Meshell Ndegeocello - Comet, Come to Me

Christian Scott - Isadora (Live)

foolforyou (beat tape beat)

Forget My Name

Good Day Bad

And Yet It Moves

Friends

Produced by @soundsbydaron.
Written by @devintracy.
Mixed & Mastered by @romanleenorfleet.

Download on BandCamp

Spinning [Featuring Jacque Hammond]

2nd mixtape of musician Moses Boyd. 

personnel 

Moses Boyd :drums, composition and production
Binker Golding: Tenor Saxophone
Artie Zaits : guitar
Theon Cross: Tuba
Reuben James: keys
Tyrone Isaac Stuart: flute

mastered by Red1productions


Time and Space 

Axis Blue

Shaken
Full of dirt
Your hands erased
The waste
Freedom ahead calling your next step
And the way is yours
Freedom fight
Around the corner love songs expire
Around your face your regrets
It’s crazy how you work that way 
Be late
Dance of long lost heads
Awake, awake, awake me there
Gone in seconds
It’s gone
But your naked 
Your face in your own forsaken eyes
And you wonder what happened to the boy that day

Shaken
Full of dirt
Your hands erased
The waste
Freedom ahead calling your next step
And the way is yours
Freedom fight
Around the corner love songs expire
Around your face your regrets
It’s crazy how you work that way 
Be late

Shook

Prophecy

Day Dreams

Album available here: https://bbemusic.lnk.to/clrswrld
Renowned crate digger, respected producer and talented DJ, Chris Read has been releasing and compiling music on BBE for some years, both as a solo artist and with electronic soul outfit Maylight. Created alongside Chicago rapper and vocalist Pugs Atomz, 'Colours Of The World', started life when the latter was in London recording and touring with BBE label- mate and mutual friend DJ Vadim's group The Electric. Initially collaborating on just two tracks which were both featured on Chris Read's 2015 retrospective 'All Night', the pair continued to work remotely after Pugs returned to his native Chicago, enlisting several guest vocalists and musicians from the area.
A true hip hop renaissance man, Pugs Atomz has travelled the world several times over, always making a big impression thanks to his energetic stage performances, forward-thinking attitude and highly relatable lyrics. Mix-tape maestro and curator at whosampled.com, Chris Read's beat-making credentials simply cannot be overstated. 'Colours Of The World' lays out solid boom-bap beats while making use of obscure jazz fragments to create dazzling sonic mosaics; smooth, sumptuous and soulful throughout. Pugs' dextrous flow switches seamlessly between classic rap styles and more abstract, 'OutKast-esque' vocal acrobatics. Made in the image of progressive, life-affirming 90's hip hop and containing a unique blend of UK/US influences, 'Colours Of The World' is almost as nostalgic as it is original.

Chris Read & Pugs Atomz - Baby Don't Go

(Steph Brown, Isaac Aesili)
Last song from the album Sonido de Latinaotearoa 
Produced by Isaac Aesili
Piano by Steph Brown
All other instruments by Isaac Aesili


Where the Heart Is...

Meshell has changed. So has her music. It’s more peaceful, freer. Her new album, Weather, cloaks itself in the colours of autumn, full of in-between shades and hues and with a certain mildness to it. The singer has let her feelings carry her along. Meshell has never been scared of sharing her most intimate thoughts in explicit or colourful terms that always come from the heart. As ever, she is true to herself. But Weather’s folk sensibility and pregnant acoustic melodies make this a supremely accessible album.

“For a long time I was at war with everyone else. I dug my heels in, I fought hard. That’s all over now. I have my opinions, but they’re no longer a source of conflict with the rest of the world.” On Weather Meshell’s usually deep vocals slip into a register more like a whisper, sharing secrets about subjects that are straightforward, almost light-hearted. She has pared down her style to something like pop. “I started to write this album on the guitar and you can hear it. The final atmosphere’s gentler.”

And then the singer agreed without fuss to put her fate in the hands of a producer. Joe Henry (Ani DiFranco, Bettye Lavette, Allen Toussaint, etc.) helped her reveal a different side to herself. And Meshell went along with this. “I’ve known him since the Bitter album; Craig Street introduced us. I hadn’t called on someone from outside for several albums. But contrary to what everyone thinks, I love getting other opinions, hearing a different point of view and allowing myself to be led by someone with strong ideas. It’s a dialogue. This kind of experience really motivates me.” One might well have imagined her bent protectively over her compositions, her own personal, contradictory and profound world. But she says that she wants to continue this experience in future projects with other musicians. She mentions Brian Eno and Lee Scratch Perry.

She worked the way she likes to with Joe Henry - just two or three takes to capture the spontaneity and freshness of the moment. She is accompanied by Chris Bruce (guitar), Deantoni Parks (drums), Keefus Ciancia (keyboards), Gabe Noel (cello) and guests Jay Bellerose (drums) and Benji Hughes (backing vocals). Meshell recently did some producing herself – for jazz singer Laïka Fatien and rising star Selah Sue. Despite the pop-folk sound of Weather, jazz remains a major source of inspiration. “I love jazz musicians. They’re free; they have no fear. I’ve done pop and there are lots of barriers, lots of holding back. You have to stick to the conventions. Jazz musicians embrace uncertainty and adventure, even in their private lives. They’re more open and often more skilled, both in the studio and on stage.”

On Weather, Meshell sings of the ups and downs of love, one of her favourite subjects. Her heroines are marked by the void left by the loved one (“Object”) or else, like a game of mirrors, pour out their heart about the hurt they have caused others. She does a cover of Leonard Cohen’s “Chelsea Hotel”, dedicated to Janis Joplin, an extremely sad and somewhat sexist song, as well as “Don’t Take My Kindness for Weakness” by Soul Children, a sixties soul band, whose message she has made her own. Her own lyrics are always concise, precise or allusive, full of images and poetry (“I want to be your answer”). “They’re like mantras, some phrases cast to the wind, images that pop into my mind. Then I add the music.” She also talks about the wider world on a few tracks. ‘Oysters’ is about “the change that everyone talks about but never comes”. Meshell explains that “Consumerism is gaining ground all the time. We all live to get a new car or a new computer, but what’s the point?” So, join the great world party? “Not for me,” she replies in Dirty World. “I live two hours from New York. I ran away from all the dirt. There’s a farm where I live, and healthy food. I love cooking – it’s not all that different from making music. You need ingredients, and the greatest pleasure is when you share it share it with others.”

Forget My Name

officialmeshell

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