Filter

Short Bus

Spent (Remastered Version)

Dose (Remastered Version)

It's Over (Remastered Version)

Hey Man, Nice Shot (Remastered Version)

Under (Remastered Version)

Take Another (Remastered Version)

He arrived from the depths of my dreams

Revealing to me a journey through flame then disappearing



Before my eyes

A vanishing act

The aura cleansing this confinement I experience

A fire placed in my heart

I call forth an occultic gathering



Draw in numbers

Hark my word

Into the flame we rise



We have been summoned

Brought to forces by the Perpetrator

My rest had been disturbed by its reckoning

Whispering to me

“My child, come into my embrace

To create comfort in this unsteady place

With inferno I offer eternal salvation

A chance to quench from the blood of your pain”



“O, vessel of life

Heir to your throne

Take thine hand and I shall guide you through the valleys of death”

O, great King of Hell

I shall fulfill my prophecy

Show me the path we must take

Through the heart of enemies

Behold the Prince Testament



Rid this world of its selfishness

Cleanse ourselves from the hatred absolved

Ridden with heretics

Ignorance is not bliss

Your vision shall die

Your vision shall burn to the ground



While you worship the self proclaimed

I see through to the truth

I’ve come to understand what you integrate is for your own indulgence

Manufacturing a slave race

We are not the same



“You were never the same. From birth you were more than what you had been granted on this Earth. Accept it, embrace it.”



Before my eyes

A vanishing act

The aura cleansing the confinement I experience

A fire placed in my heart

I call forth an occultic gathering



Draw in numbers

Hark my word

Into the flame we rise



At last achieved

Understanding of what has brought us here today

No sheering misery

Nor extermination could stop what had been done

A sacrifice to the beast will allow us to advance

Onwards to the legacy


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Instrumentals Written and Recorded by Izrael Cemani Ausar
Drums by Joshua Null
Guitar Solos by Chris Paz
Vocals/Lyrics by Gregory Gilbert
Produced, Mixed and Mastered by Josh Bearden of Nevermore Recordings
Album Art by Cesar Adrian of Soul Asphyx Arts
Logo by Yusuf Effendi Syam of TyranT

The Prince Testament

New Album ‘Crazy Eyes’ Available Now ft “Take Me to Heaven” 

Get it: http://bit.ly/FilterCrazyEyes 
Stream it: http://bit.ly/CrazyEyesStream

'Crazy Eyes,' the new record from multiplatinum industrial alternative luminary group Filter comes from a place of deconstruction. 

As a nod to Filter’s debut, 'Short Bus,' the forthcoming release (and Filter’s seventh full-length), 'Crazy Eyes' [Wind-up Records] eschews the signature wall of guitars heard on their last release ('The Sun Comes Out Tonight') and breathes with a stark, industrialized menace that’s equally haunting and hypnotic. 

Richard completely immersed himself in the process after getting off the road in support of 2013’s 'The Sun Comes Out Tonight'—which moved over 8,500 copies first-week, 10 million streams to date and a Top 13 radio track with “What Do You Say.” The record gained critical acclaim, garnering attention from Loudwire, Hollywood Reporter, Fader, Rolling Stone, Blabbermouth and also landing high-profile commercial syncs including Diablo 3 (“Burn It”) and WWE (“What Do You Say” & “Burn It”). Their brooding cover of The Turtles’ classic, “Happy Together” was featured in the trailer for Baz Luhrmann’s 2012 The Great Gatsby.

For this new endeavor, Richard collaborated with old friends such as the man behind 1999’s seminal platinum-certified Title of Record, producer Ben Grosse [Thirty Seconds To Mars, Marilyn Manson], and Michael “Blumpy” Tuller [Nine Inch Nails]. He also worked closely with new band mates Oumi Kapila [guitar, programming], Ashley Dzerigian [bass], Chris Reeve [drums], and Bobby Miller [keyboards], and former Filter bandmates, Johnny Radke and Danny Lohner. Mixed by Brian Virtue (Janes Addiction, Thirty Seconds to Mars, Deftones) and mastered by Howie Weinberg (Van Halen, Mars Volta, The White Stripes).

Ultimately, 'Crazy Eyes' comes back to the fact that Richard remains honest. “I’m completely into this for the music,” he leaves off. “Being yourself is the most important thing. I authentically went places I’d never gone before. That was from my heart. I’m trying to be as genuine as possible to what Filter is. It’s about sounding fucking different, forward, and original.”

It's Over (Remastered Version)

OfficialFilterBand

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