlingly visionary body of sound that stretches across this vinyl reissue, gathering intricate, noise ambiances and captured sonic fragments, deftly manipulated and infiltrated by electronic pulses and various other interventions, toward an immersive and cohesive sonic environment, that drowns the ear in sheets of detail. Bordering on an ecstatic sonic assault of the highest order, the work’s movements range from incredible arrangements of electronic noise and tonality to a stunning effort of synth, all constructed with an incredible sense of immediacy and physicality, making the album easily one of the most noteworthy and incredible recordings from C.C.C.C.
With Hidenobu Kaneda’s pictures from the photo session used for the original CD artwork  and Akifumi Nakajima's original notes on layout, Urashima created the perfect replica of the original artwork for the vinyl version; while the audio for vinyl master was taken from the original DAT audio and shared on a 12 inch and a 7 inch in a limited edition in just 299 copies. Some exclusive inserts and posters complete the reissue of this absolute gem from the vaults of '90s noise music and certainly  one of the most beautiful noise records any of us is likely to encounter all year: bristles with energy, physicality, and immediacy, representing a highwater mark from one of the most important noise collectives of the last 30 years. It isn't to be missed, and is bound to fly off the shelves.
Link in bio.

C.C.C.C. - Reticular Formation (from Cosmic Coincidence Control Center)

Inspired by The K Foundation
ALL RITES REVERSED Ⓚ

This Mix is dedicated to commando Pata-NO! UNLTD 
https://soundcloud.com/pataproxy
https://soundcloud.com/whitecolors
https://soundcloud.com/t-c-43
https://patanounltd.bandcamp.com

More Disinfo about TOO COOL:
https://apple-oleander-pxjz.squarespace.com

"Blurbing Out: Too Cool

A specter of nihilistic terror to all mediums… 
a Post-Neoist détournement of the book medium and artist book medium alike and beyond, a deconstruction of encyclopedic-metaphysics, a transmedial implosion of theory/praxis; Too Cool remains all of this and more!

If you’re looking for “art” or boilerplate techno-metaphysical science then look elsewhere or perhaps nowhere, but if you’re looking for the pataphysical disappearance of referentiality than look no further! 
A list of contributors to Pata-No UN LTD’s UNNO (Unidentifiable Non-(Narrative) “Objects”/Ogjects) series Too Cool includes a imaginary solution transnetwork or “dream team” of pataphysicians, deconstructors, and Post-Neoists including Monty Cantsin, Luther Blissett, Karen Elliot, Kiki Bonbon, Istvan Kantor, Blatella Germanica, Mireille Perron, Zkymicx, Pseudonovalis, Linda Stillman, Gary Genosko, Norman Conquest, No Cantsin, the OuTransPo (Ouvrior de Transmédia Potentielle) and unknown countless more! Wether taken as the remains of a collection of cut-up experimental Post-Neoist & pataphysical zines and fragments or a simulacra sui generis transmedia textual anomaly, there’s plenty to overload demarcation and misreading of any kind."

MMXXI

TOO COOL Mix

'La Rêverie' 

On these nights where I fail to remember
I thought I heard you, heard your whisper
The faces I've known, the voices I've heard
Fades away as the moments blur
I'm clipping away at weathered wings
A failure to love the simplest of things
I'm trying not to be so much 
of what I am, 
of what I am

And in spite of all my fears
It'll fall apart, then disappear
I'm looking at life through shielded eyes
Where as nothing's unheard in the land of the blind
I'm dreaming a dream with hope it'll matter
I'm facing the truth as the illusion shatters
A fading heart beat, and tiring eyes
Fades away as the passion dies
On these nights where I fail to remember
I thought I heard you, heard your whisper
The faces I've known, the voices I've heard
Fades away as the moments blur

On these nights where I fail to remember
I thought I heard you, heard your whisper
The faces I've known, the voices I've heard
Fades away as the moments blur
And in spite of all my fears
It'll fall apart, then disappear
I'm looking at life through shielded eyes
Where as nothing's unheard in the land of the blind

I'm dreaming a dream with hope it'll matter
I'm dreaming a dream with hope it'll matter
I'm dreaming a dream with hope it'll matter

La Rêverie

Cemetery Dolls - La Rêverie

Dizol

Slaughter Nostalgia

VHS Tape Mouth Gag

Šumienka

Štrůdl (feat. Notorious Špeky  Dědic Impéria  KDMR & Midlane Dejv)

Štrůdl feat Notorious Špeky, Dědic Impéria, KDMR, Midlane Dejv

lyrics and rap by lil crème brûlée
music by lil crème brûlée
cover image by lil crème brûlée

lil crème brûlée 2020

lesník

lil crème brûlée - lesník (prod. by lil crème brûlée)

The clock is ticking...

Blast this as much as you can!

Hope you enjoy this release.

Šumienka

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