Johann Sebastian Bach — Harnoncourt conducts JS Bach

The perfect classical accompaniment to your wedding ceremony.

Classical Wedding

Classical music - My Favorite Songs - Part 1

The Best of Classical Music and Scores from TV and Movies

Bach: Violin Concertos – Johann Sebastian Bach, Verschiedene Interpreten - Part 1

Kirchenchor

Colourful arrangements for organ and percussion of glorious music by Ravel, J.S. Bach, Saint-Saëns and Mussorgsky, performed by Spanish organist Daniel Oyarzabal on the majestic León Cathedral organ.

The organ of León Cathedral in Spain is celebrated for its rich range of sounds, which are showcased by Daniel Oyarzabal in the variety of works selected for this release. He is joined by percussionists Juanjo Guillem and Joan Castelló, who add rhythmic emphasis and additional colour to these arrangements made by Oyarzabal himself. 

J.S. Bach was a master of organ music, and we hear his Sinfonia from Wir danken dir, Gott, Cantata BWV 29 as originally arranged by Marcel Dupré, alongside Wachet auf, ruft uns die Stimme, BWV 645 in Bach’s own arrangement of his Cantata BWV 140. There are also transcriptions of some of the most beloved works in the repertoire: Mussorgsky’s vivid Pictures at an Exhibition, the irresistible Carnival of the Animals by Saint-Saëns, the Capriccio Espagnol by Rimsky-Korsakov, and Ravel’s hypnotic Bolero. It is fascinating to hear how the stops of this famous organ replicate the colourful orchestration of these composers. There is also the chance to hear more rarely-performed music by 20th-century Spanish composer Jesús Guridi with his critically-acclaimed work, The Homestead.

ODRCD392 Bolero : Daniel Oyarzabal

Old German Christmas song recorded live at Drei Königs Kirche in Dresden on 6.12.2013. Edited and mixed by Jamshied Sharifi

Maria Durch Ein Dornwald Ging (Mary wandered through a wood of thorns)

Programmed using Vienna Symphonic Library tools

Edvard Grieg: Peer Gynt Suite No.1, Op. 46 / Morning Mood (performed using Vienna Symphonic Library)

Hey 👋 Making classical music is thirsty work, I could sure use a beer right now! Buy me a pint if you can! Cheers!

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🍺 Buy me a Beer! 🍺

The Piano Sonata No. 11 in A major, K. 331 (300i), by Wolfgang Amadeus Mozart is a piano sonata in three movements. It is uncertain where and when Mozart composed the sonata; however, Vienna or Salzburg around 1783 is currently thought to be most likely (Paris and dates as far back as 1778 have also been suggested). The sonata was published by Artaria in 1784, alongside Nos. 10 and 12 (K. 330 and K. 332).

Multi-Platinum Concept Album from IndyPop Records https://www.kickstarter.com/projects/indypop/multi-platinum-concept-album

Movement Three - Rondo Alla Turca (Turkish March).

The last movement, "Alla Turca", popularly known as the "Turkish March", is often heard on its own and is one of Mozart's best-known piano pieces. Mozart himself titled the rondo "Alla Turca". It imitates the sound of Turkish Janissary bands, the music of which was much in vogue at that time.

Various other works of the time imitate this Turkish style, including Mozart's own opera Die Entführung aus dem Serail. In Mozart's time, the last movement was sometimes performed on pianos built with a "Turkish stop", allowing it to be embellished with extra percussion effects. 

Retailers:

Deezer:
http://www.deezer.com/album/11116224

Tidal:
http://listen.tidal.com/album/53171424

Amazon:
http://www.amazon.co.uk/Mozart-Project-Mozartisan/dp/B014MVAV7Y

Rhapsody
http://www.rhapsody.com/artist/mozart-2/album/mozart-symphonies-sonatas-serenades-concertos-and-overtu

MediaNet
http://www.mndigital.com/content-experience/music_content/albums/378851987/Wolfgang_Amadeus_Mozart/Mozart_The_Essential_Collection/

Spotify:
https://play.spotify.com/album/2qTzSNOusiykyFQ21F51mc

Orchestral samples included in this recording from the Vienna Symphonic Library.

