Limited Edition of 50 x C-40 cassettes in linocut-printed card slip-cases with additional MP3 download coupon.

Written, produced, mixed and recorded by Samuel Zwerger.
Mastering by Bob 'Macc' Macciochi (<a href="http://www.scmastering.com" rel="nofollow" target="_blank">Subvert Central Mastering</a>, Suffolk)&#13;
Artwork by <a href="http://www.christophneuwirth.at" rel="nofollow" target="_blank">Christoph Neuwirth</a>.

Cxnlk - Untitled (2008-2013) [OFFT001] Tape

Limited Edition of 50 x C-40 mixtapes in 2-color-linocut-printed card slip-cases with additional MP3/FLAC download coupon for the individual tracks.

Funked and edited by the https://soundcloud.com/mighty-buha.
Mastering by Bob 'Macc' Macciochi (Subvert Central Mastering, Suffolk)
Artwork by Christoph Neuwirth.
Dubbed in realtime to Type II Chrome Bias audio cassettes.

Teleport The Planet

Mighty Buha - Teleport The Planet [OFFT002] Tape

IZC: 5 am (Version)

Limited hand-painted and stamped edition of 222 pieces.

Available here:
http://www.redeyerecords.co.uk/asp/view_product.asp?id=40633
http://kristinarecords.com/shop/offseason/off-003/
http://clone.nl/item26274.html
http://tongues.at/home.php?il=3&b=O
http://www.substance-store.com/news/new-releases/?tx_ttproducts_pi1%5BbackPID%5D=29&tx_ttproducts_pi1%5Bproduct%5D=35837&cHash=71d91c8fd3
http://www.djshop.de/Vinyl-anom-vitruv-off003/ex/s~details,u~1810568,p1~vinyl/xe/details.html
http://diskunion.net/clubt/ct/detail/CM-0061331
http://www.vinyl24.de/detailView~1810568~p~Anom+Vitruv-OFF003~~~de~~~_.html
http://offseason.bigcartel.com
http://www.discogs.com/sell/list?release_id=4169534&ev=rb

Mastering: Bob 'Macc' Macciochi, Suffolk / www.scmastering.com
Lacquer Cut: Pole, Scape Mastering, Berlin / www.scapemastering.com
Pressing: Ameise, Hamburg / www.amei.se

»Swiss producer Anom Vitruv emerged last year with a grainy, self-titled 12″ for Tabernacle Records. Unlike many recent so-called experimental house records, its severely dusted tracks seemed to be coming from a genuinely ascetic, mysterious place — not simply hiding normal, hooky dance music behind some cassette fuzz. The artist’s untitled follow-up for 7″ label Offseason improves on that formula, and furthers his reputation for crookedness. Because it’s a 7″, the four-tracker doesn’t include anything more than three and a half minutes, but no matter — Anom Vitruv packs an abundance of ideas into a small space, and does so with grace. The pervasive smudginess might have something to do with that, as it tends to deform his palette into indistinct shapes. There’s nothing as dance-floor-oriented as on the Tabernacle EP, however, as the tracks shift between disjointed ambience and bleary, broken, Hype Williams-style pieces. The latter is especially apparent on the third track, where an arrangement of murky monologue and oneiric synth lines comes across like a more refined take on that duo’s sound. For a record made up of quick glimpses, it even manages to maintain some sense of narrative. Its fuzzed-out beginnings of dragtime synth weight, clanging hi-hats, and clips of overdriven acid develop into an almost elegiac finale, as a piano solo is smothered by the same sort of filtered, high-end mist that coated Lee Gamble’s Dutch Tvashar Plumes. This is a surreal little trip of a record that, with a run of only 222 copies, ought not to fly under the radar.« - Steve Kerr, Little White Earbuds

»I first came across Anom Vitruv on a train to Leeds. There he was sat not three feet… well er no. The Swiss producer’s excellent mix for Slabs of the Tabernacle was the introduction. In 2012 his self-titled EP appeared on Tabernacle Records, a crackling piece of dark atmospherics and dancefloor dissolution. Now in 2013 its time for another release, this time a 7” for Austria’s Offseason. As with the Tabernacle record, all tracks are untitled. Churning insulated reverberations break the EP. The track is a brief and intense work, ultimately consuming itself. What follows are staggered beats, snares mustering strength to push forward through thick syrups of white noise and drone. B1 sees samples wrapped in a light veil of music, shifting grains of sound. Ambient curiosity is the field of study throughout. The finale is as isolated as the opening, a lonesome resonation of forgotten keys over feedback. The latest Untitled has traces of the Tabernacle EP. For Offseason the result is much more experimental, the hissings, clicks and introspection being all encompassing. A snapshot into the audio alienation and liquid landscapes of Anom Vitruv.« - Igloo Mag

»Mysterious Swiss sound sorcerer Anom sits comfortably between the likes of Amon Tobin, Flying Lotus and The Orb: Abstract, experimental but laden with oodles of creative and dark sonic imagery. From the rusty shuffle and steel-yard slamming percussion of "Track 1" through to the drowsy steam-punk soliloquy of "Track 4" he's conjured a unique niche in electronica that's hard to define but addictive to spin.« - Juno

»Die dritte Platte auf dem Grazer 7“-Label kommt von Anom Vitruv und unterscheidet sich erheblich von den beiden ersten Platten. Somit benötigt man ein paar Augenblicke, um die eigenen Erwartungshaltungen an so einen Release zu überwinden, zumal es Vitruv einem auch nicht unbedingt einfach macht. Wobei sich kaum etwas besser eignet um ZuhörerInnen vor kleine Herausforderungen zu stellen, als eine Single. Und dies lohnt sich im Fall von OFF003 ganz besonders. Spätestens bei A2 hat uns Vitruv eingepackt und wir sind bereits am direkten Weg in Richtung Detroit. Die B-Seite beginnt ganz schön rüde mit einem vermeintlich dilettantisch angetragenen Schlagzeugbreak, dessen absurder Shuffle sich aber schnell als jener Groove entpuppt, der den Track famos bis ans Ende trägt. Wenn die Platte B2 erreicht sind wir bereits weichgeklopft und außer Stande, Vitruv Gegenwehr zu leisten. Selten findet sich eine Platte mit derart vielen Herausforderungen und Überraschungen auf keine 9 Mnuten komprimiert und selten geht das Match am Ende so deutlich an den Artist.« - Chris Sperl, Skug, Issue 93

»Oddball experimental electronic 7" very limited!!« - Kristina Records

»Fine dubstep related electronica tracks. Tip!« - Clone Records

OFFSEASON

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