Various jams, assorted flavors.

IG: @djtaranyc

misc. with DJ Tara @ The Lot Radio 09 - 11 - 2022

Welcome to a brand new chapter of Deep Electronics. The serie brings you a diversity into the abyss of deep electronic music. This week Klordop presents you a mixture deep electronic music, experimental and music from his discography.

About:
Klordop(TIS) is rooted in hypnotic minimal techno. His personal style is characterised by the rich atmospheric spectrum of electroacoustic sounds – unusual in electronic dance music – driven by irresistible grooves. Expect wondrous journeys for the mind and the body, riding on infectious beats through intense psychedelic soundscapes. The work of the Hamburg-based artist has taken on epic proportions under various project names on his own label Roo Rec. Today his main projects are Klordop (for ambient techno) and Segensklang (for space music).

Tracklist:
01. klordop - jazzsizer 2
02. klordop - glow
03. klordop - healsing
04. marie w. anders - high the wind(klordop remix)
05. klordop - safe
06. klordop - timeless
07. klordop - Cthulhu
08. klordop - crows (rene wright rmx)
09. klordop - flashlok
10. klordop - the willows (algernon blackwood tribut)
11. klordop - schafsplez
12. Morgen Wurde & Tis feat. Tetsuroh Konishi - Richtet
13. klordop - heimat 4
14. klordop - heimat 5
15. westend ghetto & Klordop - Botanic district 4
16. klordop - secrets
17. klordop - Eternal
18. klordop - okkultos
19. klordop - the sound is
20. Morgen Wurde feat. David Strother - The Masque Of The Red Death

Links:
https://soundcloud.com/klordopsound

Artwork created by Jeroen

Deep Electronics # 391 - Klordop

African Head Charge is a legendary psychedelic dub outfit who have recently returned to their home label On-U Sound with A Trip To Bolgatanga, their first new album in 12 years. As always it finds the peerless Adrian Sherwood at the controls and joins the dots between what the collective has done before and what they are doing now, all with a distinctly Ghanian twist. The signature drums and chants remain at the core of the album of course, as well as plenty of other thrilling new sonic concoctions on keys, guitar, percussion, strings, vocals, kologo and more. It's the latest chapter in a fascinating story that has already seen them release some 16 albums since its inception in 1981. 

This week's mix is a deep dive into the uniquely melon-twisting sounds of African Head Charge. Sherwood's mastery at the controls means sound is twisted and contorted, dubbed out and reverb-rich from start to finish. Traditional dub sounds melt away into ghoulish vocal passages, unhinged instrumentals come and go and the collective's signature sense of dark soul and mystic ritual holds the whole thing together in a spellbinding fashion.

Dekmantel Podcast

Dekmantel Podcast 445 - Adrian Sherwood/African Head Charge

"DJs don't hit their stride until their 40s." The DJ and creative multihyphenate discusses maturing as an artist, having a family and navigating the worlds of contemporary art and cuisine.

Resident Advisor has followed Detroit native Seth Troxler's DJ career since the beginning. And on his first appearance on the RA Exchange, he is in his domestic bliss phase, living with his wife and kids in his new home of Zürich and partying at least a little less—and only on the weekends.

Since taking the house and techno scene by storm in the late '00s, when he was still in his teens, Troxler has become one of the most famous DJs in the world, known almost as much for his jokester personality and party antics as his craft. But the public image belies the skill behind his work: he's one of the most popular artists in the world simply because he's also one of the best, able to string music together almost preternaturally, as if he was born to do it. You never know what kind of records he's going to play—sometimes he doesn't, either—but you can count on it being a journey worth taking.

These days, Troxler isn't putting himself through the wringer like he used to, but he has his moments. Before this interview with RA music critic Andrew Ryce, he played New York, then Miami, then New York again, then Toronto, all in the span of one weekend. He opened up about his more responsible lifestyle, his family life and his love of food, as well as his passion for pairing art and technology and his hopes for a lasting legacy.

EX.687 Seth Troxler

This is US label "ZamZam Sounds"  vinyl only mix.
Have a good music journey!

