This is epic! I added it to this playlist

https://on.soundcloud.com/YVhfWU4dKEmUJNAE9

My 9yr old son is dancing to this shouting " let's party "  🔥🦏

Great Production ..Vibe and Energy 🔥🔥😊

Daily Drops

Broken Bells .2002.

owidram

Bleeding

qalle - Is It Wrong To Feel This Way

Lonely Road.lead vocal.Frank Scimia

PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
---------------------------------------------
Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
--------------------------------------------------------
First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
-------------------------------------
A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

BARDS:Of The Shimmering Seraphs

The Professor

Thank you to AVIO7 for letting me make a remixed version of this track! #emosnotdead

Times are changing(Emo Version) AVIO7 ft. Sandi J

This is how the sun feels when it first hits your face on a frosty morning... when the wait is finally over... just when you thought that the darkness was eternal, and you succumbed to the acceptance of being a creature of the night...

Available for download here 💿
https://scratchkelly.bandcamp.com/track/eve-of-euphoria

To What Extent

Eve Of Euphoria

Download

https://youtube.com/@octaviusbass
Videolink
https://youtu.be/OdoBt8uoEJE

https://octaviusbass.fanlink.tv/u9UP

Say My Name - Octavius Bass  

enjoy the music.

Say My Name

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Spotify

Resistance

DISSOLUTION.  (French)

Poésie du rêve et de la sensualité sur la musique de Damga.
Texte et voix La Gazelle

Attache-Moi par Damga / La Gazelle

Cast of Characters:

Witches of the Alamo-- @witchesofthealamo – James – vocals, mix, and production

TexMex Shaman–@texmex-shaman –Stephen–  rhythm and solo guitar

J.J. Terrell–@j-j-terrell – piano

K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four-string fretless bass

This classic Grateful Dead song has been a favorite of JJ's since his playing in a bar band days, decades ago. Therefore, he decided to come up with a perfect, lively skeleton on his piano for us to use for it, and shared it with us. Josh, being a Deadhead as well, jumped on the chance to play Phil's part on his four string fretless bass. Ken, who isn't necessarily a Deadhead, but can play most anything, jumped on with his driving drums around the same time as Josh added his bass line, as they went back and forth a few times before getting the rhythm section settled. 

  Stephen came along next with his cunning rhythm guitar, follow closely by his solo for the solo section. JJ added his solo for that section right after Stephen had laid his part down. Then we turned it over to James to add his rich, accent-drenched vocals. 

  When we had all the parts down, we turned it over to James to produce and mix for us, which he did in expert fashion.

  This song was a lot of fun for the Deadheads in the band and non-Deadheads alike to record. This is also the second collaboration done by James and the Eclectic Collective, and we all enjoyed having him on this project.

  We hope you enjoy listening to this as much as we enjoyed making it.

Me and My Uncle - (Eclectic Collective) w/ Witches of the Alamo

18 titres inédits Le Viking Normand Par Gabillard Laurent . #Spotify #AppleMusic #iTunes #Instagram #Facebook #music #amazonmusic #TikTok #otherByteDancestores, #YouTubeMusic #Amazon, #Pandora #Deezer #Tidal #iHeartRadio #ClaroMúsica #Saavn #Boomplay #Anghami #NetEase #Tencent #Qobuz, #Joox #KuackMedia #Adaptr #Flo #MediaNet #Snapchat #viking #vikingsong #levikingnormand

la viking normand des légendes chantées

Les Chants de Rouen

I’m proud to share what feels like the strongest track I’ve created so far. There’s still so much to learn, but I’m getting closer every day.

This one is raw. It’s built from silence, doubt, and long nights no one ever saw. No big budget, no paid promo – just heart, pain, and pure intention. This is not about proving anything. It’s about showing what’s already there – with no filters, no shortcuts. ⌛️

Unpaid Glory

Revolver

The fourteenth chapter in the Machine Ritual sequence—⛧ MΛCHINΞ RITUΛL XIV ⛧—is a relentless fusion of industrial techno, hypnotic minimal, and subterranean bass architecture. Each pulse is engineered for precision, each texture forged in the core. No edits. No samples. All original compositions by ApØtheØsis.

Best experienced in complete darkness, on headphones, at full volume.
▶️ Full transmission link in bio.

#MachineRitualXIV #Apotheosis #ÆtherfluxRecords #IndustrialTechno #HypnoticMinimal #RitualBass #DarkTrance #TechnoWithoutPermission #PostHumanPulse

NEURΔL FORGE

 "I live and breathe techno.💥
 As a producer, I create dark, energetic soundscapes that draw you to the dance floor. 
As a DJ, I love to play sets that tell a story and put the audience in a trance. 
Ready for the next trip?"🎶🔊


A big thank you to the SoundCloud community👍🏻
It's a lot of fun to exchange ideas with you 🔊🎶


Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

Say My Name

Octavius Bass

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