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techno

Apaga La Luz (Candela Edit)

M.I.T.A. on fire!
After his releases on Phobiq, Elevate, Analytic Trail, Driving Forces, Kombination Research and so many others, M.I.T.A., debuts on VOLTAGE Records with a two-tracker EP, packed with sizzling hot vibes! Ischia based artist's influences mix perfectly with his distinctive personal sound signature, creating a powerful and crisp techno EP, destined to make some real damage to the floor!

'Synchronize' is fast, powerful, intense! This original mix is based on a crisp and dynamic drumset - typical characteristic of the Italian artist, while the short synth stabs add on to the already blasting tempo of the track speedier and more intense.

Iconic techno producer Tom Hades debuts on VOLTAGE Records by choosing this track to remix and add his own character on the original composition. His version is punchier and darker, reinforced with his killer percussions and merciless tempo! 

Original version of 'Sunset on a cruise' is atmospheric, yet powerful and vibrant, with huge drops and intense drums. Anna V.'s remix on the track takes it to a whole new level, bringing out proggy vibes and an old school scent adding wide melodic arpeggios as well as and her typical huge bass lines and kicks.

Don't miss this amazing EP!

(M.I.T.A. and Tom Hades debut on VOLTAGE Records)

M.I.T.A. - Synchronize (Original Mix) [VOLTAGE Records]

Beatport: www.beatport.com/release/stay-with-me/2158128
Vinyl: www.decks.de/track/amelie_lens-stay_with_me/cb1-i8

Stay With Me 

Beatport

Amelie Lens - Winter

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Age Of Lust EP

Magnetic Premiere: Arjun Vagale - Photon (Ramiro Lopez Remix)

Making his debut on Drumcode in 2017 with his track ‘Fake’ featured on the A-Sides Vol 6 compilation, one of Brazil’s much loved exports Wehbba brings us his first full EP this February with ‘Eclipse’.

A no nonsense 4 track offering, and all thoroughly road tested by Adam, they have gained much support from longtime Drumcode fans. Eclipse, delivers a low end rumble along with a modulating synth line. Reigning high throughout the track, is the undeniably catchy and unique synth. Leaving this track one to be recognised on dancefloors all over the world.

‘Protocol’ doesn't turn down the pace, straight into a chugging hypnotic drive, this track leaks with attitude, along it’s eerie undertones.

Probably the most acid influenced track of the EP, ‘Glasswerk’ has a futuristic modular synth riff which thunders along a hypnotic bass line which flows nicely into ‘Framework’ to close out the EP. Its punchy and powerful kick sits alongside the cleverly crafted synth pattern, taking this track into a dark zone with a groovy element still resonant.

Wehbba - Framework - Drumcode - DC185

Wehbba - Eclipse - Drumcode - DC185

BUY : http://classic.beatport.com/track/ghost-voices-raito-remix/10444320

LISTEN TO MORE : https://soundcloud.com/virtualself

Virtual Self - Ghost Voices (Raito remix)

Mark Reeve makes his welcome return to the Drumcode fold with a powerful three-tracker ‘Far Away’.

In recent years Mark Reeve has become a pivotal member of the Drumcode crew. His 2015 EP ‘Run Back’ was a standout, before he backed it up strongly with ‘Nine of You’, his collaboration with Adam Beyer that featured on A-Sides Vol.5, ensuring his place in the hearts of DC fans. As further evidence of his importance to the collective, Beyer has selected him to suit up for the inaugural Drumcode Festival happening this August in association with Awakenings. 

Harking back to formative times in the ‘90s when he’d frequent Sven Väth’s legendary Omen in Frankfurt, the title track to Reeve’s ‘Far Away’ is a timeless beauty, driven by a celestial melody line and emotive bass notes that lobs it into the kind of laser-kissed territory that would make even the most jaded of raves throw their arms skyward. ‘Fragile’ follows, a classy bass-driven cut that makes its mark with deep subterranean stabs and punchy kicks. Rounding out the EP is ‘Redemption’ a tougher, heads-down techno workout imbued with plenty of energy thanks to a crafty bass melody that runs throughout.