Also check out the very best in R&B & Pop Music 2020 from IndyPop Records!
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Piano Sonata No.11 in A-Major, K. 331: III. Rondo Alla Turca - Allegretto

Taize' (1) Laudate Omnes Gentes - Organ Chucch

"39. Aria" from "St. Matthew Passion BWV 244" by Johann Sebastian Bach

The Best - Reminiscent 10th Anniversary

River Flows in You

Morricone: "Cinema Concerto" - (Ennio Morricone at Santa Cecilia)

Gabriel's Oboe (From "The Mission")

Gospel Dream

This Little Light of Mine

Distant Light - Renaud Capuçon plays Bach & Vasks

Violin Concerto No. 1 in A Minor, BWV 1041: III. Allegro assai

Violin Concerto No. 1 in A Minor, BWV 1041: I. —

Violin Concerto No. 2 in E Major, BWV 1042: II. Adagio

Violin Concerto No. 1 in A Minor, BWV 1041: II. Andante

Violin Concerto No. 2 in E Major, BWV 1042: I. Allegro

Chopin: Noctures Nos. 1 - 11

Nocturne No. 1 in B-Flat Minor, Op. 9 No. 1

Classically Chilled

I Giorni

Gran Turismo 5 (Original Game Soundtrack)

Orchestral Suite No. 3 in D Major, BWV 1068: II. Air "On a G String" (Arr. for Piano)

The Mission: Music From The Motion Picture

Johnnie & Jack and the Tennessee Mountain Boys Vol 3

You're My Downfall

V018-Antonio Vivaldi –  The Four Seasons, Op. 8 - Concerto No. 3 in F Major, RV 293,  (Autumn) I. Ballo e canto de villanelli Allegro

Kirchenchor St. Matthias
Armin Ziegler, Klarinette
im März 2017 
Orgel und Leitung: Maximilian Rajczyk
www.maximilian-rajczyk.de

60 Jahre Musica Sacra

Meine Zeit steht in deinen Händen

Pavane Op. 50
Composer - Gabriel Fauré
Programming - David Juna
Sound - Vladimir

Gabriel Fauré - Pavane Op. 50

Sergei Rachmaninoff: Piano Concerto No.2 in C Minor Op.18 
II. Adagio sostenuto
By Dacorum Youth Orchestra

Sergei Rachmaninoff: Piano Concerto No.2 in C Minor Op.18 - II. Adagio sostenuto by DYO

Recorded in October 2012 during a rehearsal for a guitar concert.

Gabriel Fauré: Pavane, Op. 50

10 - Johann Sebastian Bach - Wachet Auf Ruft Uns Die Stimme BWV 645 (arr. J. S. Bach)

05 - Nikolai Rimski - Korsakov - Escena Y Canto Gitano (From Capriccio Espagnol Op. 34)

04 - Nikolai Rimski - Korsakov - Alborada (From Capriccio Espagnol Op. 34)

03 - Camile Saint - Saens - Finale (from  Le Carnaval Des Animaux R. 125)

02 - Camile Saint - Saens - Aquarium (from  Le Carnaval Des Animaux R. 125)

01 - Gustav Holst - Mars (from The Planets Op. 32)

The piano guys - a thousand years

Writers: Ed Sheeran, John Newton
Arrangers: Sabrina Tabby, Ari Barack Fisher
Produced by ATLYS
Official Website: www.atlysmusic.com
General Inquiries: contact@atlysmusic.com
Booking: contact@atlysmusic.com

Violin: Sabrina Tabby
Violin: Jinty McTavish
Viola: Rita Andrade
Cello: Genevieve Tabby
Engineer: Neil McTavish
Recording: First UMC, Lafayette, IN
Mixing: McTavish Productions LLC, Lafayette, IN

Perfect

Dieser Teil aus der "Ode an die Freude", im original von Ludwig van Beethoven, ist als Tributtitel für alle zusammenhaldtenden Kräfte gewählt worden, die
in der Ära des namentlich benannten "Corona Virus / COVID19" tapfer arbeiten.
Die leisten damit den großen Beitrag, dass das System in Deutschland nicht zusammen bricht. Man darf davon ausgehen, dass viele Menschen in dem Land weit über die sehenden Grenzen hinaus denken. Somit gilt dieser Titel als Statement für Zusammenhalt weltweit, soweit ich das sagen vermag.

Um 18.00 Uhr (MEZ / MET - mitteleuropäischer Ortszeit, schellten in sämtlichen, erdenklichen Gemeinden die Glocken der Kirchen.

Zeitgleich startete ein Appell, ausgelöst durch den zuvor angekündigten #flashmob.
Menschen jeder Herkunft, ob nah ob fern, wurden aufgerufen, in den Teil "Freude schöner Götterfunken" musikalisch, nach Leibeskräften zu interpretieren.
Es geschah zeitgleich in allen Gemeinden. So berichten diverse Gruppen in sozialen Netzwerken, als auch die bundesweite Pressemitteilung, Berichterstatter, Journalisten, Reporter, wann, wo, wie genau dieser Akt Zuwendung fand.

