Great song! And I love your band's story, you guys are like the Romeo & Juliet of the music scene ;)

First time listening to this lady. Impressive vocals and power. I thought she only had a typical light pop voice. But she kept adding more power as time went on. Then the rock /punk vocals in the end. Awesome

Omg this is gorgeous, why haven't I discovered you earlier!?

4th release from the debut Manicanparty EP

"Its In Her Eyes" written and produced by Pat Morrissey & Jess Corazza

Mixed by Matt Boyton
Mastered by Ricardo Gutierrez

www.manicanparty.com
www.manicanparty.bandcamp.com
www.twitter.com/manicanparty
www.facebook.com/Manicanparty

Manicanparty - It's In Her Eyes

Next To You

"1965" released both digitally and on limited edition 7" clear vinyl on April 7, 2014 via B3SCI Records. Get it here: b3scirecords.bigcartel.com/product/b3s…phelia-1965

Follow Zella on Twitter - http://twitter.com/zelladay
Like Zella on Facebook: http://www.facebook.com/zelladay

Follow IYES on Twitter: https://twitter.com/weareiyes
Like IYES on Facebook: https://www.facebook.com/weareiyes
Listen to IYES on Soundcloud: https://soundcloud.com/weareiyes

The sound of strumming guitars; the feel of soft, wet clay; the scent of fresh brewed coffee: this was Zella Day’s childhood. Secluded in the quaint mountain town of Pinetop, Arizona, Zella’s creativity flourished with the forest at her doorstep. High above Phoenix Valley, Pinetop holds a population of 7,000, and Zella's family-owned Mor Mor Coffee House was an only sanctuary for artists. Surrounding herself with local musicians, Zella was inspired to pick up the guitar at a young age. Before long, the blossoming chanteuse started performing sets including Bob Dylan and Elvis songs - selections inspired by her coffee house family. The native Arizonan had found a calling in music and used it as a form of self-realization, penning her experiences and discovering herself through the intricacies of song. She drew inspiration from the serene Arizona mountains and turned to Clint Eastwood, old Western films, and cowboy rebel culture to help shape the attitude behind her music. The result is a raw, organic sound unconfined by the boundaries of genre. It effortlessly floats between the tonalities of female frontier-maker Stevie Nicks and art pop songbird Lana Del Rey while invoking imagery painted by Old Arizona and a free-spirited perspective.

To date, Zella Day’s music has barely crossed paths with the outside world; however, her short series of self-released demos and collaborations caught fire throughout the indie community. One such supporter of her undeniable talent was the boutique music press outlet B3SCI. Having recently formed a singles record imprint, B3SCI was undoubtedly the natural home for the songwriter's first official offering to the world.

The upcoming two-track single leads with “Sweet Ophelia,” a blending of personal encounters in an eerie resemblance to that of Hamlet’s Ophelia. Crunching drum machines and menacing electronics juxtapose Zella’s airy croons as she sings about the sanctity of physical connection, powerfully portraying both the majesty and fragility of letting love consume you. The B-side, “1965,” takes a more straightforward approach, showcasing Zella’s strong voice atop soft, pattering drums and fluttering guitars. The lyrics tell a story about finding a genuine connection among a sea of inauthenticity. Moreover, the track celebrates its title - the year that a generation united despite a delusive society.

On April 7th, B3SCI Records will release 'Sweet Ophelia / 1965' on limited edition 7-inch clear vinyl. The tracks were brought to life at Los Angeles's WAX LTD. Studios with the production and mixing prowess of Xandy Barry and Wally Gagel. This debut collection showcases a young songstress’ visceral visions and liberated mentality, while foreshadowing the depth of a long career that's yet to come.

Artwork by Brock Lefferts.


