I made some different vocal arrangements on this one that came to my mind while playing. Hoping that won't offend anyone :)

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Each Coming Night (Iron & Wine Cover)

Big Bear, Little Bear

Oh, Isabella

Beautiful

''Unfortunately, this is all regret''  It speaks of regret, obsession with unrequited love, the feeling of emptiness when there's no one but yourself. Enjoy

Bottle boy

🎵 "DON’T HYDE" – TA BEAUTÉ ÉCLATE SANS FILTRE

Un piano délicat et une boîte à musique nostalgique programmée et interprétée par mes soins créent une atmosphère intimiste.

Les accents profonds du violoncelle de Anita Barbereau enrichissent cette toile acoustique minimaliste.

Une vibe chillout parfaite pour vos moments Late Night Chill, Deep Focus ou Melancholic Moods.

💬 Un message puissant :
"Ne te cache pas, tu n’as aucune raison de le faire. Montre ton visage, car tu es belle."
Une invitation à l’acceptation de soi, à la vulnérabilité assumée – un hymne à l’authenticité.


Vous désirez utiliser ce titre pour vos projets commerciaux, envoyez moi un petit message 👉 ✉︎

www.sambox-music.com
www.anitabarbereau.com

🎹 Plus qu’une chanson, une expérience sensorielle à écouter les yeux fermés.

Don't Hide

The Universe (Gregory Alan Isakov Cover)

Song originally by Gregory Alan Isakov 
Cover version performed, recorded by Andrew Gavin Williams 

Dandelion Wine

Written and recorded by NoSo
Production - Wolfy
Guitar - NoSo
Drums - Madi Vogt
Mixed by NoSo
Mastered by Jamison Baken 

Lyrics:
Paint blue stars on your cheeks quietly
He said your mouth is small
which won't be great for "things"

Where've you been, Allie?
Remember nights 
dressed as Marilyn
How've you been, Allie?

Maybe I've gotta be the one to give in
stop comparing back to you
Maybe I've gotta be the one to fight it
grey breakfast at noon
You felt it too.

You called to say he holds you
with his whole body
and the way he curls in your lap
like a child
when he heard a crack of thunder

Where've you been, Allie?
Remember nights 
dressed as Marilyn
How've you been, Allie?

Maybe I've gotta be the one to give in
stop comparing back to you
Maybe I've gotta be the one to fight it
grey breakfast at noon
You felt it too
You felt it too
You felt it too

Allie

Recorded in my Old Louisville apartment. Bendigo Fletcher does not condone the hunting of reptiles. 

www.wvdnr.gov/wildlife/magazine/Archive/03Summer/WDN_Timber_Rattlesnakes.shtm

Wonderfully Bizarre

- All music and lyrics written, recorded and produced by Emile van Dango
- Mastered by Fin. Mastering

Lyrics:

Maybe I'd be better off in Berlin
Or as an artist’s muse in London
Drifting from hand to hand
Maybe I was born to be a sailor,
Drop my anchors in Antigua
As a travelling fisherman

But I am home wherever you are near
There's no life in anything
When you're not here

What could take my love away?

Maybe I was destined for philosophy
Leading leftist ideologies
At the Paris-Sorbonne
Dreaming up the splendid demise
Of the societies we despise
At Cafe de Flore

But these things lose all their meaning
And allure
If you're not there to
Witness the grandeur

What could take my love away?

Maybe we'll be missionaries in the Congo
Revolutionaries in Cuba
Perhaps we'll build a home
In the shadows of the forest
Along the east coast, or the west coast
I forget where we decided

As long as I'm with you when we do it
I could trade the views in
For any pallet

Nothing can take my love away
Nothing can take my love away

A Carnival of Fears

Love In The Time of Socialism

Love In The Time Of Socialism

Magnetic is an intentionally simple song about the nature of attraction. It explores themes of urgency and desire that can emerge when we become fascinated or enthralled by someone, and how otherworldly these feelings seem as they develop.

We returned to our beloved Tesla Studios to work with producer David Glover (Slow Club, Self Esteem), where we recorded some as yet unreleased material earlier this year (keep an eye out in 2020). Magnetic has always been a fan favourite, drawing the attention of Gina Walters of Before Breakfast, who we invited to feature on the studio recording with bandmate Lucy Revis. We’re so proud to present a song which means so much to us in collaboration with one of our favourite bands.

Magnetic (feat. Before Breakfast)

Oh Papa emerged from the embers of the Sheffield music scene in the late 2010s, after years of watching beloved local venues change hands and crumble into obscurity. Sheffield, it seemed, had had its heyday. With the hyper-masculinity of the male guitar band setting the template for many young artists striving to get their voices heard, Oh Papa wanted to change the perception of what it means to be an indie band from the North.

Through their songwriting, Oh Papa explore the vulnerability and fragility of ego and learning how to process and express emotion. Taking sonic inspiration from the great singer-songwriters of Laurel Canyon, their first release Papa Les garnered support from BBC Radio 1’s Huw Stephens and BBC Radio 6 Music’s Tom Robinson, the latter praising the “irresistible Americana groove and understated English vocals”. This earned the band support slots for the likes of Billie Marten, Easy Life, Boy Azooga and Japanese punk legends Shonen Knife. 

The success of 2019 single Magnetic (recorded with Sheffield contemporaries Before Breakfast) marked the beginning of a fruitful relationship with producer David C Glover at Tesla Studios.

Oh Papa sought to continue writing and releasing in spite of challenges faced by the music industry in 2020. Their sophomore EP Sitcom was released in April, followed by singles Change That Tune and Take What’s Given. These independent releases were again supported by the BBC outlets, including multiple plays by Huw Stephens and Gemma Bradley.

With comparisons to the rootsy Americana of Kevin Morby, the wry lyrical content of Andy Shauf and Courtney Barnett, and the subtle intricacies of Blood on the Tracks and Harvest, Oh Papa are continuing a tradition of intimate and insightful songwriting for a new generation.

Magnetic (feat. Before Breakfast)

Oh Papa

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