Further information: bleep.com/features/bleep-mix-197-Cignol

A long-standing favourite of ours as well as countless electro labels like Further Electronix and Altered Sense, Paul Hammock aka Cignol has been in the business of refined machine funk for over a decade. But naturally, his exclusive Bleep mix is less about looking back and more about the future. Stacked with a bunch of brand new, forthcoming and unreleased tracks from across Cignol’s arsenal of contemporaneous releases, the mix delivers an hour-long journey in non-stop 4/4, from squelching acid textures to laser beamed bass sequencers.

"I’ve put together a mix of mostly new or forthcoming tracks.  All hardware jams made using x0x, Miami, rd-8, 707, Juno-60, jp-08, Juno-06 and Sh01a if you’re interested in that kind of thing. I hope you enjoy it as much as I enjoyed putting it together!" - Cignol

Bleep Mix #197 - Cignol

After building up a head of steam on labels such as Craigie Knowes and Rotterdam Electronix in the past couple of years, Larionov debuts on Sheffield's Central Processing Unit with the Space Threat EP. Larionov's previous releases have shown off a musical sensibility which is both schooled in classic electro stylings and also able to reach for leftfield sonics in a way which sets the producer apart from the pack. It's a vibe that continues into this record, a quartet of busy electro joints which are characterised by a brooding, neurotic energy.

The opening title-track is precisely the sort of thing which would soundtrack a voyage to the outer-edges of the solar system. 'Space Threat' is a nervy, restless bit of machine-funk, the track moving forward at a midtempo which manages to be at once steady and slightly fidgety. The beat skitters and swerves, a perpetual-motion machine of minor-key bass, strange modular flutters and thwacking snares. All of this is draped in icy washes of keyboard - think Drexciya if they blasted into outer space rather than delving deep down in the ocean.

'Asteroid Attack' works from the same blueprint for 'Space Threat' but ratchets up the intensity a little to take the track to another galaxy. It's still powered by a livewire neurosis, all piston-sharp drums and whirligig synth percussion. However, an increased tempo, strangely poignant keyboard lines and little snatches of vocoder-drenched vocals turn 'Asteroid Attack' in the direction of modern practitioners like Cardopusher and CPU homie Silicon Scally.

Opening up the EP's B-side, 'Flying High' finds a midpoint between its predecessors, returning to the steadier pace and twitchy vibe of 'Space Threat' but maintaining 'Asteroid Attack's single-note counter-melodies and digified vocals - although here the ghostly treatment on the voice makes for a hugely eerie atmosphere. Around the four-minute mark, the track peels back the veil of synth pads and wobbling keys stabs to turn the attention wholly to the rhythm section, a choice which feels like taking a stiff drink in order to redouble your energy for the next part of the night.

'Vimana Ride' runs with 'Flying High's approach to see Space Threat out in style. There's something to the digital vocal sighs that make up the melody of this cut which gives things a really uncanny quality - it's the kind of sonic choice that Sadboys producers like Yung Gud and Yung Sherman would make, but applied wholly to the service of crafting body-popping, acid-tinged electro.

Larionov arrives on Central Processing Unit with an EP of anxiously excellent electro experiments.

RIYL: Cardopusher, Silicon Scally, Annie Hall, Cygnus

Space Threat

Larionov - Space Threat

fait

The thirteenth drop from Curtis Electronix comes courtesy of veteran of the electronic music scene. @dmxkrew has been producing music since 1994.

Warp Zone LP showcases the great mastery of his studio, his technical expertise and his exceptional ability to create monolithic soundscapes using very few elements. Each layer contributes to a rich, immersive experience, each element resonates with depth, highlighting his deep understanding of club music, sonic texture and space.

Release date: 30 Sept. 2024

Warp Zone

Dmx Krew - Warp Zone LP (CRTSX013)

Mixtape from Oct. 16th 1994

Momentの出演者たちの現場でのサウンドを解放するシリーズArchives第16弾
昨年のMomentにおいてDay2メインステージクロージングを担当したDOLTZの登場。
まさに圧巻という言葉にふさわしいLive setでフロアのvibesを最高潮に導いた彼のplayをご堪能ください。
さらに今年で3年連続出演となるMoment2025においての彼のPlayにも期待が高まる

Releasing the sound from the set of the performers of Moment, Series Archives Volume 16. Last year at Moment, DOLTZ took the stage to close the Day 2 main stage. Enjoy his live set, which truly deserves the word 'breathtaking' as it elevated the vibes of the floor to the highest level. Expectations are rising for his performance at Moment 2025, marking his third consecutive appearance.

Moment Archives 016 | DOLTZ

rec5

dark horse overlord acid+7

Og is 'ere -> https://soundcloud.com/leeboiacid/kindred <-
Sur cire (le vinyle) -> https://nebulaerecords.bandcamp.com/album/w49b <-


Mastering by Julien "Stazma" Guillot at the Electric Voyage Studio
Artwork by Sabalamander

Kindred/Ditty

ACQUIRE!

Lee - Kindred (Mause's Breakbeat Bonanza Remix)

https://www.youtube.com/watch?v=lUr10sz_hes
produced sometime between 2000-2001

boxenergy4remix1  [2000-2001]

CAT 1000 Rephlexions!

Mangle 11 (Circuit Bent V.I.P. Mix)

Portrait drawn by my  cousin Nelly :-)

Music made by me! Live recordings with various synths.  

Support the artists you like!

https://bandcamp.com/antob

rec5

OCHD

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