building harmony / drums / fx to an atmosphere

Everthing in harmony together (synth's / drums / bass / fx) ... and it gets more.... at the last part everything moves together

it take a while to raise it, but I didnt want to destroy the feeling at the beginning

https://contragolpe13.bandcamp.com/album/sem-anistia

Fukyo (Free DL)

MIKROTEKITOBROS04

TOTIM Origins presents FLUIDUM Live @ Immerzum. Please welcome the recording of FLUIDUM's hybrid set recorded on the 19.11.2023. at Sepia Sound Studio's Immerzum night. Unfolding immersive soundscapes, FLUIDUM performs live, hybrid and DJ tales among the local Hungarian underground electronic music and art scene. She personally works with innovative collectives such as Willany Leó improvisational dance theatre, Zengető festival, ’TOTIM Origins’ event series by the label TOTIM Records and has engaged with creatives like Dragon Nest stage at OZORA festival, 4DSOUND's Spatial Sound Institute multidisciplinary sound research centre, Sepia Sound Studio, Art Quarter Budapest contemporary art complex and WOMEX.

Selected artists:
• Ligovskoï | https://soundcloud.com/ligovskoi
• Javier Salazar | https://soundcloud.com/salazarconnect
• CoH | https://soundcloud.com/cohofficial
• Pavel Milyakov | https://soundcloud.com/buttechno
• rRoxymore | https://soundcloud.com/rroxymore
• Alva Noto | https://soundcloud.com/alvanoto
• Abe Hathot | https://soundcloud.com/abehat
• Ulla Straus | https://soundcloud.com/ullastraus
• Cio D'Or | https://soundcloud.com/cio-d-or
• Roméo Poirier | https://soundcloud.com/romeopoirier
• Soundwalk Collective | https://soundcloud.com/soundwalk-collective • Jasmine Guffond | https://soundcloud.com/jasmineguffond
• Perila | https://soundcloud.com/perila
• Polygonia | https://soundcloud.com/polygonia
• Mekas | https://soundcloud.com/mekas
• Jonny Nash | https://soundcloud.com/jonnynash
• Anthony Linell | https://soundcloud.com/anthonylinell
• Periskop | https://soundcloud.com/dannykreutzfeldt
• Carla Boregas | https://soundcloud.com/carlaboregas
• Nicolas Jaar | https://soundcloud.com/nicolas-jaar
• Billow Observatory | https://soundcloud.com/billow-observatory
• Natureboy Flako | https://soundcloud.com/natureboytunes
• Eomac | https://soundcloud.com/eomac
• Burial | https://soundcloud.com/burial
• Cucina Povera | https://soundcloud.com/cucinapovera
• Lustmord | https://soundcloud.com/lustmord
• Teresa Winter | https://soundcloud.com/teresa-winter-33772853
• MTRL | https://soundcloud.com/mtrl_audio
• Aleksi Perälä | https://soundcloud.com/aleksiperala
• Suso Sáiz | https://soundcloud.com/saizsuso

https://soundcloud.com/fluidumusic | https://soundcloud.com/totimrecords

FLUIDUM - Live @ Immerzum | TOTIM Origins | 14/01/2024

Digi single from me album They came From the Sea

pressure

Pressure

Extended Version of Rito, have fun, I like this one (this was the reason to extend it) - very atmospheric, progressive and ambient like ^^
New features:
+Synth layer
+Drum Pattern
+Groove

(yt visual fx: https://youtu.be/CpA_B8TyWxA )

Ruff into the Ocean / R-i-t-O (v2 / Extended Groove Edition / Progressive Ambient)

Dedicated to my brother Benjamín, who left us this past February 19, 2024. I will miss you for the rest of my days :(

"Through The Mind" by SdØRm [Ambient - Electronica - IDM]

音主 ' OnShu

Первое ОН — из двух букв моего имени (МаксОН), второе ШУ — из двух букв моей фамилии. Творческое имя ОнШУ.

Лет 5 творчества под этим ником я был уверен, что не существует ни японских букв, ни смысла этого псевдонима, хотя изначально ОнШу я выкрикнул с интонацией самурая. Недавно я обратился к носителю языка, с просьбой перевести звуки ОН и ШУ на что то японское, если это возможно. Хотелось посмотреть на это название в японском написании. На что человек ответил - ничего придумывать не нужно, так как ОН 音 означает «звук» и ШУ 主 — «хозяин», «мастер, ведущий за собой». Получается — «Мастер Звука» (sound master). Это одна из случайностей в моей жизни, которые не поддаются моему пониманию, но предопределили моё будущее.

