Bad News

Ending the Boredom

Parked Car is from Hope Street's 2024 album, Dead Already Power

Parked Car

Saline is Dead Hazards' debut LP featuring 13 songs that play with themes like disillusionment and detachment and hold sounds ranging from raw sludge to rock-operatic passages. Saline brings a mixture of fuzz, colliding melodies, and low strings wrapped in melancholy, with a nod to 80s-90s heavy metal and alternative. 

Mold

Bray & the Astral Projections 

 

Wasted Again 

 

Verse 1: 

When we pass, the small details  

Misplaced or erased 

Shall we live with this spirit 

Can we live in disgrace 

 

Verse 2: 

Around the door, how we live (will matter) 

Our lessons are not futile  

Only remnants of dreams (all scattered) 

Your remains in a pile 

 

Chorus: 

Wasted Again 

Like time to the sand 

Every breath that we take, it could be our last 

 

Verse 3: 

Mercy bestowed upon those (who learned) 

And yearn for knowledge greater (than thyself) 

Shall we move toward the shadow 

Shall we remain in the past 

 

Verse 4: 

How long will it last 

Till our return to the sea 

To rebirth, to dreams, to karma, we grow 

To dust, to ashes, to the wind, we all go  

 

Chorus: 

Wasted Again 

Like time to the sand 

Every breath that we take, it could be our last

Wasted Again

watch the video here : https://vimeo.com/1076474289

TRACK: "Run Through the Fire, Climb Over the Dead"

A sonic war relic from the novel "Behind Us the Land" – fusing post-industrial brutality with raw rap storytelling to score the Feyerabend family's 1945 escape.

Sound:

Bass as Trauma Pulse: Switches between 808-like dread and metallic shrieks (like Stuka sirens)

Drums as Death March: Snare hits mimic MG42 bursts, kicks echo refugee footsteps

Rap DNA: Half-sung verses morph into typical Rap flows (think Clipping. meets Protomartyr)

Archaeological Sounds: Authentic WWII bomb impacts, Danzig's cobblestones cracking

"Post-rock's despair meets rap's urgency – my mother's diaries ('...and then the guns fell silent') spat back as survival rhymes over collapsing basslines."

For fans of:

The Body's bass-driven doom with Billy Woods' historical lyricism

Godspeed You! Black Emperor scoring a war documentary

Music that doesn't entertain – it testifies

📖 Soundtrack to the novel "Behind Us the Land"
🎤 Lyrics sourced from my mother's survival diaries

---


TRACK: "Run Through the Fire, Climb Over the Dead"

Ein klangliches Kriegsrelikt aus dem Roman "Hinter uns dem Land" – verschmilzt post-industrielle Wucht mit Rap-Erzählkraft zur Vertonung von Flucht 1945.

Sound:

Bass als Trauma-Puls: Pendelt zwischen 808-Drohnen und Stuka-Sirenen-Schreien

Schlagzeug als Todesmarsch: Snares wie MG42-Salven, Kicks wie Flüchtlingsschritte

Rap-Einfluss: Zeilen im typischen Rap-Stil (zwischen Audio88 und Author & Punisher)

Sound-Archäologie: Echte Bombeneinschläge, splitterndes Danziger Pflaster

"Post-Rock-Verzweiflung trifft Rap's Dringlichkeit – meine Mutter's Tagebücher ('...und dann schwiegen die Waffen') als Überlebens-Reime über kollabierenden Basslinien."

Für Fans von:

Swans mit der lyrischen Wucht von Haftbefehl

Einstürzende Neubauten vertonen ein Geschichtsbuch

Musik, die nicht unterhält – sondern bezeugt

📖 Soundtrack zum Roman "Hinter uns das Land"
🎤 Textfragmente aus den Flucht-Tagebüchern meiner Mutter

Run Through The Fire, Climb Over The Dead

Devil I Know

Sonic Islands

Silver the Hedgehog

Muffin's Muffin Makes Muffins

Bandcamp

Unholy - Devil May Care

When I started to work on "I pay" I prepared the chords, lyrics, trained the song and then, the moment I was about to start recording, my son came and asked for cosmic song.
Ye, all my inspiration for "I pay" was gone. And new inspiration settled in my head.

I remember I started to think about my career aspiration in his age. I was dreaming about to be astronaut, or pilot or garbage-man... My son is in astronaut phase.

It took me one evening to make him the song. And he immediately loved it so much that each time we sit in car he was asking for "cosmic one". It was top played song in the car for few weeks. I was proud he rated it between AC/CD and their "It's a long way to the top" (he called the noisy one) and Spirituál Kvintet "Beránek a vlk (Riu riu chiu)". 

Into the song I embedded the following original records:
- Discovery Go at Throttle up
- Apollo 11 Countdown
- Discovery Computers are in control
- Mercury 6 Zero-G
- Discovery Nice to be in orbit
- Apollo 11 Quindar Tests
- Apollo 11 One Small Step for Man
- Apollo 11 The eagle has Landed
- Columbia Welcome Home
- Sputnik Tones
- Cassini Saturn Radio Emissions

The cover photo was taken by my sister-in-law Monika.

▶MORE◀
Web: www.ladatinthebox.com/
Spotify: open.spotify.com/artist/2nX96XjXTUZvCoNWTNNun3
SoundCloud: @Ladat
Apple Music: music.apple.com/ch/artist/ladat/1465006973
Amazon Music: music.amazon.com/artists/B07S5HGR98
Deezer: www.deezer.com/artist/66111552
BandZone.cz: bandzone.cz/ladat
YouTube: www.youtube.com/Ladat77
FB: https://www.facebook.com/77Ladat

In the Box

I wanna be in NASA

Modern Alternative Metal band.
ODC is a bold blend of metal, modern rock, and immersive electronic atmospheres.
With the upcoming release of their debut album "Twisted Love" in 2025 — produced in Nashville by Kellen McGregor (Memphis May Fire) — ODC is stepping boldly into a new era. Now signed to Frontiers Label Group, as part of their brand-new metal division, BLACK II BLACK Records, ODC is ready to push boundaries and make their mark on the international scene.
ODC is here to stay: loud, fearless, and unapologetically hybrid.

Why

ODC Band

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