The sacrifice announced the previous days is fulfilled today. We attend the Last Supper of Jesus in the company of his closest friends, the apostles. During the supper, they will receive the greatest sign of humility and charity from their Master: the washing of their feet. The divine is exercised again in an act of total surrender: the God-Man, not only stoops to wash the feet of his Disciples but even annihilates Himself to become the species of bread and wine, the establishment of the Eucharist, supreme incarnation of charity. “Ubi caritas est vera, Deus ibi est” - where true charity is, there God is.
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In these moments of seclusion and self-isolation, the Benedictines of Jouques open the doors of their cloister and invite us to reconnect with our essence, in communion with each other in prayer through the Gregorian Chants.

Gregorian is a monodic sung prayer originating in the 8th century and sung by the Sisters exactly as it has been uninterruptedly for centuries. These chants awaken us to the most intimate, profound parts of our being. We wish for you to find peace, consolation, hope, and a sense of communion even while the current circumstances prevent us from gathering.

Holy Week Chants from the Abbey of Jouques - Maundy Thursday 2020

Grieg: Peer Gynt / Ravel: Rhapsody Espagnole

Grieg: Peer Gynt Suite No. 1, Op. 46: II. The Death Of Aase

Sheet Music : http://www.marcpapeghin.com/dunbar

The John Dunbar Theme from Dances With Wolves | Horn Quartet ( Sheet music available )

Händel: Dixit Dominus, I. Chor - Dixit Dominus Meo

Album release: November 2016

JOHANN SEBASTIAN BACH
Actus Tragicus (Cantatas BWV 106, 150, 131, 12)
Vox Luminis, Lionel Meunier

BACH // Nach dir, Herr, verlanget mich, BWV 150: IV. Chorus "Leite mich in deiner Wahrheit"

Koum Tara is a meeting of four musical worlds centered around a common project, created and directed by pianist-composer Karim Maurice: traditional chaâbi music, classical string quartet, contemporary music, and jazz. The raw material was extracted from the traditional repertoire of Algerian singer Sid Ahmed Belksier.

These themes were worked, distorted, reharmonized and restructured to create a hybrid, cross-cultural style. As part of the writing process, these musicians brought their own identity and their specific know-how to each piece. This has been a cultural meeting of minds, resulting in a unique musical texture. Chaâbi’s traditional poetry and love songs are blended with the tradition of the Western string quartet, jazz improvisation and electronic music, creating a fusion of styles and genres within each piece.

At a time when humanity, respect for cultures, and tolerance are seen as much-needed values for building a better world, this performance offers a musical universe in which each person brings his or her identity, cultural heritage and originality to sing universal love.
 
Karim Maurice is a French pianist-composer-arranger. His Karim Maurice Project was named “Revelation 2008” at the Jazz Festival of Ramatuelle. In 2013 he won the SACEM Autoproduction Award, and was named Best Composer at the international “Made in New York Jazz Competition” in 2015.
 
Gaël Rassaert is the laureate of several chamber music competitions and enjoys an international career as a chamber musician. He is a regular guest of the Lyon National Orchestra, the Radio-France Orchestra and the Lyon National Opera. He is part of Portugal’s Darcos Ensemble, directed by composer Nuno Côrte-Real (heard on Odradek Records album ‘Mirror of the Soul’, ODRCD336). Today he devotes a large part of his activity to the artistic direction of the conductor-free La Camerata string ensemble, which he founded in March 2004. La Camerata has established itself as an important player in the musical landscape. Comprising 20 musicians from Lyon, La Camerata embraces repertoire ranging from Schoenberg, Bartók, Britten, and Shostakovich, to traditional music (Algeria, Argentina, Chile), jazz, and contemporary music.

06 - Ya Taleb

05 - Ya Kalek Lechia

Aida

Aida: Preludio

In these moments of seclusion and self-isolation, the Benedictines of Jouques open the doors of their cloister and invite us to reconnect with our essence, in communion with each other in prayer through the Gregorian Chants.

Gregorian is a monodic sung prayer originating in the 8th century and sung by the Sisters exactly as it has been uninterruptedly for centuries. These chants awaken us to the most intimate, profound parts of our being. We wish for you to find peace, consolation, hope, and a sense of communion even while the current circumstances prevent us from gathering.

