Name: B2 - Blockdata - Siren by Ohm Resistance
Duration: 4 min 30 s
Description: https://ohmresistance.bandcamp.com/album/vacuum-decay

"Digital Desert EP" its new release by Moscow based artist @winick

EP contains a mixture of styles such as: global bass, cumbia, ethnic, breakbeat, ambient, amen, organic house, downtempo, techno, chillout

Free download or support.
https://suckpuck.com/album/digital-desert-ep

Mastered by: @annafruit
Cover by: Ri

Digital Desert EP

FREE DL

Oasis

☆ DAVE SKYWALKER @daveskywalker. UK.

Dave's a good mate of years now, and he's well known in the underground hard rave UK scene. He's got over 20 years as a DJ and Producer, and played all across the world.

For fun; guess how long we can last without saying Bang Face ;)
And  ... https://soundcloud.com/solidsoundfm/one-time-for-the-foghorn

_ TRACKLIST _
ABBA - Super Trouper (1980)
Country Joe McDonald - I Feel Like I'm Fixin To Die Rag (1969)
Joe Dolce - Shaddap You Face (1980)
Steve "Silk" Hurley - Jack Your Body (1986)
13:30 S'Express - Theme from S-Express (1988)
Tori Amos - Professional Widow (Armand's Star Trunk Funk Mix) (1996)
Way Out West - The Gift (1996)
Portishead - Only You (1997)
Rachmaninoff - Rhapsody on a Theme of Paganini, Op.43 Variation XVIII (1934)
Don McLean - Vincent (1971)
Strife II - You & Me Forever (2013)
Alec Empire - Nobody Gets Out Alive (1996)
London Elektricity - Just One Second (Apex VIP) (2009)
Helix - U R Everything (1997)
Vibena - Positive Energy Part 1 (1995)

Talking Tunes with DAVE SKYWALKER.

Oh man this has been a LONG time coming. It feels like years ago Chris put me in charge of Malice. Probably because it was, tbh. But Great Caesar's Ghost we are HERE AT LAST! This release has been pressed and arrived at Kniteforce HQ, the Best of CDs have been ordered, the next two releases are lined up and just need art, and a compilation CD is in just about the same state. 

It's official, Malice is back, and back in a big way. 

This first release serves two roles. One, to correct a bit of misinformation that's been flying on Discogs forever, namely that Once Again and Check This Out were EVER pressed on vinyl, which they weren't, they were originally slated for Malice 9 but never ended up being pressed, and to introduce you to the new generation of the label, by.....having Psycangle make two more tracks taht sound just like the old generation of the label. Which to be fair, a lot of new Malice stuff will, but it's gonna branch out a little more. 

Anyways I feel like I could write about what's going on with upcoming Malice stuff all day but we ain't here for that, we're here for this:

Here it is, MALICE09 - Psycangle - Once Again, For The First Time, featuring two remastered previously unreleased on vinyl tracks, and two brand new tracks written to make it a proper four track EP. 

This record is IN HAND, so barring something going wrong, it should hit its June 18th release date. But like I've been saying things often do go wrong. But as of right now, that's the plan. In a hair over a month, Malice will be back in full swing, with new tunes, new art done in the classic style by Ryan Mannik, and oh just in case anyone was wondering yes it is absolutely 100% pressed on white vinyl, just like the original relases. 

Okay I feel like I wrote way more about this one than any other release so I'm gonna shut up now. Just hit the buy link on June 18th to pick it up, along with, hopefully, the Best of Malice CD album that it feels like I mixed forever ago (because I did lol).

Buy on 06/18 OR ELSE

MALICE09A1 - Psycangle - Once Again (Remastered)

Played With

a descent into the alleyways of asheville between stray cats and broken glass.
Halftime and dubstep collide under flickering streetlights and cigarette smoke.
Beer-stained beats, busted speakers, graffiti ghosts — underground, undergrown, whateva. 

