That's a great flip on the Whodini joint, needed now more than ever.

Great reimagined tune by Meshell. Blogged@ http://twistedsoulboy.com/2014/05/11/audio-meshell-ndegeocello-covers-whodinis-friends/

progressive remake.diana ross every meshell album.tops the other vocallt she is now.kicking ass

jamz

Remix by https://soundcloud.com/manwithoutcountry

Chart-topping electronic duo Röyksopp present ‘Running To The Sea’ - their first new single since 2011, which is now set for worldwide release following its no.1 chart success in their native Norway.

More remixes available from https://soundcloud.com/seven-lions, Pachanga Boys (https://soundcloud.com/hippie-dance), https://soundcloud.com/late-nite-tuff-guy, https://soundcloud.com/villamakesmusic, https://soundcloud.com/magnusandtimon and DJ HMC on Beatport from 22nd November with the original and b-side available on iTunes from 18th November in the UK and 25th November elsewhere.

‘Running To The Sea’ features stunning vocals by the platinum-selling Norwegian artist https://soundcloud.com/susannesundfor, and this epic, sweeping track glistens with moving beauty.

More from Röyksopp: http://royksopp.com

Buy on Beatport

Running To The Sea Feat. Susanne Sundfør (Man Without Country Remix)

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Tinashe - Middle Of Nowhere

Choices

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keyon harrold grammy nominee, trumpeter jazz musician and improviser.  original composition

Her Beauty Through My Eyes(keyon Harrold Ascap)

GET IT RIGHT (ft. Lucid Pain)

The legendary interview w/ Jay Dee on World Wide dating from Feb 2001, as he speaks on the making of the seminal Welcome 2 Detroit, his production work w/ Pharcyde, Common, Tip and other stories... a must listen. Happy Bday Dilla. 


Jay Dee on Gilles Peterson's World Wide, Feb 15th 2001

Remix of "Ecstasy" from Tinashe's second mixtape "Reverie" featuring a verse by Chance the Rapper

Ecstasy ft. Chance The Rapper (Remix)

And Yet It's All Love

Somebody Else

This was the third of a four-part series, mixed by J Rocc, released yearly from 2006-2009. This one was originally posted as episode 29 of the Stones Throw Podcast. Cover: Homer remix by Jeff Jank.

Tracklist
http://www.rappcats.com/thank-you-jay-dee-act-3

Thank You Jay Dee, Act 3, mixed by J Rocc

Meshell has changed. So has her music. It’s more peaceful, freer. Her new album, Weather, cloaks itself in the colours of autumn, full of in-between shades and hues and with a certain mildness to it. The singer has let her feelings carry her along. Meshell has never been scared of sharing her most intimate thoughts in explicit or colourful terms that always come from the heart. As ever, she is true to herself. But Weather’s folk sensibility and pregnant acoustic melodies make this a supremely accessible album.

“For a long time I was at war with everyone else. I dug my heels in, I fought hard. That’s all over now. I have my opinions, but they’re no longer a source of conflict with the rest of the world.” On Weather Meshell’s usually deep vocals slip into a register more like a whisper, sharing secrets about subjects that are straightforward, almost light-hearted. She has pared down her style to something like pop. “I started to write this album on the guitar and you can hear it. The final atmosphere’s gentler.”

And then the singer agreed without fuss to put her fate in the hands of a producer. Joe Henry (Ani DiFranco, Bettye Lavette, Allen Toussaint, etc.) helped her reveal a different side to herself. And Meshell went along with this. “I’ve known him since the Bitter album; Craig Street introduced us. I hadn’t called on someone from outside for several albums. But contrary to what everyone thinks, I love getting other opinions, hearing a different point of view and allowing myself to be led by someone with strong ideas. It’s a dialogue. This kind of experience really motivates me.” One might well have imagined her bent protectively over her compositions, her own personal, contradictory and profound world. But she says that she wants to continue this experience in future projects with other musicians. She mentions Brian Eno and Lee Scratch Perry.

She worked the way she likes to with Joe Henry - just two or three takes to capture the spontaneity and freshness of the moment. She is accompanied by Chris Bruce (guitar), Deantoni Parks (drums), Keefus Ciancia (keyboards), Gabe Noel (cello) and guests Jay Bellerose (drums) and Benji Hughes (backing vocals). Meshell recently did some producing herself – for jazz singer Laïka Fatien and rising star Selah Sue. Despite the pop-folk sound of Weather, jazz remains a major source of inspiration. “I love jazz musicians. They’re free; they have no fear. I’ve done pop and there are lots of barriers, lots of holding back. You have to stick to the conventions. Jazz musicians embrace uncertainty and adventure, even in their private lives. They’re more open and often more skilled, both in the studio and on stage.”

On Weather, Meshell sings of the ups and downs of love, one of her favourite subjects. Her heroines are marked by the void left by the loved one (“Object”) or else, like a game of mirrors, pour out their heart about the hurt they have caused others. She does a cover of Leonard Cohen’s “Chelsea Hotel”, dedicated to Janis Joplin, an extremely sad and somewhat sexist song, as well as “Don’t Take My Kindness for Weakness” by Soul Children, a sixties soul band, whose message she has made her own. Her own lyrics are always concise, precise or allusive, full of images and poetry (“I want to be your answer”). “They’re like mantras, some phrases cast to the wind, images that pop into my mind. Then I add the music.” She also talks about the wider world on a few tracks. ‘Oysters’ is about “the change that everyone talks about but never comes”. Meshell explains that “Consumerism is gaining ground all the time. We all live to get a new car or a new computer, but what’s the point?” So, join the great world party? “Not for me,” she replies in Dirty World. “I live two hours from New York. I ran away from all the dirt. There’s a farm where I live, and healthy food. I love cooking – it’s not all that different from making music. You need ingredients, and the greatest pleasure is when you share it share it with others.”

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