Man darf davon ausgehen, dass in den kommenden Jahren, dieser Tage heuer gedenkt. Weltweit wohlgemerkt, möglicherweise.

Vorausgegangen war ein hartnäckiger, neuer Virenstamm, für den es auf dem Planeten Erde (auch zurzeit noch) keinen wirksamen Impfstoff gibt. Man rechnet mit einem möglichen Heilmittel etwa ab Herbst 2020,nach vorsichtigen Schätzungen.

Gott, stehe bei Deinem erwirken Leben!

Freude Schöner Götterfunken (Tribute den sozialen Menschen -COVID19)

J.S. Bach - Arioso
I hope you enjoyed listening, and if you wish to help support my practice as a multi-disciplinary artist, you may donate at the link below. Any donations would go towards aiding myself and fellow collaborators realise more ambitious projects.

BandCamp: thefloatingcellist.bandcamp.com/track/j-s-bach-arioso
Personal Website: http://www.oakmatthias.com

Cello: Oak Matthias
Piano: Yvette Price

J.S. Bach - Arioso

Odradek Records is a democratic classical cooperative, non-profit and artist-controlled label and concert association, promoting new artists and fresh repertoire.

Entrance to our roster is through anonymous demo.

Our dream is utopian: to separate music-making from markets and create a just system of pure artistic meritocracy.


Odradek Records is not just a new record label. Odradek Records is the first wedge of a larger project, proposing a new way to produce and enjoy classical music. We think that the current model undermines the true essence and significance of music. We think that a model centered on just a few big names, the great concert halls, a limited repertoire that is necessarily restricted by the bonds of popularity--a model that makes its selection of new young performers from the anti-musical system of competitions, the success of which is often obtained through extravagant histrionics rather than the correctness or subtlety of interpretation--and finally, a model that is subject to the exploitation of the marketplace, and which obliges the majority of musicians to pay enormous sums to record CDs, for which the profits then go largely to the record company, thus depriving many very worthy but not wealthy musicians from the possibility of recording--is not only a model that is far from art, but is a model that even itself is in crisis. 

Ideally, music just as other primary goods, should not fall subject to the markets. We know that in a strict sense, this is utopian, but it is precisely this tension towards an unreachable utopia that guides our project.

Odradek Records is a non-profit seeking label. Once production and distribution expenses are recuperated, all of our proceeds go directly to the artist. Odradek Records selects its artists solely through the criterion of utmost quality of the recording and the interest of the proposed program. We don’t want to exclude, but rather include: we are not interested if you have won important competitions or not, neither if you have performed in important halls or signed with major labels. We are not interested in your age or where you come from. The only thing that interests us is whether you play your instrument to a very high and professional level. With us you can record Chopin, but you can also record: Berio, Scelsi, Copland, Carter, Webern, Schoenberg, Ligeti, Kurtag, Ives, and many others.

Our recording studio avails itself of the greatest technical instruments available today.

The distribution of our CDs is guided by an innovative criterion of transparency and flexibility in setting prices.
The rights of the composers and of the artist are protected by Creative Commons copyright (sometimes referred to as “copyleft” policy) because we want to render legal and free all those things that almost everybody already illegally does anyway.

We consider that the distribution of our music is not a one way street, but instead a dialogue. Only the presence of an active public gives true life to an artistic product. Write us. In the comments section you can leave opinions, suggestions, and criticisms of our music and our project. If you want to you can sign up as a “Friend of Project Odradek”, indicating your name, your profession, where you are from, and why you support Project Odradek. Send us your thoughts on the state of music, culture, and the arts: we’ll publish them on our blog.

If you like us, help us spread the word by linking to us from your blogs, sites, and through your social networks.

Odradek Records does not only produce CDs. We are convinced that the truest fruition of music happens in live concerts. For this reason we organize itinerant music festivals, moving from city to city, to promote our disks and music.

And finally, a word about our name: we borrow it from Kafka. Like the worried family man in Kafka’s tale, we are also worried. We are worried that music might become always more and more an odradek, an indefinable and incomprehensible being, whose voice sounds falsely, like the voice of one who is “without lungs”, a being without form, disturbingly replicating that which was once alive, that can plastically become whatever is wished for by those who posses the instruments of power and control. We wish for the cage-like railing surrounding the man of Kafka’s drawing to become instead an instrument to play - we would like to transform our prison into our liberty. 

We would like to restore music to its true role, that of artwork, and restore musical interpretation to its true function, the only one that opens itself towards the possibility of a future: that of a field of research.

Welcome to Project Odradek.