Track list
1.	XOKI & HIERONYMUS – DEEP RECALL (ZAMZAM04)
2.	J:KENZO – WUTHOUT (ZAMZAM44)
3.	MYSTICA TRIBE – IDO (ZAMZAM90)
4.	RSD – WORLD HUNGRY (ZAMZAM26)
5.	TETRAD – AWAKEN DUB (ZAMZAM46)
6.	LAPO & AGO from NUMACREW – SPIRALS & PYRAMIDS (ZAMZAM83)
7.	LG & HEADLANDS – FAT NECK (ZAMZAM62)
8.	DIGID – DIGITAL TIME (ZAMZAM53)
9.	D-OPERATION DROP – SATIVA TEAM (ZAMZAM54)
10.	DAYZERO – THEORY DUB (ZAMZAM76)
11.	DAYZERO – PAGES (ZAMZAM87)
12.	D-OPERATION DROP – BRONCO (ZAMZAM71)
13.	CAUSA – HISS (ZAMZAM80)
14.	DUBKASM – ALMIGHTY VERSION (ZAMZAM89)
15.	LAS – TRAVELING (ZAMZAM35)
16.	RSD – NO FEAR DUB (ZAMZAM08)
17.	BUKKHA & MADPLATE SOUND – NADA A PERDER feat. Junior Dread (ZAMZAM52)
18.	KARMA & G.GOODZ – SHORTWAVE STEP (ZAMZAM73)
19.	DUB WAR & INFRA – IF IT’S NOT THE DUB (ZAMZAM20)
20.	AKCEPT – OVER & OUT (ZAMZAM75)
21.	TITUS 12 – BURY DEM (ZAMZAM34)
22.	EL MAHDY JR. – LAST DEAL (ZAMZAM21)

Journey of zamzam mix

London-based DJ, Basket of Light festival organiser, radio host and all-round upliftingly eclectic selector, @poly-ritmo serves up the first Record Club mix of 2024. Having grown up on jazz, soul, Latin and folk, aged just 15 she started work experience behind the counter at Sounds Of The Universe, following that with a degree in Ethnomusicology at SOAS. Since then, she has become a trusted and cherished DJ across the UK, Europe, Brazil and beyond, holding residencies on Netil radio and Worldwide FM alongside doing a selection of livestreams for Vinyl Factory and My Analog Journal livestreams that have racked up millions of views. 

Currently on tour in Brazil, DJing at a string of parties across carnival in São Paulo, Santos and Rio, Polly took the time out to put together this all vinyl mix just before leaving the UK. Solely comprised of Brazilian records picked up on her last trip to Brazil, she mentions:

“I'm a big fan of Mr Bongo, and I wanted to record a mix that fits in with the Mr Bongo sound. I've got so many amazing Brazilian records that I love but don't get the opportunity to play so much, so an all-Brazilian mix seemed like a fitting theme.”

“A lot of the records I played in this are from the North-East of Brazil and many of the tracks are from the ‘80s - lots of synths and drum machines. The mix features a range of styles such as lambada, reggae, axé, afoxê, boogie, forró and samba.”

“My personal favourite track in this mix is Ruy Lima - Filhos de Gandhy (at 14.27 in the mix). I bought this record from my friend Roger who runs Pindorama discos in São Paulo. It's one of the most beautiful songs I've ever heard. I love the afoxê combined with boogie, Ruy Lima’s sweet vocals and the soaring BVs. Such a delicious mix!”.

Massive thanks to Polly for the mix.

Find Poly-Ritmo here:

Soundcloud: https://soundcloud.com/poly-ritmo
Instagram: https://www.instagram.com/poly_ritmo/

Mr Bongo Record Club Guest Mix - Poly-Ritmo

Continuing the series is Mancunian producer, dj and music teacher Tom Burford who just released his LP 'Elevations' with us as Contours (@contoursmusic). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Tom. You just returned from a big hike, how was it?

TC: Hey! Yeah, we were able to get out on some beautiful hikes around the Anaga national park in the north of Tenerife. It’s a stunning landscape and a nice change from the overbearing grey we get in Manchester for half the year. 

MFM: Does nature play an important role in your life and music?

JC: Definitely in life, and then I guess that just seeps into my music. I grew up in a pretty rural part of Cumbria. It was very beautiful landscape but with very little to do from an entertainment perspective, so getting out in the landscape or jamming with friends always felt like the two most freeing things to do. 

MFM: About jamming with friends... Your new album Elevations includes a lot of collaborations with other musicians, of which you did the recordings yourself. Can you highlight one special moment from those recording sessions?

TC: When recording Pots, I had initially written and recorded the percussion and synth parts at home and hit up Abraham to see if he wanted to add some Trumpet parts. He is based in London and so he recorded initial takes remotely and sent them through. They sounded great, but I really wanted to transform and process his parts for the track to manipulate them into sounding more synth like at points. Doing, that without him in the space felt like there was dialogue missing. In the end I went down to London and we recorded and dubbed them out in the same space at the Rhythm Section studio (shouts to Mali on engineering duties). Being able to respond to his playing and him in turn being able to respond to the dubbing of his parts felt like it was able to capture some really special elements.  

MFM: The A side of your new LP has Elevations 1, 2 and 3. Was it intentional for these tracks to end up separately or did they used to be one larger piece?