Еще со школы, класса с четвертого, в глухой казахстанской деревне я начал скупать в магазинах все новые завозы зарубежных дисков сразу как они появлялись на свет и записывать лучшие треки с них на кассеты. Так как модный бумбокс с дисководом был только у меня. Хорошего материала в нашей деревне всегда было мало. Я искал песни на радио, брал кассеты и диски у друзей. Мой старый бумбокс был для меня целой студией по записи пиратского, пленочного контента. Чуть позже у меня появился комп, микрофон, ejay и фрутилупс. Я ставил кассеты на школьных дискотеках, училка называла меня «дискжокей».
Я выпускал целые серии собственных «фирменных» сборников, со своими крутыми обложками, которые являлись отдельным творчеством. Приходил в школу и раздавал свои новые еженедельные выпуски всем своим воображаемым поклонникам.
Кроме меня, конечно же, такой фигней в школе никто не занимался. Да, по нынешним меркам это было несерьезно, но для меня на тот момент это было дико круто.
По сути я продолжаю заниматься тем же самым и сегодня. Собираю лучшие треки из самых забытых богом в интернете местах и красиво собираю их в миксы для своих любимых слушателей.
В выступлениях отдаю предпочтения нестандартному груву, мелодичности, электронным оттенкам и андеграунд локациям. 
Бары / Гаражи / Заводы / Крыши недостроев / Рейв-фестивали

Кастры вот уже почти 5 лет являются моим основным фестивалем, на который я приезжаю выступать с чувством праздника на душе. Ребята > Любовь. Делают фестиваль в непростое для этого время. Желаю процветания и развития этому милому фесту.

Kåstry Festival Podcast #28 - ONSHU

Indefinite Pitch PREMIERES. Edition 824

Aiôn Lazura - Mangrove

Blue Carbon
[PITCH51 | Indefinite Pitch]

Production | Aiôn Lazura
Mastering | Brice Deloose at Incidence Studio
Artwork | Mark Wagner

Released by Indefinite Pitch from Yantai, China
Release Date: October 8, 2025

Aiôn Lazura

https://soundcloud.com/aionlazura
https://www.instagram.com/aion_lazura

Indefinite Pitch

https://www.indefinitepitch.com

Indefinite Pitch. Yantai

Blue Carbon

Mangrove

Buy & Support

Indefinite Pitch PREMIERES. Aiôn Lazura - Mangrove [Indefinite Pitch]

FUR:THER SESSIONS : PREMIERE 332

Artist: Karenz
Track: Grotta Obscura
Album: Grotta Obscura EP
Label: Grab The Groove
Cat. No.: GTGSOLO006
Mastering: Mython
Artwork: Bureau Bizarre
Format: Digital
Genre: Techno
Release date: 10/10/2025

Buy it here:
https://grabthegroove.bandcamp.com/album/grotta-obscura

Tracklist:
01. Grotta Obscura
02. Lamponi Echoes
03. Catania Drive
04. Summit Ashes
05. Subterrean Fire

Karenz:
https://soundcloud.com/karenzsb
https://instagram.com/karenz_sb

Grab The Groove:
https://soundcloud.com/grabthegroove
https://instagram.com/grabthegroove
https://grabthegroove.bandcamp.com

Fur:ther Sessions:
https://soundcloud.com/furthersessions
https://furthersessions.bandcamp.com
https://instagram.com/further_sessions
https://formaviva.com/furthersessions
https://facebook.com/furthersessions
YouTube: https://bit.ly/3irNAR4

Contact and Premiere Requests:
furthersessions[at]gmail[dot]com

PREMIERE: Karenz - Grotta Obscura [Grab The Groove]

Get your own ears

Lower Synth Department - My Prey (rehearsal take)

Music should unite us all. To rekindle our hope for humanity and pragmatism in this world to build a better future for us all...

KalliO-P is my alter psytrance ego. ^^ Looks like it took a small fusion with OhrTacK. ;)

..oO(Sometimes I like to listen to music with my eyes closed, just to escape reality a little.)Oo..

A small light in the darkness can sometimes shine brighter than anything else you could remember. Never give up hope.

-=[ Yeah=>50h of own music ]=-
{- with [re]mixes & doubles 100h -}

In the future (1 year) I will do a complete reboot of my music style.... not so much different from the instruments/sounds, but more detailed and a bit slower (around 70-148bpm) ....

Important: When you have the possibility, try to listen/hear it with a Dolby Atmos Addin/Plugin (Windows - pay app / macOS - dont know if it is free, I think depends on the version / iOS - mostly included/ Android - mostly included). The sound's coming up much clearer/more clean... especially when you have the right setup up for your sound system / headphones / etc (disable other DSP configurations - when possible , choose Dolby Atmos, if possible). Best hearing/listing experience I have with my Bose Headphone (Full/Over head-ear) and the Dolby Atmos Addin enabled. (I don't use the software for creating music, only for listening the final track, it has to be balanced/plain)

My music is always an emotional journey/ride.... for myself, music is to express my emotions and feelings.... when it sounds nice and smooth... even better.... dont judge me for that....I'm not perfect.... but I'll work on that...every year, every month, every day, when it is possible ;)
Everything I mix or publish (also the old tracks) is usually at least Dolby 5.1, for some even 6.1. (Dolby Atmos optimized) mixed, but not fully mastered (only compressors, limiter, volume).

