Name: Illogic x Odd Nosdam - Nowhere To Be Found (2023 mix) by Odd Nosdam
Duration: 3 min 30 s
Description: vocals written, performed & mixed by Illogic. music written, produced & mixed by Odd Nosdam. recorded 2019 in Columbus, OH & Berkeley, CA. re-mixed & mastered 2023 @ Burnco. 'Right the Ship' painting by rimrimrim

vocals written, performed & mixed by Illogic. music written, produced & mixed by Odd Nosdam. recorded 2019 in Columbus, OH & Berkeley, CA. re-mixed & mastered 2023 @ Burnco. 'Right the Ship' painting by rimrimrim

Right The Ship (2023 re-mix)

Illogic x Odd Nosdam - Nowhere To Be Found (2023 mix)

From the forthcoming album SG - For Lovers Only / Rain Suite (Faitiche 33)

SG - Western Affect

Multicolor

Taken from the album 'Woodwind Multiples' due for release via Modern Love on July 7th. 2023.

8B4 (1985/2022) is played by Manuel Zurria and is for four bass flutes. It is a revision of 8x4, which was written in 1985 for the DownTown Ensemble and was only performed once, due to its unusual instrumentation: alto flute, English horn (originally bass oboe), clarinet, and voice.

Woodwind Multiples

Mary Jane Leach - 8B4

Пайта - Южный человек (Paita - Yuzhniy Chelovek)
Bandcamp: https://fuselab.bandcamp.com/album/--7
Stream: https://band.link/yuznniychelovek

Paita is a project of musician and sound producer Kolya Dolgov, currently living in Moscow.

In 2021 the album "What is not" was released, which became the starting point in the formation of the young artist's style and sound.
Experiments with dub and ambient, explorations of "raw" electronics and new-age, participation in punk bands as a bass-guitarist, moves, travelling, meetings and breakups, love and hate. The line of changes through which both the musician and his lyrical hero passes stretches to the new release "Southern Man".

"Southern Man" is an album-metamorphosis, it is a story or better to say a notebook, about the changes that a young guy goes through. Accustomed to seeing the emptiness of the horizon, he is met with monolithic granite structures, and instead of the great water of the sea, there is now a river winding subtly in channels. 'It's what's inside, but you can listen to it' says Пайта (Paita).

The album features collaborations with label residents FMSAO, Shoom Berez, X.Y.R. , NWIII, as well as guest artists 8luetic and Молох. Here you can hear gentle pop ambient, uncomplicated balearic house, juke and dub.

Links:
Пайта
@user-251557634
https://vk.com/paitaskapushonom
https://www.instagram.com/paitaworld

Fuselab
@fuselab
https://fuselab.bandcamp.com/music
https://www.facebook.com/fuselab
https://vk.com/fuselab

Music & lyrics: Nikolay Dolgov
Cover art:  Natasha Lyutik
Design: Dmitry Krylov
Mastering: Evgeniy Schukin

Южный человек

Пайта - Sad In a Jungle (feat. X.Y.R.)

ulla - table

From the new 12inch with remixes from Biosphere and Klara Lewis. Out now on Smalltown Supersound. 

Purchase the release here: smarturl.it/sts32512

Carmen Villain - Borders (Klara Lewis Remix)

Bendik Giske - Up

From the 2011 album "Sentimental Favourites" – originally released on Dekorder. Available digitally on Bandcamp at the nice price of pay what you want.
https://andrewpekler.bandcamp.com/album/sentimental-favourites

Sentimental Favourites

Name your price

The Twilight Of Your Smile

Artist: ASUNA & Jan Jelinek
Album: Signals Bulletin
Label#: Faitiche18
 
Faitiche is delighted to announce the release of a new collaboration between the Japanese sound artist ASUNA and Jan Jelinek: the album Signals Bulletin brings together joint improvisations and compositions made over a period of three years in Berlin, Kyoto and Kanazawa. ASUNA’s meandering organ drones merge with Jelinek’s pulsating synthesizer and field recording loops to create dense superclusters that span broad harmonic arcs.

-

Watching the Japanese sound artist ASUNA playing the organ, some people might be surprised. ASUNA is no virtuoso flying over the keyboard in a rage. Instead, with the calm gestures of an office worker, he cuts strips of adhesive tape to the correct length before sticking them onto the keys of his instrument. In this way, large clusters of keys are held down, creating a dense and sustained range of frequencies, while the sound artist continually prepares further sets of keys or removes tape again. I have rarely seen a more convincing performance concept, with such a power to fascinate.

I first met ASUNA when we both gave a concert at the 21st Century Museum of Contemporary Art in Kanazawa, his home city. He performed the organ drones as described above and I immediately knew I wanted to collaborate with him. Six years and five meetings later, we completed Signals Bulletin. The album includes both joint improvisations and compositions, recorded in Berlin, Kanazawa and Kyoto.

Whether using prepared organ, Casio keyboards or mechanical plastic toys, ASUNA creates rich textures of sound that barely change over long stretches of time. It is a music without breaks. For a while, I was unsure how my loops made using modular synthesizers and live sampling fitted here – until I realized the role I had to take in this duet: I would provide the rhythmically pulsating foundation over which his dense continuums could unfold.

The result is harmonically drifting superclusters that put us into a meditation-like state. It can perhaps be compared to Automatic Writing – a mode of creative expression floating somewhere between concentration and distraction. Both the structure of our pieces and our approach to our instruments allow a similar “absence”: we let the machines play and repeat themselves – while we, in a mild form of trance, adopt the role of observers, intervening only occasionally.

It is no coincidence that ASUNA owns a collection of Doodle Art – drawings jotted down during conversations or while talking on the phone. It is said that works made like this point to the unconscious and reveal pet motifs – because a doodler always inadvertently returns to his or her favourite themes. The artwork for Signals Bulletin features pictures from the collection, in this case sheets of paper from the pads provided in stationery shops to test out pens. The special quality of such doodles is that the jumble of drawings is the work of a collective whose individual members do not know each other. Layer by layer is added, by someone different each time – until it becomes a dense cluster of lines and symbols ...
Jan Jelinek, Berlin 2018

ASUNA & Jan Jelinek: Relief, Pt.1

P.L.U.R.

Time Swim

Having cut his teeth producing warped and bombastic beats as a member of cLOUDDEAD, Nosdam has since gone on to record and release some of the most revered work in the post-millennial, abstract hip-hop world. Through his solo productions and various collaborations and remixes, the Anticon co-founder traces an indelible strain of super-saturated, no-fi weirdness that intersects British IDM, West Coast hip-hop, and ethereal drone. - Bobby Power (Creative Loafing)

Illogic x Odd Nosdam - Nowhere To Be Found (2023 mix)

Odd Nosdam

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