Supercool again! Love the garage rock vibes!

Stranger Cover (Original by Simi)

This IS a Rock song! Somewhat 80s style. It's about the days when we were all buff, fit, had hair halfway down to our butts and were hung! 
Hung like field mice! Partying until the sun came up. I played and sand everything. Hope it rocks your world and makes you feel young again. Unless of course you are under the age of 30.

Late Night Whisky

Help!

Introduction in English

Sometimes I have to smile a little when I think about the fact that John Lennon was only 24 years old when he wrote these lyrics. 
He certainly didn't know about the cries for help that come with ageing from 60 plus. The experience of gradual physical decline and the increasing dependence on the support of other people. The gradual loss of autonomy, which is so important for one's own dignity. And the subliminal threat of retirement and nursing homes approaching, which then temporarily pulls you out of your increasing mental derangement by singing old Beatles songs.
But apart from that, he certainly already knew a lot about the hardships of being different, of not belonging; the longing to experience something like love in the worldwide recognition and at the same time having to suffocate and drown in this wave of adoration. 
In the pop era of the time, his desperate cry for help was reduced to a tolerable two minutes
I turned it into a leisurely three-minute waltz. And tried to express my increasing need for help in certain areas of life in different ways: shy and fragile, desperate and humble, angry and almost accusatory. 
And towards the end, I find myself in an almost otherworldly limbo in which a part of me comes to peace with the cry for help and finds its own new dignity in it.

Einführung auf Deutsch
Manchmal muß ich ein wenig schmunzeln, wenn ich daran denke, dass John Lennon erst 24 Jahre alt war, als er diesen Songtext schrieb. 
Da wusste er mit Sicherheit noch nichts von den Hilferufen, die mit dem Älterwerden ab 60 plus einhergehen. Die Erfahrung des allmählichen körperlichen Zerfalls und die sich zunehmend anschleichende Angewiesenheit auf die Unterstützung von anderen Menschen. Der allmähliche Verlust von Autonomie, der für die eigene Würde so wichtig ist. Und das unterschwellig drohende Herannahen von Senioren- und Pflegeheimen, die einem dann mit dem Singen von alten Beatles-Songs vorübergehend aus der zunehmenden geistigen Umnachtung herausreißen.
Aber abgesehen davon wußte er sicher schon viel von den Nöten des Andersseins, des nicht dazu gehörens; der Sehnsucht, in der weltweiten Anerkennung so etwas wie Liebe zu erfahren und zugleich in dieser Verehrungswelle geradezu ersticken und ertrinken zu müssen. 
In der damaligen Pop-Zeit wurde sein verzweifelter Hilferuf auf allseits erträgliche gut zwei Minuten eingedampft.
Ich habe daraus einen gut dreiminütigen gemächlichen Walzer gemacht. Und dabei versucht, meine in gewissen Lebensbereichen zunehmende Hilfsbedürftigkeit auf verschiedene Weise auszudrücken: Scheu und zerbrechlich, verzweifelt und demütig, wütend und beinahe anklagend. 
Und zum Ende hin befinde ich mich in einer fast schon jenseitigen Zwischenwelt, in der ein Teil in mir mit dem Hilferuf in Frieden kommt und darin eine eigene neue Würde findet.

Help!

Help! (Lennon/Mccartney)

Music and lyrics by Biggs Dixxon. Vocals and piano by Biggs Dixxon. Recorded and produced by Tom Berry http://soundcloud.com/37741600

This One's For Me And You

Adekunle

Poverty

J.Derobie - Poverty

Verse 1

Just for the bloody fuck of (it)               (Mayhem Mayday)
Soul takers in a bloody (mood)              (Mayhem Mayday)
It ain’t the truth they (after)                   (Mayhem Mayday)
Are you really that damn (sober)           (Mayhem Mayday)
One little trouble headed your (way)     (Mayhem Mayday)
Chainsaw toting bloody (posse)            (Mayhem Mayday)
Metal twisting bones are (breaking)      (Mayhem Mayday)
Finding out its all really (real)                 (Mayhem Mayday)

Chorus 

If you want me, to be better       (Have to visit those bloody memories)
If you want me, to be better       (Have to visit those bloody memories)

Verse 2

Bloody memory done filled this (sort)                      (Mayhem Mayday)
It won’t just stop (turning)                                         (Mayhem Mayday)
Find the witch in spell casting (mode)                      (Mayhem Mayday)
The dogs where never on the (leash)                       (Mayhem Mayday)
Grave yard meeting in the middle of the (night)      (Mayhem Mayday)
Is this really how you raise the (dead)                      (Mayhem Mayday)
How about if its not a (bluff)                                      (Mayhem Mayday)
Maybe its in the other (one)                                       (Mayhem Mayday)

Chorus

If you want me, to be better       (Have to visit those bloody memories)
If you want me, to be better       (Have to visit those bloody memories)

Bloody Memory

On Friday 13th April 2018, Biggs played an intimate show at the Silver Cloud Hotel (better known as the site of the Barrett-Wroe family murders three days later). "Imaginary Friend" was played in the encore, and is the final track to be released on the Biggs Live EP (Part II).

Music and vocals: Biggs Dixxon. Production: Tom Berry @37741600

Biggs: Live at the Silver Cloud Hotel

Imaginary Friend (LIVE)

How Does It Feel? (A'capella Cover) - Originally by Avril Lavigne

Six new songs from Biggs Dixxon.

Piano and vocals: Biggs Dixxon
Production: Tom Berry @37741600

Blue In Bristol

Ask Your Buddy Jesus

'OD_Muziki' started of as an R&D project by Blaze Frontierz of BlazeOneUp Productions. The music created by the 'OD_Muziki' moniker was not guaranteed to be released. Blaze Frontierz believes this is what gave them free rein in the studio, to explore other foreign ideas. Instead of following trends 'OD_Muziki' focuses on creating unique art. 'OD_ Muziki' is not for everyone, but for those that do take a liking. Do please stick around, we promise to give you our very best, every release.

Jay Taundi (A&R / artist @ BlazeOneUp Productions)

Bloody Memory

OD_Muziki

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