Mark Reeve - Fragile - Drumcode - DC187

Dave Sinner - Pulsar

https://off.fanlink.to/andre-crom-surge

https://www.facebook.com/DJ.AndreCrom
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Labelhead Andre Crom returns to OFF with his next original production.

„Surge' is an aptly named track, which creates a tense atmosphere with its driving groove and percussion loops, topped by a memorable vocal chant.

The result is a super-functional tool, that feels at home in the peaktime as well as in deeper sets.

Surge

Stream / Download

Andre Crom - Surge - OFF192

BUY IT NOW : https://www.beatport.com/release/pleasurekraft-presents-monolith-series-volume-3/2629635
STREAM : https://open.spotify.com/album/7tDTxGJBqzHXIm0ZEhyaaU?si=_Owie9FuQ22u4soSP6HfUg
With the third installment of our annual VA compilation, it's now become tradition here at Kraftek to close out our summer release schedule with an ode to all the incredibly talented new faces making names for themselves in the techno world. As usual a mostly Cosmic Techno selection of cuts from artists we have worked with before - along with some new additions to the kraftek family.  We proudly present Monolith Series Volume 3.

Monolith Series Volume 3

BUY IT NOW

Mattia Saviolo - Twilight of the Idols

PRE ORDER: https://www.beatport.com/release/selections-v-2-part-2/2649640

PRE ORDER

Bolster - Hybrid [Orange Recordings] - ORANGE109B

Timmo returns to Terminal M to release his highly anticipated debut album ‘Starlight’ this September. 
 
Since making his debut in 2008, Bulgarian talent Valeri Ivanov, aka Timmo, has swiftly become a name of note within the current techno landscape following with a string of releases via some of the biggest labels in the scene, from Adam Beyer’s Drumcode and of course Monika Kruse’s Terminal M imprint. Having emerged as a core figure for the label following his collaboration ‘Violet’ with Kruse back in May, and leading straight on from his ‘Starlight’ EP which featured three tracks from the extensive body of work in early June, the imprint will now welcome the arrival of his eleven-track LP ‘Starlight’, featuring a combination of club-focused tracks alongside more emotive soundscapes. 
 
“’Starlight’ is my debut album, and I’m very happy it’s going to be out on Monika Kruse’s Terminal M. It took me more than a year to finish and create it as an experience, the way I felt it should be. Starting with more melodic tracks, going through more energetic and electric ones and finishing off with some acid. 
 
All 11 songs have been recorded in my home studio in Sofia, using a variety of synths and modules, some dating back to the early 80s like the Roland Juno 60, and some being brand new or improved versions of classic synthesizers such as the Sequential Prophet 6.” - Timmo 
 
Opening via the ominous ‘Leaving Earth’ and flowing straight into the action via the acid laced ‘New Beginning’, the eleven-track project swiftly takes its form as a balance of driving, uncompromising productions accented by subtle interludes and moments  of  space.  Take  for  example  the  bubbling  ‘Solar’  and  the  warping  ‘Belle  Epoque’,  which  keep  the  focus  on oscillating synths and regimented percussion, whilst title cut ‘Starlight’ takes control and ups the energy via soaring lead synths and frenzied electrics. 
 
Next up, ‘Sonic Voyage’ reveals yet another twisting journey as Timmo merges ever-evolving leads with restrained vocal snippets, whilst ‘Vortex’ and ‘Spacefreaks’ add further energy via a medley of hefty kicks and menacing bass patterns throughout. Entering into the final three cuts, ‘Rhythm X’ brings forth further infectious 303-lines, tripped out vocal hooks and slick hats to head further into the peak time, whilst the darker ‘Connect’ throws its hat into the mix via a combination of commanding female vocals and choppy bass licks, before arriving at closing track ‘Interspace’ which lowers the tempo and switches the emphasis towards bright synth melodies and calming breaks featuring rich soundscapes to punctuate the project in emphatic fashion. 
 
