Playlist converted by Soundiiz from another music platform ! https://soundiiz.com

I spent 4 hours reading reviews for a toaster/Love Letters to Mr. Sheplack

Afrontar El Desierto

Recorded with 2 AT4022 microphones floating in the "Koala" SASS head designed by Alex Bozas.

The project is ongoing, and forms part of a series of recordings at, and in, different official and unofficial, border zones.

All rights reserved. The copyright for this audio piece is reserved.
Any replication or use of content such as images, audio and texts is not permitted without James Webb's written consent.

Gallery representation: 
Galerie Imane Farès, Paris www.imanefares.com 
blank projects, Cape Town www.blankprojects.com

Border zone recording VII: Botswana - South Africa

Title track from Leafcutter John's new album, Resurrection(Pathway009)

A panoramic sound world of drifting vocals over a densely-processed terrain of mud-caked percussion and guitar, Leafcutter John’s new solo album, Resurrection, is a characteristically unique blend of the electronic and the acoustic, the hi-tech, the human and the homemade.
Resurrection is the sixth Leafcutter John album and his first solo release since 2006’s The Forest and The Sea CD/LP(Staubgold). In the intervening nine years, John has toured from Vietnam to Venice, appeared live with Beck Hansen and Imogen Heap, and provided the score for Crow, a major theatre project by Handspring (creators of War Horse). 

During this time, John has also maintained his permanent role as the unpredictable, electronic antagonist in Polar Bear, the twice Mercury Music Prize-nominated, genre-defying jazz band.
This new record marks fifteen years of releases by Leafcutter John. Born John Burton in Wakefield (Yorkshire, England), his highly original musical voice was first spotted by Mike Paradinas, label boss of Planet Mu Records. Over the course of his first three albums (2000-2003), John established and developed his idiosyncratic London-based studio, and his skills as an inventor of unusual instruments and extraordinary music software.
Resurrection begins with the sound of a single bell, in homage to one of John’s major influences, Bernard Parmigiani’s De Natura Sonorum (1976). From there, the album unfolds over five cinematically varied tracks, “like floating above a world in constant flux,” in John’s own words. In fact, aerial photographs of the Japanese tsunami of 2011 were a direct inspiration for the record.
“I would create complete, fully-formed compositions,” says John, “then later, I’d come back to them, playing the part of
the destroyer, scraping and smearing away elements, weathering, piling up and re-ordering them, as if they’d been hit by a natural disaster.”
Not content with the usual tools available to the electronic musician, John has created innovative new systems and techniques for both live performance and production. This includes a light-controlled instrument that allows him manipulate his live sound through gesture, flickering candles, flashing torches and pyrotechnics. For the track “Gulps,” John coded special software to layer huge swathes of sound. Using a recursive system, he created 7.1 billion layers of a recording of the North Sea, one for each human alive on the planet at the time of writing.
Featuring a guest appearance by Shabaka Hutchings (Sons of Kemet), “Gulps” is a poignant demonstration of John’s
approach: Hutchings’ intimate clarinet is gradually engulfed by a (literal) ocean of sound. This is sculptural sound design
where technological innovation is always at the service of the emotional impact of the music: deeply human at its root, and
mind-expanding in its ambition.

Desire Path Recordings
www.desirepathrecordings.com | leafcutterjohn.com

Credits
Written and produced by Leafcutter John, with Varpu
Kronholm playing additional percussion on “I Know You
Can” and Shabaka Hutchings playing Clarinet on “Gulps.”
“Endless Wave” contains elements of “Forest Of Spades” by
Strings Of Consciousness, used with permission.
Mastered by James Plotkin
Photography by Max Baillie
Design by Chris Koelle, Leafcutter John, and Varpu Kronholm

Distributed by Revolver

Leafcutter John - Resurrection

Encuentro

Moon Wheel — Álfablót

What better way to mark reaching the halfway point of our ten-part R.I.P. 50WEAPONS series, than with a work by its own creators. #045 sees Shed's orthodox techno "Dark Planet" get twisted into five minutes of broken beats and hypnotically heavy bass – thanks to the doing of label bosses and Pawlowitz's longtime friends, Modeselektor. Two names that haven't shared a release since the very first Modeselektion.

50WEAPONS045 drops on 13 November. Set your digital and vinyl pre-orders down now.

Shed "Dark Planet (Modeselektor Remix)" - Boiler Room Debuts

From CEDE cassette, available on Broken Press recordings.

Equipment:
Roland Juno-60
Roland CR-78

Norm Chambers - Patternmusik

Free to download, as always.
Produced by: https://soundcloud.com/supplyfi

Where Did the Time Go?

From "The Blue Quicksand Is Going Now".
Debut album. Released June 29, 2015. 
Loopy 2015. 000LPY.

Fis - Pedal

Stick Around For Joy

Stereotype A

Sci-Fi Wasabi

Soft Hair

Relaxed Lizard (feat. LA Priest & Connan Mockasin)

“Me sentía obligado, con toda honestidad, a tomar los elementos dispares y dispersos de nuestra vida -la vida espiritual, no la vida cultural- y manipularlos a mi manera personal, usando mi propio ego disperso”
La imagen de Henry Miller fue sacada de la revista https://poscultura.com/

Miller

Versión de lydia lunch  "You and me and Jim Beam"

Chupando una botella de Jim Beam, deseando que fuera usted
Sí, estoy chupando una botella de Jim Beam, deseando que fuera usted
Chupando una botella de Jim Beam, deseando que fuera usted

You and me and Jim Beam - Version Lydia Lunch

RULES

Make This A Challenge - We Like You

Grabaciones caseras, canciones, piezas sonoras, bandas sonoras, experimentación, ruidismo, paisajes sonoros... encontraran por aquí.

You and me and Jim Beam - Version Lydia Lunch

DIEGO FUNES

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