Name: Time to Go by Oh No Not Again
Duration: 2 min 48 s
Description: REM submission for this month probably. Tried to make something slightly less wacky than usual.

wet electric 6/8 feel
Mastered by Pailiaq

Descending Bliss

a few unreleased tracks from 2023-2024, thank you for listening

1. .less - coded 
2. .less - you'll be fine. 
3. .less - 119
4. .less - dollar store flume
5. .less - thicker
6. .less - sorry 
7. (.less flip) - OTF: Out the Roof
8. (.less flip) - Freddie Gibbs: One Way Flight
9. (.less flip) - Jack Danz: Sergio

.less - pointless mixtape

REM submission for this month probably. Tried to make something slightly less wacky than usual.

Time to Go

Free Download

Face it

The Internet - Special Affair (Lukewarm Flip)

Mar in Color - Darkness Reclaimed

"All My Love (VIP Remix)" flips the original into a vibrant, high-energy reimagining — keeping the heart, but lighting it up with dynamic percussion, driving basslines, and euphoric synths. The chill piano moments are still there, but now they rise and fall between waves of movement and release, turning reflection into motion. It’s a celebration of love that doesn't sit still — made for dance floors, rooftops, and that moment the night truly begins.

All My Love, Forever VIP

Sample based and swung tunes, all with guitar appearances :)

Skimming the Surface

"The opposite of love is not hate, it's indifference"- Elie Wiesel

Insurgence

Music by @tsoumusic
When tsou first released with us in 2023, we were blown away by his unique approach to beats,  allowing space to accentuate the groove in many of his tunes, while still dropping great hooks and melodic parts. 
He has since made quite a name for himself, including getting plays and shoutouts from the likes of Barkley Crenshaw.
We are stoked to now release this EP that rides a line of edgy tunes and melodic chill, the influence of LoFi and Hip Hop are evident, while also drawing strongly from Dubstep, Glitch Hop, UK Garage, Bass and other genres. 
This EP is adventurous and fun.

tsou’s not trying to cram the most aggressive and unexpected elements into his composition, which is a trap far too many fall into in the halftime game. Instead, his music provides a full-figured approach to production, that allows the jarrying, intense climaxes to be held in contrast to lush, moving passages.
His songs have been far surpassing his reach on the back of quality products and cautious growth.

Time to Go

Oh No Not Again

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