From the album: 'Les Anges Qui Tombent'
Now available to pre-order on Bandcamp here:
https://theoceanoftunesarkestar.bandcamp.com/album/les-anges-qui-tombent

Wonderful Original Artwork by [Huge Love, thanks & admiration to:] David Houssart [Copyright 2019]
Very many thanks to Gi Dussault @ The Upper Room with Joe Kelley for her assistance with this release. Love U Both. Xxxx

Buy @ Bandcamp

Arkestar - Take It All Back [From the album 'Les Anges Qui Tombent'

Hello people of music! Let's connect, exchange beautiful(dark) tunes, feelings, positivity, happy vibes! Let's make the most of our little time here on this earth :) I m sorry but I really don't like AI music, I wanna hear your soul :)

Quentin, aka Kuarz, is a 25-year-old DJ and producer from France, immersing himself in the world of drum and bass with a unique approach shaped by years of drumming experience. Drawing inspiration from an eclectic range of genres, he embraces everything from UK DNB to bass house and dubstep. His sound blends punchy energy with boundless creativity, capturing the essence of each style to craft unforgettable tracks.

Mail: kuarz.music@hotmail.com

Neil Searle is a UK-based singer-songwriter whose music blends classic melodies with thoughtful, lyrical storytelling. Influenced by the timeless sounds of The Beatles and David Bowie, his songs often explore themes of memory, space, and human connection. With a love for the planets, moons, and stars, Neil brings a reflective, sometimes otherworldly quality to his songwriting—creating music that feels both nostalgic and fresh.

I'm told I think outside of the box. It's hard to think why I'd be inside one in the first place.  A FREE DOWNLOAD of some of my tracks:
https://soundcloud.com/rix-shearer-ism/sets/a-load-of-free-downloads-rick
My music and production style can sound unique, unconventional and surprising, all for good reasons and intentions. Thanks to all who have listened, liked, reposted and/or commented throughout the years . I always notice and respond.

22.09.2021 - Original beautiful Artwork kindly provided by Su at www.instagram.com/sopixeluniverse/

New Arkestar Material - 'The Faceless Spaceman' Pts. 1 & 2 on Bandcamp & Mixcloud. Follow the links below:
https://arkestar.bandcamp.com/track/the-faceless-spaceman
https://www.mixcloud.com/theocean-oftunes-arkestar/arkestar-psychefusionradio/

Arkestar Is An Experimental Eclectic Electro Mix Of philosophical  Interstellar Interspatial DubPsytrance & Organic Lo-Fi Space Funk Fusion.

No twisted confrontation, hatred, propaganda or delusional self opinionated agendas, just Truth & Music! 😉👨‍🚀🙏💜



"Hooray for more super sexy killer euphoric tunes that take me light-years from Earth!" K.Michael PHX.

- Follow my main and reposts @mixedio-repost1 , @mixedio-repost2
- You'll get reposts from time to time!

MAIN : https://soundcloud.com/yohiyahii

//2nd account//
Unfinished tracks, demos, samples, old stuff, b-sides, projects and others...

Jazz Fusión (from Málaga (Spain)) -> RECOMMEND USING HEADPHONES.
Guitarrista, teclista y compositor (Guitarist, Keyboardist, Songwriter).

Mi pasión por la música comenzó en una época en la que rebobinábamos las cintas de casete con un boli. Aquellos días estaban llenos de descubrimientos sonoros, de grabaciones caseras, de canciones que se escuchaban una y otra vez hasta desgastar la cinta. Fue ahí, entre ruidos de estática y carátulas escritas a mano, donde empezó a gestarse mi vínculo profundo con la música.

Cuando tenía 15 años apareció una guitarra española por casa —gracias a mi padre— y desde entonces no he parado. Empecé a tocar por curiosidad, sin clases ni manuales, solo con ganas y oído. Aquella guitarra, más que un instrumento, fue una puerta abierta a un universo sonoro que decidí explorar por mi cuenta. Sin maestros ni academias, solo con pasión, intuición y constancia.

Durante los años siguientes, mi camino se fue moldeando entre locales de ensayo. Pasé por varios grupos malagueños, donde tuve la suerte de compartir música con personas increíbles y absorber una amplia variedad de estilos: desde el pop más melódico hasta el rock más crudo, pasando por la riqueza armónica del jazz fusión. Cada proyecto fue una escuela viva, donde aprendí a escuchar, a adaptarme y a entender que la música es un lenguaje que se transforma según con quién lo hablas.

