Master3482

Title Is Currently Being Researched

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I Hate The Idea Of Leaving

The Aftermath Of Hesitation

Software synths/instruments. The sound is mediocre, but there's a small chance that listening to the song gives you the ability to see through walls in the dark for five minutes, anytime when eating pussy.

Zu - Kl - Jj17

Strum

Software synths/instruments, electric guitar.

s.f.

Acoustic guitar, vocals. Recorded in a forest at night.

Hollow Part 2/2 (calm)

Hollow Part 1/2

I have been casually making music since my parents gave me a keyboard as a birthday gift in 1995, but I've never had the will or desire to master any instrument, at least not in the common way by taking lessons, but rather by developing my own styles and methods. The same goes for music theory, as well as mixing and mastering. Some people consider me stubborn because of this, and I certainly am stubborn, but that's not the reason why I'm avoiding any education around the topic. It's simply because I don't intend to earn my livelihood with it and hence want to focus solely on the experience itself without any creative boundaries.

However, I haven't progressed very far in my development mainly because I have some other interests that are no less important to me.

I've learned a bit about drum playing, though, back when I had a rehearsal room with one of my best friends for a few years. During this time, I learned the most about music. We experimented a lot and gathered as many instruments as we could--two drum kits, guitars & bass guitars, synths and keyboards, a didgeridoo, a xylophone, some experimental self-made stuff, and I don't know what else.

We created a band called Fischzucht, which consisted mainly of both of us, occasionally the other one's brother, and rarely some guests. It's on Soundcloud as well. (There are two Fischzucht profiles--both are us).

The idea was to sound strange, chaotic, and exhausting but also new and inspiring, and to fully show off its amateurism. There was only one take most of the time, and neither keeping rhythm nor matching the other ones in either tone or tempo was a requirement. Simply put, we took away any rule as well as the pressure to not mess up your part. Except for drums, none of us - including most of the guests - could actually play any instrument. But sometimes we pushed it even further by making anyone use the instrument that he can play the least.

I liked that time a lot, but it was a difficult part of my life. During the subsequent years, I entirely lost interest in making music and sold all my hardware. Some years ago, I got in the mood again and decided to build a compact home studio. I created my solo project ConfusedMuse.

Today, I mainly use VST synths, instruments, and effects - which I control with a selection of MIDI devices - as well as electric and acoustic guitar and occasionally some vocal or sound recordings. The synths and drums are mostly programmed.

I hardly ever finish any track but rather simply try to compose or create some unusual sounds or moods. I'm trying to avoid thinking within genre conventions as much as I can since I find that strict genres unnecessarily prevent the development of something potentially more entertaining and comprehensive. What I like the most about music are its freedom and endless possibilities. Despite consisting of only a few basic ingredients, it still virtually never stops enabling you to create yet another mood that you haven't known before.

My tracks may not be to everybody's taste, but a few honest likes mean a lot to me. Feel free to use any of my work as a source of inspiration or sample material for your own songs or ideas, but I'd really love to hear the results--no matter how little my part of it may be. That's actually the main reason why I'm uploading my stuff.