Name: Matt Werth - Oddity Influence Mix by ODDITY RADIO
Duration: 1 h

Recorded in Berlin (March 2021) by https://soundcloud.com/philipp-otterbach aka Grand Optimist

You can ask for IDs (nicely) ;)

Scan jam by Bunzinelli

56 ✖ PHILIPP OTTERBACH

Ondula "We're not in Kansas anymore"

we celebrate Black History Month as an annual observance 
of important people and events in the history of the African 
diaspora presenting the 5th studio insert series entitled:
Compass- An Obsolete Musical Voyage.

Traxx- Studio Insert 5- Compass- An Obsolete Musical Voyage

Brew records w. Interstellar Funk.
'2 hours of records from the HQ together with Interstellar Funk (Also known as DJ Olff) - a bunch of different ones on a night that could probably be summed up as slower action... tune in, zone out'.

Brew records w. Interstellar Funk [12.07.2022]

Delighted to host Matt Werth Influence mix on Oddity Radio for @igetrvng

Matt Werth : How is it possible to encapsulate the “influences” on RVNG Intl.? It’s not, but this attempt links some of the music that’s appeared on RVNG to a moment of inspiration. And then there are a number of tracks that were broadly, or specifically, influential. Enjoy? 

Turn on, tune in and don't drop out!

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Oddity Radio - RVNG - Influences Mix - 091922

Matt Werth -  Oddity Influence Mix

Since learning the ropes in Glasgow’s underground with early releases on Optimo Music and a residency at the famous Art School club, Thomas Lea Clarke aka https://soundcloud.com/mrtcmusic has spent the past 10 years delving into the recesses of experimental electronic club music with his own productions, playing live shows, doing some remixes, mixing and meeting a lot of people along the way. We first met in 2016 both spinning at a Blue Cheese party. These days he works at a radio station and tends to https://soundcloud.com/phasegroup, the label he started with Lo Kindre.

His hobbies are spending time on his own recording sounds, or to be with close ones, eating something good, having a drink and sharing a moment. He runs to keep fit and likes spending time in nature whenever he can. He's easily distracted, not sure if that’s a bad thing though - if he's good at working on multiple things at once, or bad at focusing on one thing at a time.

His mix meanders through some kind of dreamspace with ghostly appearances. He's in no hurry but quickly grabs you by the throat. 'Wherever you may go in life… just don't stop the dance'
« This mix feels like wondering through a dream, lost in bright fog at night. Searching for something you can’t remember but feeling like you’re getting closer. »

NOSE JOB 38 — MR TC

Invited Low Bat on for Ice Exposure show on Noods Radio

Music selected in response to this image

Part I: Luis Martin Gonzalez
Part II: Low Bat

Ice Exposure w/ Luis Martin Gonzalez & Low Bat 12.03.23 Noods Radio

CD/Digital Preorder: https://lizardlabel.bandcamp.com/album/wav-fuzz-sensing

Lizard Label proudly presents their inaugural release: a slab of aqueous technoid excursions and hi-def electro workouts from Chicago-based producer Wav Fuzz. The head lizards first heard these tracks performed as a live set at an intimate gathering in the woods and immediately knew it needed a broader audience. With Sensing, the artist hones in on a lush strain of dance music thematically oriented around human sensory awareness, matching detailed compositions with each of the senses. The album follows previous releases on labels including Les Yeux Orange, Bed of Roses, Occult Research, and the artist's own imprint EYMS.

“Vision” kicks off Sensing with a wave-jumping journey through layered synth pads and chiming mallet leads, all girded by drum programming that bumps over sturdy kicks and clattering hi-hats. Wav Fuzz lets the central elements of each track loop listeners into a trance state while frosting the outer layers of the stereo spread with warm pads and rushes of pure texture. “Audition” — as in hearing, not trying out for the part — leans into throbbing bass bursts planted beneath a web of interlaced saw waves, while “Olfaction” heads off on a major key trip that splits the difference between a Mediterranean yacht party and a space cruiser docking against the backdrop of Saturn.

Throughout Sensing, Wav Fuzz demonstrates a fine-tuned sense of melody without lapsing out of the state of drift. Fine-grain synth patches share space with complex beat patterns and evolve together through subtle shifts in narrative — all while remaining in that club-ready sweet spot, with basslines that could only sound massive on a proper sound system. “Gustation” skirts the closest here to what could be called IDM, with thirty-second note patterns jittering behind alternating atonal and consonant synth phrases, creating a sinuous ebb and flow, equal parts tension and ecstasy.

“Somatosensation” places Wav Fuzz’s hands on the keyboard, dripping out a stream of balearic arpeggios and luxuriant chords — that is, before that bassline kicks in, underpinning the proceedings with a feeling of constant forward motion. Knowing exactly when to deploy each new element without overcrowding the mix, the artist coasts with us through a network of kicks and bleeps, filter sweeps and looped one-bar melodies. Wav Fuzz adds another sense to the traditional five: “Intuition.” The album closer starts in a state of wide open bliss, with synthetic bongos and shakers backing a steady kick snare groove, before complicating with the introduction of growling bass and intensifying synth ornamentation.

Wav Fuzz prefers to maintain a sense of anonymity around the project, which suits the liquid nature of the music. The compositions that Sensing offers reach us as finely sculpted sessions that feel like they could extend far beyond their allotted time, swirling through their varied permutations while maintaining their central groove, their core idea. As a durational medium, we listen to music and we know that it will end at some point. We find ourselves within the space of one track, already preparing ourselves for the next. We watch for the signs on the side of the road that might lead us to some new vista. Sensing balances that expectation with pockets of perfect stasis — moments we would be fine looping along with unto infinity.

Words: Max Allison

Produced by Andrew Bisenius
Mastering by Jason Letkiewicz
Artwork by Alyssa Beers

Sensing

[PREVIEW] Wav Fuzz - Sensing (lizlab001)

Awake? Asleep? Aware or unconscious?
36 sleeping cycles narrate fragments of memories of a hazardous exploration. A vaporous mission with no distinct objective other than lying on our backs facing a gas planet and let pieces of yesterday, today and tomorrow live for a moment. A nap session, post-punk, 80’s songs and synthetic anthems that purr with tender melancholy and caress the sweetness of lost and rediscovered times. Here is about **two hours** of selection thought for the escape.

@oscuraresistencia

LIO Press mix #10 ~ by Oscura Resistencia · '36 Sleeping cycles'

mix by @ae-ida
streamed at Radio 80000, munich

Andrea Ida — Takeover @ Radio 80000

Pieter is founder and co-owner of legendary Berlin's club/bar O Tannenbaum and musician since the late 80's. AS DJ, he narrates haunting sonic stories playing a vast palette of styles - from cosmic and leftfield techno to tape experiments, sound-art, wave, world, jazz, punk, industrial, and all that weird pop music. Here is his hour of Hidden very hidden Sounds.

suoni n.9_ Pieter Kock

Oddity Radio is a contemporary jukebox curated by Alexis Le-Tan, bringing together some of today's most interesting record labels.

For regular updates please follow : https://www.instagram.com/oddityradio.fm/

Turn on, tune in and don’t drop out !

Matt Werth - Oddity Influence Mix

ODDITY RADIO

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