TC: When I started writing Elevations 1, 2 and 3 it just began as a series of jams and recording sessions in my flat bouncing ideas back and forth between myself, Beka, Abel and Simmy. These sessions were always just me and one other collaborator at a time, partly down to schedules, the size of the flat, but also the chance to not have to rush the process and to really dig into how we worked together. I continued building out the same project over multiple sessions so that I could have access to all the material collated in one place. Specific sections and ideas started to come together, but I liked the idea of them forging part of a wider piece. I’d previously worked in a largely self-contained track basis but had been listening to a lot of pieces like Six Marimbas, Music for 18 musicians and Tehillim by Steve Reich that build over a long period and loved the scope this gave to get completely lost in the music. I love the hypnotic nature created when polyrhythms morph over each other for a long enough period, shifting emphasis and eventually melting away.  

MFM: What can you tell about the mix you've made?

TC: I wanted to create a mix that was able to showcase the variety of sounds that influence me, both as a DJ and Producer. I love listening to mixes and radio at home and the best club experiences I’ve had have always been when a DJ is able to surprise you and really take you on a journey. The album makes heavy use of strings through the violin and cello, but also the Guzheng, a Chinese Zither and the Clàrsach a Celtic Harp. The initial three tracks of the mix focus on these sounds before skirting into more percussive and jazz focused influences and then into some deeper acid-tinged downtempo tracks and sub heavy club sounds. Hopefully this mix takes people on a journey and is something for people to get lost in.

MFM Mix 051: Contours

Official Mic Mills (Untzz Twelve Inch) remix of Oisima's third single off the latest 'Nicaragua Nights LP' released in April through Create Control Records

Limited free downloads available ...

https://soundcloud.com/mic-mills

Oisima - Take Your Time (Mic Mills Remix)

Turn It Around (Body Corp Edit)

Jamie Tiller @ Invisible City Radio  [16/12/2017]

First Mooncast in 2020 comes from the man like @teffa 

Track-list:
1.Pacific Numen - Unwilling Dub Part 1 (Dub)
2.Breez - Stepping Richness (SASDUB04)
3.Chad Dubz - Lazy Dayz (NSRDUB006)
4.Breez & Gaze ill - Irie (CLNR024)
5.Ego Death - Old Habits (Dub)
6.Chad Dubz - Strength (FAV009)
7.Gaze ill - Tension Control (Dub)
8.Kismat - Chancery Lane (Dub)
9.Maes - Steadfast Dub (SASDUB03)
10.Beatsforbeaches - Backstabba (Dub)
11.Teffa - Dread (Sound Unknown Remix) (Dub)
12.Medicated - Cuppa Jah Dub (Subquake Sound Steppa Mix) (Dub)
13.Zerg - Rastafari (Dub)
14.Grawinkel - B2B (Dub)
15.Mungk - Scorching Dub (Dub)
16.Khanum - Sunshine Dub (TRANS008)
17.Kismat - Hommage (Dub)
18.???-???
19.Muttley - Different (Dub)
20.Truant - R.I (Dub)
21.Busted & Medicated - Dem A Lie Bootleg (Dub)
22.Quasar - Operator (Dub)
23.RDG - Bellyass Dub (WAR023)
24.Sibla - Trench (Dub)
25.Foamplate - Quake (Dub)
26.RSD - Shellfish (Dub)
27.Alborosie - Police (Subquake Sound Dubplate) (Dub)

Mooncast #36 - Teffa

With delicate dancing melodies and exotic imaginings Adelaide's Oisima has found a global audience with his emotionally connective, original productions. 

His third release & debut full length album 'Nicaragua Nights' was released through Create/Control Records in 2015.

From his debut EP “Dusk Till Dawn” to his semi-regular mix tapes ‘Jewels of Thought’ his follow up “Goddess” EP  & full length 'Nicaragua Nights' Oisima, the moniker of Anth Wendt, has created his own palate of sonic colours - a finely tuned blend of contemporary soul, mixing Middle Eastern influences with a rich background in Jazz and a love for blues and bass, Oisima crafts his own intangible universe of startling sounds.

From regularly selling-out his club night shows to playing on some of the countries biggest stages; an acclaimed spot on the Splendour In The Grass Redbull Music Stage, Big Day Out, and Adelaide’s WOMAD Festival as well as touring nationally with the likes of Bonobo & St Germain and supporting the likes of Hiatus Kaiyote, Shigeto and Knxwledge. 

Oisima interprets and lifts his distinctive music from a headphone and immersive experience to a dance floor enticing performance. Pulling out bass lines and deftly manoeuvring melodies on a MPC, his remarkable productions translate perfectly to a sunlit-stage or a basement club sound system.

Website: www.oisimamusic.com
Bookings: james@nicheproductions.com.au
Contact: info@oisimamusic.com

Oisima - Take Your Time (Mic Mills Remix)

Oisima

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