Aquella etapa me enseñó el valor del trabajo colectivo, la importancia de la improvisación y la magia que ocurre cuando varias energías se alinean en una misma dirección. Aprendí a componer, a tocar para el grupo, a dejar espacio y también a ocuparlo cuando la música lo pedía.

Ya con 30 me picó el gusanillo de las teclas y me lancé al mundo del piano y los sintetizadores. También por mi cuenta, como siempre: ensayo, error y muchas horas de exploración. El teclado se convirtió en una nueva forma de complementar lo que la guitarra ya no podía expresar por sí sola. Descubrí nuevas texturas, nuevas formas de construir atmósferas, y empecé a componer desde otra perspectiva, más profunda, más amplia.

La llegada de los sintetizadores abrió un nuevo capítulo: el de la producción musical. Me interesé por la grabación, la mezcla, el diseño sonoro. Empecé a experimentar con capas, con efectos, con ritmos programados y armonías flotantes. La tecnología se convirtió en aliada, pero siempre al servicio de la emoción.

Soy compositor autodidacta, y mi música es justo eso: una mezcla de intuición, pasión y aprendizaje a mi ritmo. No sigo reglas, sigo el sonido. Cada acorde, cada progresión, cada melodía ha nacido del deseo profundo de crear. Mi música es el reflejo de esa evolución: sincera, libre y en constante búsqueda.

Hoy sigo explorando, combinando lo orgánico con lo digital, lo clásico con lo experimental. Me interesa tanto la emoción como la estructura, tanto el ritmo como el silencio. Compongo para contar historias, para provocar sensaciones, para conectar. Y aunque el camino ha sido solitario en muchos momentos, también ha sido profundamente revelador.

Mi objetivo no es encajar en un estilo, sino construir uno propio. Uno que hable de mí, de mis influencias, de mis vivencias. Uno que respire Málaga, que suene a calle, a mar, a noche, a introspección. Uno que invite a cerrar los ojos y dejarse llevar.

In English:

My passion for music started at a time when we used to rewind cassette tapes with a pen. Those days were full of sound discoveries, home recordings, songs heard over and over again until the tape was worn out. It was there, between static noises and handwritten covers, that my deep connection with music began to develop.

When I was 15 years old he appeared a spanish guitar in the house -thanks to my father- and since then I have not stopped. I started playing out of curiosity, without lessons or manuals, just with heart and ear. That guitar, more than an instrument, was an open door to a sound universe that I decided to explore on my own. Without teachers or academies, only with passion, intuition and constancy.

During the following years, my path was shaped between rehearsal rooms. I went through several groups in Malaga, where I was lucky enough to share music with amazing people and absorb a wide variety of styles: from the most melodic pop to the most raw rock, passing by the harmonic richness of jazz fusion. Each project was a living school, where I learned to listen, adapt and understand that music is a language that changes depending on who you talk to.

That stage taught me the value of collective work, the importance of improvisation and the magic that occurs when several energies align in the same direction. I learned to compose, to play for the group, to leave space and also to occupy it when the music asked.

Already at 30 I was itching for the keys and I launched into the world of piano and synthesizers. Also on my own, as always: trial and error and many hours of exploration. The keyboard became a new way to complement what the guitar could no longer express on its own. I discovered new textures, new ways of building atmospheres, and started composing from another perspective, deeper, broader.

The arrival of synthesizers opened a new chapter: music production. I became interested in recording, mixing, sound design. I started experimenting with layers, effects, programmed rhythms and floating harmonies. Technology became an ally, but always at the service of emotion.

I’m a self-taught composer, and my music is just that: a mix of intuition, passion and learning at my own pace. I don’t follow rules, I follow sound. Every chord, every progression, every melody has been born from the deep desire to create. My music is the reflection of that evolution: sincere, free and in constant search.

Today I continue to explore, combining the organic with the digital, the classic with the experimental. I am interested in both emotion and structure, rhythm and silence. I compose to tell stories, to provoke sensations, to connect. And although the path has been lonely at many times, it has also been deeply revealing.

My goal is not to fit into a style, but to build one of my own. One that speaks about me, my influences, my experiences. One that breathes Malaga, that sounds like street, sea, night, introspection. One that invites you to close your eyes and let yourself go.

Citizen Vain – independent music project by Sergey Voloshin.No styles, no limits. Enjoy!