Sounds like the machines are experiencing some severe melancholia 🙏

Zwischen den Räumen

Vinyl Variation #17

Before fall

A song inspired by autumn, walks in the city park, cold days.

November

method: layers, balabolka helped out with impersonal voices
narration: to some people,  autumnal depression can be devastating. it can, however, also be described, both by words and in sounds. this is what I am trying to do here by means of a bilingual poem. 
image: copyright jo richter

poem /copyright jo richter:

trees in chromatic distress
zeit sich einwärts zu wenden
elektrischt summt das es
addictive dusk to brighten

stirnhöhlenstau begrenzt
loose filaments of reason
emotions crack, feel distanced
baumgräten decken wiesen

there will be, will be some solstice
schrei hallt durch's navi-system
halt spur, stürz nicht duch den riss

median line, don't veer from your lane
tu, was als nächstes zu tun ist
broken times might soon be fixed

TRANSLATION of the German lines in sequence:
. time to turn inwards
. the id hums electrically
. sinus blocks limit
. fishbone patterns of trees cover meadows
. the cry pierces the navigation device
. stay in lane, don't fall through the crack
. act on the next task to do

still es

..spontane Improvisation und Spielen mit der Raumakustik in der St. Markuskirche Hannover. Das fantastisch Gemälde - spontanes Gemeinschaftswerk mit der Kirchengemeinde - ist von http://www.michaelahanemann.de/.  Das leider sehr laute "Rauschen" ist der Autoverkehr drumherum...

St Markus Hannover

The Wrong Trees

Composed, arranged, performed, and produced by:
Carlos Vivanco
For this composition, I used the Phrygian mode.
The Phrygian mode (pronounced /ˈfrɪdʒiən/) can refer to three different musical modes: the ancient Greek tonos or harmonia, sometimes called Phrygian, formed on a particular set of octave species or scales; the medieval Phrygian mode, and the modern conception of the Phrygian mode as a diatonic scale, based on the latter.
the scale in C phrygian is: C,Db,Eb,F,G,Ab,Bb.
Medieval Phrygian mode
The early Catholic Church developed a system of eight musical modes that medieval music scholars gave names drawn from the ones used to describe the ancient Greek harmoniai. The name "Phrygian" was applied to the third of these eight church modes, the authentic mode on E, described as the diatonic octave extending from E to the E an octave higher and divided at B, therefore beginning with a semitone-tone-tone-tone pentachord, followed by a semitone-tone-tone tetrachord.

The Wrong Trees

Hypnonaut

Recent comments

Llanpsych

pedro duarte

Related tracks