Zella Day - 1965 (IYES Refix)

VÉRITÉ - "Strange Enough"

DOWNLOAD NOW:
iTunes: smarturl.it/VeriteEchoEP
Spotify: open.spotify.com/album/6PRtferHHivsBUOzYZ04fz

Twitter:twitter.com/verite
Facebook:www.facebook.com/veriteohverite
Instagram: instagram.com/verite

Written by VÉRITÉ and Elliot Jacobson
Produced by Elliot Jacobson
Mixed and Mastered by Mike Tuccillo
______________________________________________

I wanna fall
but every time you leave me down on the floor
Memories keep rushing round
cause nothing ever stays the same

Cause maybe I’m 
just addicted to
the things I lack
and the way you move
in circles run
round a figure eight
always running off
meeting up in the same place

slow down 
pick up the pieces I’ve found
we’re living our lives half asleep
living our lives half asleep

Cause I wanna go 
where everything’s the same
Memories keep rushing round
and all we do is change
Cause I wanna fall 
but every time you leave me down on the floor
picturing the ways we move
cause nothing ever stays the same

Separate a fragile spine
a hollow hope
just to make things right
I’ve been picking up pieces slowly 
and wondering why you hold me 
take me back to the way it was before

Cause I wanna go 
where everything’s the same
Memories keep rushing round
and all we do is change
Cause I wanna fall 
but every time you leave me down on the floor
picturing the ways we move
cause nothing ever stays the same

Strange enough, I don’t love you like you want me to.
Strange enough, I don’t love you like you want me to.

Cause I wanna go 
where everything’s the same
Memories keep rushing round
and all we do is change
Cause I wanna fall 
but every time you leave me down on the floor
picturing the ways we move
cause nothing ever stays the same

DOWNLOAD NOW

Strange Enough

"Summertime" EP on iTunes now: bit.ly/LSsummertime

+ http://lunashadows.co
+ twitter.com/lunaxshadows
+ facebook.com/lunashadowsmusic
+ instagram.com/lunaxshadows

they say: "sit in the sun enough,
your hair's gonna lighten up"
it's true

I drove to silverlake and parked my car 
ran around the reservoir 
found proof

now everyday is summertime 
los angeles if you'll be mine 
then I'll stay lonely only for you

meet me on the east side 
we can taste the sweet life 
silver screens 
take it to the west side 
breaking in the best high 
vitamin D til we bleed 
my daddy always warned that the saddest songs are major keys 
hallelujah california

so come kick it down on saturn's rings
observatory empty wings with me

then we'll roll to origami record night 
talk about our vinyl lives 
Emily lends a beat
for all the cherry cola pin up queens, 
boulevard of broken dreams 
it's fucked up as seen on tv

meet me on the east side 
we can taste the sweet life 
silver screens 
take it to the west side 
breaking in the best high 
vitamin D til we bleed 
my daddy always warned that the saddest songs are major keys 
hallelujah California

♢
written/produced by LUNA SHADOWS ● THOMAS POWERS
sad beach boys: THOMAS POWERS
mixed/mastered: RYAN SHANAHAN
assistant vocal engineer: JOANNA KATCHER
single art: BRAD HALE

Hallelujah California

Written, and Produced by Paperwhite
Mixed by Chris Zane
Mastered by Joe LaPorta at Sterling Sound
Artwork by Taylor Lucas

www.facebook.com/paperwhitemusic

Twitter - @paperwhitemusic

Instagram - @paperwhitemusic

Storm

Written by Dustin Hatzenbuhler, Tye James, Jon Buscema 
Produced, Recorded and Mixed by Jon Buscema 
Artwork by Jon Carmelli

Original Things

Bien

Confettie

Confetti

Buy Amelia digitally here: http://smarturl.it/skott-amelia
UK Vinyl: http://www.thegenepool.co.uk/artists/SKOTT.htm

Amelia

Listen to 'Bathwater'
Spotify: http://spoti.fi/2vV8pMJ 
iTunes: https://itun.es/gb/-00Rkb?i=1253002565

Follow:
https://www.instagram.com/weareweslee/
https://twitter.com/weareweslee
https://www.facebook.com/weareweslee/

Next To You

Oh, Be Clever

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