Channeling main room sonics whilst intertwining rich melodies and softer tones throughout, ‘Starlight’ sees the unveiling of Timmo’s most complete body of work as he continues his ascent as one of his genres leading talents via the ever-impressing Terminal M.

beatport/spotify/vinyl

Timmo - Solar

Obsolescence EP

Premiere: Rudosa - Isolation [Moments In Time]

Stream FULL album: fanlink.to/LitAoM
Picking up where 2018's debut album left off, Pleasurekraft continue their foray into the Cosmic Techno sub-genre they ushered into the dance music lexicon, with their new LP "Love in the Age of Machines."
Arriving exclusively on Spotify initially on April 10, with other streaming platforms to follow a week later, Pleasurekraft had one of the biggest tracks last year on Drumcode with their remix for Adam Beyer's 'Space Date,' always bring forward thinking grooves embellished with astral melodies and spaced out synths that make for emotional as well as physical experiences.
"Love in the Age of Machines" is in no short supply of the sonic signatures the production duo have become known for, and there is a clear maturation at work here. The album's non-techno tracks showcase an artistry rarely seen in conventional dance music and techno in particular. From the gritty dystopian future that establishes the album's themes at the onset in "Last Sapien", to the dark, rainy, urban-lit textures that form the spine of "Nostalgic for the Future", there is a sense of impending self-wrought catastrophe, tempered with a sense of wonder of all that is, and all that could be if humanity somehow overcomes its hubris.
Things get more intense and turbulent on "Panopticon (The Patron Saint of Global Surveillance)" [ft. Thomas Gandey] before the voyage to the edges of our galaxy continues on "I Sing the Body Electric" & "Main Sequence" which keep up the enthralling techno atmospheres with increasing pressure, before the tension is released with the cinematic grandeur of "Novacene." Two more hard hitting bangers in "At the Mountains of Madness" and "Primordial" then rebuild the all consuming techno mood before you're left adrift in the cosmos with the album's swan song "Requiem For the American Dream."
As Kaveh Soroush of Pleasurekraft puts it, "Without sounding too reductionist, humans are simply a bundle of biochemical algorithms with a few holes at either end, who mistake their sensory experiences as objective, and their sense of self as something concrete, when in fact science reveals to us with each new finding that our basic intuitions about reality and the world around us have not evolved much from our first ancestors, who just wanted to make sure not to get eaten for long enough to feed and procreate on the African savannah. While there are certainly wonders about the Cosmos we have discovered given our enlarged frontal lobes, and technologies that we've invented dating back to when the first tool was built thanks to an opposable thumb, we haven't been the best custodians of the only planet that can sustain us, and history makes it abundantly clear that our wisdom lags far behind the technological advancements we develop with each new day."

Despite the overtly pessimistic tone, ultimately there is a sense of potential change on the horizon. That perhaps a species which has come up with abstract ideas of love, justice, liberty, and created works of immense artistic and scientific beauty, might just find a way to correct course before it's too late. This sense of wonder is on full display on "The Occupant" and the potential seed for our enlightenment is planted in "Corpse Reviver Number 3", a track brimming with homages to the love of philosophy and its place in navigating a more examined life.
Ultimately "Love in the Age of Machines" feels like a dystopian sci-fi soundtrack written for optimists who want to change humanity's looming fate. While still firmly rooted in the techno genre, the album evokes themes and ideas that are universal to the human experience and our place in the Cosmos, and it is this aspect of the album that makes "Love in the Age of Machines" such a rewarding musical experience. It's techno that is at once accessible and intelligent, a combination rarely heard in today's endless sea of dance music.

04 - Panopticon (The Patron Saint of Global Surveillance) [ft. Thomas Gandey]

An Indo-Spanish cross-pollinized record label! 
Home to Arjun Vagale @arjun-jalebee 
& Ramiro Lopez @ramirolopez

Dave Sinner - Pulsar

Odd Recordings

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