My music is a reflection of my emotions and feelings (like a journey to feelings with emotional backing) .... and a bit of math ^^ Enjoy the flowing harmonic rhythm. My music represents my inner self, so if you like it, you understand a bit of me and my soul ^^

All my own tracks are Creative Common, so enjoy it, even with downloads. Only the OTK Remix/Mixes are not CC, I dont own the copyright for these tracks/samples.

OTK = my DJ synonym/alias (this is for my mixing/dj tracks)

YT: https://www.youtube.com/@ohrtack
X formally known as Twitter: https://twitter.com/MD11022881

Nearly all of my tracks are uploaded flac-encoded .... in high resolution (up to 88K).... Remixes/Mixes are different, because the original tracks are not flac -encoded

Btw: especially the slow songs/tracks represent my subconscious feelings/emotions so far

Ps: My output rate is very high at the moment, because I take every chance to build a new track, when I have time for it..... and even this isnt everything so far .... my pile is huge..... 12 years of accumulated ideas....
and don't misunderstand the "Preview" tag (in title or tag), it's a tag for me, because these tracks usually are not mastered in a prober way like it should be.....

Pss: For all people who send me messages to contact them about extending my music range (for $/€/etc).... I'm not interested.... my music results from feelings.... and you can't put a price tag on real feelings from emotions.... my music is free and ever will be.... everybody should able to listen.... the only reason to contact me about that would be live events.....

Btw: My comments on my own tracks have only educational purposes...

Hardware "in Use":
-Push 2
-Roland GAIA 2 Synthesizer (including Model-Expansion for JX-8P)
-M-AUDIO Oxygen
-Behringer Audio Interface (U-Phoria UMC404HD)
-Tascam Model 12 (modified)
-condenser microphone (XDR)

Software "in Use":
-Ableton Live 12 Suite 
  (with all free Sound-Banks/-Packs included)
-Propellerhead Reason 13 + Reason Companion
-Roland Cloud (Juno / Jupiter / SH / R-MIX / etc)
-Synplant 2 VST
-Hybrid2 synth VST
-Absynth 5 VST
-Kick2 synth VST
-Acid Studio
-NI Komplete Kontrol
-NI Guitar Rig
-NI Reaktor
-VirtualDJ
-PusheR2 
(3rd party Reason Extension - look for it, when you use Reason, it's worth it)
-ODIN synth VST (free)
-Kairatune synth VST (free)
-GB8 synth VST
-Note synth VST
-Vital VST (free version)
-Tyrell VST (free)
-Podolski Synth VST (free)
-Dexed VST (free)
-Analog Lab v5 VST (free version)
-Surge XT VST (free)
-Helm Synth VST (free)
-iZotope Vocal Synth 2 VST
-TDR Kotelnikov Compressor VST (free / very nice compressor)
-Flex Reverb VST (free)
-Re Choir VST (free)
-NI Supercharger VST 
(Effect Plugin / Distortion - usually used for Guitars)
-iZotope Ozone 11 EQ
-several free VST(i) synth's (I'm testing a couple of them, but sometimes they are not running stable enough, so they get removed from the "Deck")

Visualization tools / portals "in use":
-VZX Creative/Player 
(realtime music visualizer / available at Steam / Windows User requiring a good graphic card for FullHD/4k rendering with Recording tools / the vizualizer itself is free, but not the very good dlc's packs)
 -Renderforest Pro Suscription

Hint:
https://www.youtube.com/watch?v=QLSoIWn9ZMc (Modular Synthesizer explanation by Fewjar)

This is my idea for working together on a track with more then 2 people. The idea is free to adding or amend things:

Idea:
-Virtual Machine with a DAW for multiple User with a latency control. (Microsoft based, application streaming, Citrix have an established technology for that, but it is also possible create something for free with special RDP Connections. It have to be Microsoft based, because there is no real good virtualization for macOS ARM based computers)

Requirements:
-VM (enough ressources for the hardware performance: 16 Cores, 64GB RAM, 500GB HD, Hardwarebased Audio Device - Passthrough or virt. shared Device, 2+x NICs)
-new udp protocol settings for latency client analyzing (ping retrieval setting 10ms and back report to the DAW VM) and adjusting the main pattern with collide check (should be support a hash check for packages)
-(CDN) Access Points for a better performance/latency
-Audio redirect, maybe over a virtual VST device as channel pass through to the DAW, also combined with the UDP protocol
-Important: the latency and protocol (this is something, what I might have to code by myself)
-separate audio channels over a different nic port (UDP) - flac realtime encoded (may be by an separate encoding section =>part of a NVIDIA/AMD graphic card which only operates for encoding for the whole system, RDP, Audio, Video, etc).

Every idea or suggestion is welcome. :)

Ruff into the Ocean / R-i-t-O (v2 / Extended Groove Edition / Progressive Ambient)

OhrTacK/KalliO-P

Recent comments

OhrTacK/KalliO-P

OhrTacK/KalliO-P

OhrTacK/KalliO-P

OhrTacK/KalliO-P

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