you dont have much time left

https://www.youtube.com/watch?v=CWll9tIJ61o

Wait Forever

duermevela

bandcamp: https://rosewither.bandcamp.com/album/a-year-ago-today
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"a year ago, today" is a double-single release from rosewither exploring deep lush soundscapes in the drone music genre.

This project was written during a time in my life when I thought I was going to be able to define the word home and family within Texas. At the time I pictured spending out the a large part of the rest of my days within the community I had within Austin and elsewhere within Texas. Then, one morning, I woke up to the news being spread by a local Dallas paper that the Texas DPS was going to start overturning gender markers on IDs.

I already knew with living there that the government hated us transsexuals but had some blind hope that they would, largely, leave us alone. Upon hearing this news, it was a sign for the times to come. I fortunately noticed the signs and got my partner and I out of there. We made that long drive from Austin, Texas, to Minneapolis, Minnesota in one go and is where all of the source material for "who are you to decide the foundation of which you build your statues upon" comes from. I had to leave so many people whom I still care for deeply there. Friends of mine from there have since fleed to other sanctuary states or cities in hopes they can be transsexual.

These two songs are dedicated entirely to what could have been and was. What my life could have been if the new-age nazis in Texas didn't declare war on its queer folks. If I had decided to stay within the south and risk everything. Some days, I think that wouldn't be so bad.

These two songs are dedicated entirely to the people that made me feel like I had a home:

Claire
Gaige
Aron
Kieran
Liz
Andi
Morgan
Haley
Mikaela
Ali
Dani
Emily
Soc
Lexie
Kay
Ellie
Summer
Juniper
Loki
Charlotte
Calliope
Allison

piercing the skyward waters

i think the world

affliction

Spotify

Shore

Kärnan

This song is a reimagination of the wonderful instrumental song 'Wherever We End Up Next' - taken from the 'Cranebrook' EP by Australia's Solkyri - released February 2025: solkyri.bandcamp.com/album/cranebrook

The original song which inspired this reimagination - Wherever We End Up Next - was written, recorded and performed by: Ryan Fitz-Henry, Andrew Pearsall, Nicholas Hall and Adam Mostek.

Written, recorded and produced by: Tom Squires (rhubiqs) and Hollie Kenniff.

Mixed by: Tim G Carr @ Gnomelabs, Sydney, Australia (www.discogs.com/artist/685559-Tim-Carr)

Mastered by: Stephan Mathieu, Bonn, Germany (www.schwebung-mastering.com)

Cover photograph taken by Simon Byrne (www.simonbyrnephotography.com/about).

This Is Where We Ended Up

http://www.aai.aero/public_notices/aaisite_test/eAIP/PUB/2012-04-01/pdf/SUPs/AIPS_2009_08.pdf

As You Are Surat (112.2)

"Rionnach Maoim" - shadows cast on the moorland by clouds moving across the sky on a bright and windy day (Gaelic)

Music by Benoit Pioulard
Artwork by Gregory Euclide 

Place Language is an international non-profit compilation album project inspired by the themes found in Robert Macfarlane’s widely-acclaimed book ‘Landmarks’. In particular it focuses on the book’s extensive topographic glossaries, the “word-hoard” of depictive landscape terms gathered from 30 different languages, dialects and sub-dialects around Britain & Ireland and divided into sections by type of terrain (Flatlands, Uplands, Waterlands, Coastlands, Underlands, Northlands, Edgelands, Earthlands and Woodlands). Relying on these topograms, or “tiny place poems”, as creative prompts, Place Language seeks to both inspire a renewed interest in our surroundings and reinvigorate our appreciation for the audible textures & patterns that characterize a place in keeping with the book’s stated desire to “re-wild” our vocabulary.

The collection features the work of 28 different sound-artists, field recordists, and musicians from around the globe each of whom selected a Landmarks topogram and recorded an impression of it thus adding rich new aspects of dimensionality through the act of sonification. These selections cover all nine of the book’s glossaries along with place-words of  new coinage as prompted by the blank one which Macfarlane leaves at the end of the book for readers to fill in from their own experience. The end result is a truly global and collaborative survey of place, language, and sound.

More info: https://stationarytravels.wordpress.com/place-language/

affliction

riverdancer

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