Michael Stuff II

Toad the Wet Sprocket Rare Bird

Everywhere Donk Remix

dancing on my own

U F O

Somebody I Used To Know

Bring me back to life (bootleg)

This Girl X Skepta

F*ck the 212

Conover plays and sings this version

History from the Beatles Bible:
Written by: Lennon-McCartney
Recorded: 1, 4, 5 August 1969
Producer: George Martin
Engineers: Geoff Emerick, Phil McDonald

Released: 26 September 1969 (UK), 1 October 1969 (US)

John Lennon: vocals, lead guitar
Paul McCartney: vocals, bass
George Harrison: vocals, Moog synthesiser
George Martin: electric spinet Baldwin harpsichord

The final song to be recorded for Abbey Road was John Lennon's Because. The song was inspired by Beethoven's Moonlight Sonata and featured The Beatles' distinctive three-part vocal harmonies.

Yoko Ono was a classically trained pianist whose interests had moved towards the avant garde. One day in 1969, however, she played Beethoven's Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2 - the Moonlight Sonata.


Lying on their sofa listening, John Lennon asked her to play the chords backwards, and wrote Because around the result. While not an exact reversal of Beethoven's piece, it contains a number of musical similarities.
The lyrics speak for themselves; they're clear. No bullshit. No imagery, no obscure references.
John Lennon
All We Are Saying, David Sheff
The vocal harmonies are one of the most distinctive aspects of the much-admired Because. Lennon, McCartney and Harrison sang together, and overdubbed their voices twice more, giving the effect of nine voices.

John wrote this tune. The backing is a bit like Beethoven. And three-part harmony right throughout. Paul usually writes the sweeter tunes, and John writes the, sort of, more the rave-up things, or the freakier things. But John's getting to where he doesn't want to. He just wants to write twelve-bars. But you can't deny it, I think this is possibly my favourite one on the album. The lyrics are so simple. The harmony was pretty difficult to sing. We had to really learn it. But I think that's one of the tunes that will impress most people. It's really good.
George Harrison, 1969
The vocal harmonies, isolated from their instrumental backing, can be heard on both Anthology 3 and Love. The Love album, however, features the sound of birds twittering in the background.

I wouldn't mind betting Yoko was in on the writing of that, it's rather her kind of writing: wind, sky and earth are recurring, it's straight out of Grapefruit and John was heavily influenced by her at the time.
Paul McCartney
Many Years From Now, Barry Miles
The instrumentation on Because was simple, with arpeggio accompaniment on harpsichord, guitar and Moog. Paul McCartney later bought the electric harpsichord, played here by George Martin, when EMI were reducing their instrument collection; it remains in his recording studio.

In the studio

On Friday 1 August 1969 Lennon, McCartney and Martin taped 23 takes of the basic track, with Lennon on electric guitar and McCartney on bass. Ringo Starr added a basic hi-hat rhythm, but this was for guide purposes only and wasn't recorded.

Take 16 was the best of the 23 attempts. With the backing track in place, Lennon, McCartney and Harrison recorded the first of their harmony vocal tracks. Two more were added on 4 August.

A final overdub was recorded on 5 August, when George Harrison taped a Moog part - the first time the synthesiser was used on the Abbey Road recordings. Harrison recorded it twice, filling up the last two available tracks on the tape.


Ah, because the world is round
it turns me on
Because the world is round
Ah, because the wind is high
it blows my mind
Because the wind is high
Ah, love is old, love is new
Love is all, love is you
Because the sky is blue
it makes me cry
Because the sky is blue
Ah, ah, ah, ah

because: conover

Willy Wonka's Ket Factory

If You Got The Money

Our first fully recorded song. Mixed and mastered by GrevusAnjl. Find his incredible music here: https://soundcloud.com/grevusanjl

A huge thank you to GrevusAnjl, not only for mixing and mastering this track, and the endless help and advice he's given us throughout this process, but also for giving us permission to actually tell people he did so. :D

The Single

Somethin' Creepin' (Single)

Buy on Bandcamp

When I heard Jimmy’s outstanding vocal additions to Phil's open collaboration, I thought I might add some guitar.
It’s been a real blast working with Phil, Jimmy and Rick on this one.  Cheers guys.
A special thanks to Phil for his work on mixing and production.

Credits:-

Phil McWalter;- Guitars, Bass, Piano, Keyboards, Musical Composition, Mix, Production @phil-mcwalter
Jimmy Rivas:- Vocals, Lyrics, Vocal Composition @j-rivas
Rick Medlock:- Drums, Percussion @rick-4-1
Dairv Dubbleyew:- Guitars, Guitar solo.

Lyrics:-

I was born the son of a pharaoh
I lived in the valley of the sun
But I was pierced with a poison arrow
Pain came swift but I was a fortunate one
'Cos I was blessed by a cultured woman
Who gave me children to spare
They outnumbered my hands' fingers
They were clothed in linens and the finest of care
All the sea-life in the oceans
All the animals in our care 
We're all bound to the same conclusion
Show your love everywhere
Love is everywhere
Everywhere...

Lyrics: © J Rivas April 2019
Music: © McWalter & Rivas April 2019

Show Your Love Everywhere (Phil McWalter - Jimmy Rivas - Rick Medlock - Dairv Dubbleyew)

"I Can Love You" written by Kay Williams Mott and Paul deMarco
Performed, recorded and produced by Paul deMarco

I Can Love You

Blackout crew lick ya beaver

RIP ❤️

If You Got The Money

octoberskaii

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