Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'Going Wrong':

“This song is just delicate. It starts delicate, and stays delicate – even when it expands a little bit, it still has this quality of warmth and delicacy. It never needs to become ironic and cynical and step back and see what it’s doing; it’s just this little jewel box of a song.”

Innocents

Going Wrong

Buy & Listen

Now we enter the purely instrumental part of the record. So I have no idea how to talk about these songs. Except for basically how they are made and the title like ‘The Violent Bear It Away’. Flannery O’Connor was one of my other high-school crushes. I only had crushes on dead women and I love southern Gothic literature. Of all the southern Gothic writers I like, she is certainly my favorite, her writings where dark, and poignant and filled with grace, and funny at the same time. 

I had a little recorder in my living room and I was playing piano and I recorded three chords on the piano. Just little arpeggiated three chords, took this bad recording of piano into my studio, put it into pro-tools, looped it, looped it, looped it, and started adding all the other elements on top of it. 

One of the things I particularly liked about this song is it starts very simple and innocent and it gets bigger and it keeps getting bigger, it keeps getting bigger. I mean, I have no idea how anyone else might respond to the music that I make. So someone else might listen to this song and be like, oh you know what, it’s repetitive and boring and you might as well have left it off the record. But I personally love the way it develops and just when it gets to a certain point, it then gets a little bit bigger. It’s almost like the opposite of the Russian doll. Starting with the tiny doll, and gets bigger and bigger, and bigger. 


The Violent Bear It Away

Interviewed by Alison Brooks-Starks
©UC Observer 2017

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In celebration of 2013’s Record Store Day, moby and @MarkLanegan collaborated on 'The Lonely Night' that was released as a limited edition 7” on 20th April with a remix by @photek. Moby also created 3 different remix versions of the track - the Quiet remix, the 1962 remix and the January 14 remix.

moby on collaborating with Mark Lanegan: 

"i've been a fan of mark's from his early sst records days, and i've always wanted to work with him. he has one of the best and most distinctive voices of the last 25 years. now that we live near each other it ended up being really easy working on a song together."

moby on producing of The Lonely Night: 

“…And in producing the song, spike stent and i incorporated some very unusual production techniques... we ran all of the instruments through a distortion pedal into a guitar amp. so really there are only 3 tracks: left channel through a distortion pedal and guitar amp, right channel through a distortion pedal and guitar amp, and mark's vocals.  The end result is intentionally very broken and atmospheric."

Colin Rich a LA based director who specializes in time-lapse photography has been commissioned to shoot the video to accompany The Lonely Night.  The video features both moby and Mark Lanegan and flits between the desolate and far removed terrain of the Californian desert and the endless electric city expanse of Los Angeles.  


Moby & Mark Lanegan - The Lonely Night (Moby's 1962 remix)

Moby & Mark Lanegan - The Lonely Night (Moby's January 14 Remix)

Flying Foxes

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Adebayo Kaitiiti Talks About the Differences Between Being Transgender in Uganda and Canada

Broadview

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