Ad Laudes - 07 Antiphona - Oblatus Est

Ad Laudes - 01 Campanae

Ad Matutinum - 04 Hymnum - Pange Lingua Gloriosi

Ad Matutinum - 03 Invitatorium - Hodie Si Vocem Ejus Audieritis

Ad Matutinum - 02 Psalmus 3

Ad Matutinum - 01 Domine Labia Mea Aperies

Musica Amphion, Pieter Jan Belder

Recorded in September 2007
Purcell Collection: © 2013 Brilliant Classics

Cat.No. 94665
EAN: 5028421946658
Review in German: http://de.brilliantclassics.com/?p=3009
Full tracklist: www.brilliantclassics.com/release.aspx…d=FM00429893


Henry Purcell: Pavan in four parts

Iliya Rashkovskiy performs Chopin's e- minor piano concerto on November 11th, 2011 at Gorzów Philharmonic concert hall. Gorzów Philharmonic Orchestra under Piotr Borkowski conducting. Live recording.
Iliya Rashkovskiy that 2011 year was a 3rd prize winner of the A. Rubinstein Piano Competition in Tel Aviv. Later he conquered the 1st prize at Hamamatsu International Piano Competition in Japan.
The new, very fresh Polish orchestra, established just few months before this performance, showed great musicianship and yet maturity. The concert master for that memorable evening was Tomasz Tomaszewski - 1st concert master of Deutsche Oper Berlin.

Fr. CHOPIN - Piano concerto e minor 2nd mov.

Odradek Records is a democratic classical cooperative, non-profit and artist-controlled label and concert association, promoting new artists and fresh repertoire.

Entrance to our roster is through anonymous demo.

Our dream is utopian: to separate music-making from markets and create a just system of pure artistic meritocracy.


Odradek Records is not just a new record label. Odradek Records is the first wedge of a larger project, proposing a new way to produce and enjoy classical music. We think that the current model undermines the true essence and significance of music. We think that a model centered on just a few big names, the great concert halls, a limited repertoire that is necessarily restricted by the bonds of popularity--a model that makes its selection of new young performers from the anti-musical system of competitions, the success of which is often obtained through extravagant histrionics rather than the correctness or subtlety of interpretation--and finally, a model that is subject to the exploitation of the marketplace, and which obliges the majority of musicians to pay enormous sums to record CDs, for which the profits then go largely to the record company, thus depriving many very worthy but not wealthy musicians from the possibility of recording--is not only a model that is far from art, but is a model that even itself is in crisis. 

Ideally, music just as other primary goods, should not fall subject to the markets. We know that in a strict sense, this is utopian, but it is precisely this tension towards an unreachable utopia that guides our project.

Odradek Records is a non-profit seeking label. Once production and distribution expenses are recuperated, all of our proceeds go directly to the artist. Odradek Records selects its artists solely through the criterion of utmost quality of the recording and the interest of the proposed program. We don’t want to exclude, but rather include: we are not interested if you have won important competitions or not, neither if you have performed in important halls or signed with major labels. We are not interested in your age or where you come from. The only thing that interests us is whether you play your instrument to a very high and professional level. With us you can record Chopin, but you can also record: Berio, Scelsi, Copland, Carter, Webern, Schoenberg, Ligeti, Kurtag, Ives, and many others.

Our recording studio avails itself of the greatest technical instruments available today.

The distribution of our CDs is guided by an innovative criterion of transparency and flexibility in setting prices.
The rights of the composers and of the artist are protected by Creative Commons copyright (sometimes referred to as “copyleft” policy) because we want to render legal and free all those things that almost everybody already illegally does anyway.

We consider that the distribution of our music is not a one way street, but instead a dialogue. Only the presence of an active public gives true life to an artistic product. Write us. In the comments section you can leave opinions, suggestions, and criticisms of our music and our project. If you want to you can sign up as a “Friend of Project Odradek”, indicating your name, your profession, where you are from, and why you support Project Odradek. Send us your thoughts on the state of music, culture, and the arts: we’ll publish them on our blog.

If you like us, help us spread the word by linking to us from your blogs, sites, and through your social networks.

Odradek Records does not only produce CDs. We are convinced that the truest fruition of music happens in live concerts. For this reason we organize itinerant music festivals, moving from city to city, to promote our disks and music.

And finally, a word about our name: we borrow it from Kafka. Like the worried family man in Kafka’s tale, we are also worried. We are worried that music might become always more and more an odradek, an indefinable and incomprehensible being, whose voice sounds falsely, like the voice of one who is “without lungs”, a being without form, disturbingly replicating that which was once alive, that can plastically become whatever is wished for by those who posses the instruments of power and control. We wish for the cage-like railing surrounding the man of Kafka’s drawing to become instead an instrument to play - we would like to transform our prison into our liberty. 

We would like to restore music to its true role, that of artwork, and restore musical interpretation to its true function, the only one that opens itself towards the possibility of a future: that of a field of research.

Welcome to Project Odradek.

Ad Laudes - 07 Antiphona - Oblatus Est

Odradek Records

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