Studio Geek

Giffard

extremeOBSN / 20200620 @Forestlimit

Hyperglitch is an emerging genre that is informed by glitch, idm and experimental music that came before it, but is distinct from them. It uses new techniques, explores new concepts, and has a new aesthetic. “Hyper” in this sense doesn’t mean more, or faster, or louder, it’s meant in the “hypertext” way; as in: deeper and more interconnected. Hyperglitch is the evolution of glitch. It’s what happens when a generation of artists grow up surrounded by glitch, entrenched in the digital world. Their fluency and usage/exploitation of glitch has deeper roots and is more natural and nuanced than someone born outside of this environment. 

My hope is that by helping to define the genre through this series, it will help other artists within the subgenre to find each other, and help us all develop our work and leave the past behind (or at least the parts that are holding us back). I also hope that by casting a wide net it will dissuade others from creating a formula for the genre and freezing it in time (although I’m sure some of that is inevitable). I also want to stress that Hyperglitch is new. Some of the ideas have been circulating for years, some even as far back as the early 2000’s, but their current formulation and the combinations employed by these artists are something I have never heard before (even though I have been imagining the emergence of something similar for a long time). I hope this series will illuminate the thread that I think connects these artists, and will hopefully inspire other artists to join in and create their own Hyperglitch music. 

The first album in the series is Reason by Seskamol. It is an incredibly cinematic album that intercuts dissociative ambiences with harsh, fast and hyper-detailed percussive sections. Seskamol’s understanding of rhythm and percussion seems to have moved past the need for any groove or pulse, but instead of using the pallets of electro-acoustic music, or breakcore, he mangles the two with new and more refined techniques. Similar to the raw expressions of noise music or blast beats, but reinventing them through the drum programming of breakcore with modern sound design. The result is what I imagine it would be like to wake up in a post apocalyptic wasteland, an eerie calm and then the blasts of music from an aggressive and violent time before the collapse bombarding you from a radio passing through stations, or the blasting stereo system of a renegade gang vehicle passing you. The album oscillates through feelings of desperate anger and the disabling apathy of a particularly strong depression. By passing through it with Seskamol, we know we aren’t alone. 

- Woulg ( www.woulg.com )
-------------------------------------------------------------------------------------------------
seskamol - destiny - [audio.visual.music.video.] - [2020] 
4K - youtu.be/rTgDlQe1_NM 

www.seskamol.com 
soundcloud.com/seskamol/ 
youtube.com/seskamol/ 
instagram.com/seskamol/ 
vimeo.com/seskamol/ 
patreon.com/seskamol/ 

www.glitch.cool

Sausage Cancer

on the 29th of November PRSPCT radio featured Murder channel, and I was asked to do a representative mix. 

Here is what I sent, a 30 min tour de force of the the monolog universe the last few years. 

Monolog and Dean Rodell - Estrangement
Diasiva - Microplastic
Monolog - Oumuama
Monolog - Clutches of disaster
Monolog - Tenacy
Monolog - Engine blowbacks
Monolog - Viable
Monolog - Parse
Monolog - Open blade return
Monolog - Edge hill
Enduser - On view, Monolog and Liza Aikin remix
Monolog - Drawing lines
TK3 - abstinence
Monolog - Gas stations make me smoke
Monolog - Serenity
Monolog and Dean Rodell - Squareroots
Diasiva - Microplastic
Diasiva - Arch nemesis
Monolog and Dean Rodell - Do not cover

PRSPCT radio - Murder channel // monolog

https://ohmresistance.bandcamp.com/album/vacuum-decay

Vacuum Decay

B2 - Blockdata - Siren

https://ohmresistance.bandcamp.com/album/mastoid

skintape - EARDRUM

Submerged VIP remix of Mathlovsky's The Heat
featuring vocals by Jason & Rhonda
drums by Gregory Simons

Mathlovsky - The Heat - SUBMERGED VIP

We will be with you for the rest of your life.

B2 - Blockdata - Siren

Ohm Resistance

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