https://soundcloud.com/askal-music/fat-simon-remasteriser

https://soundcloud.com/antrooffical/utini

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Low Waves Art

Never The Right Time

Never the right time (feat. Alison Skidmore)

Mano Le Tough - Primative People (Tale Of Us Remix)

Cichli Suite

Tilapia

Garbage

VLetrmx

Out now:
A remix for Basement Jaxx on the label: Atlantic Jaxx Recordings Ltd.

www.basementjaxx.com
www.facebook.com/BasementJaxx

Release date:
09.06.2014

Thanks to the Basement Jaxx guys!
Was a pleasure doing this remix.

Buy @ Beatport

Mermaid Of Salinas - Basement Jaxx (Remix Boris Brejcha) PREVIEW

Faith In Strangers’ was written and produced between January 2013 and June 2014, and was edited and sequenced in late July this year. Making use of on an array of instruments, field recordings, found sounds and vocal treatments, it’s a largely analogue variant of hi-tech production styles arcing from the dissonant to the sublime. The first two tracks recorded during these early sessions bookend the release, the opener ‘Time Away’ featuring Euphonium played by Kim Holly Thorpe and last track ‘Missing’ a contribution by Stott’s occasional vocal collaborator Alison Skidmore who also appeared on 2012’s ‘Luxury Problems’. Between these two points ‘Faith In Strangers’ heads off from the sparse and infected ‘Violence’ to the broken, downcast pop of ‘On Oath’ and the motorik, driving melancholy of ‘Science & Industry’ - three vocal tracks built around that angular production style that imbues proceedings with both a pioneering spirit and a resonating sense of familiarity. Things take a sharp turn with ‘No Surrender’- a sparkling analogue jam making way for a tough, smudged rhythmic assault, while ‘How It Was’ refracts sweaty Warehouse signatures and ‘Damage’ finds the sweet spot between RZA’s classic ‘Ghost Dog’ and Terror Danjah at his most brutal. ‘Faith in Strangers’ is next and offers perhaps the most beautiful and open track here, its vocal hook and chiming melody bound to the rest of the album via the almost inaudible hum of Stott’s mixing desk. It provides a haze of warmth and nostalgia that ties the nine loose joints that make up the LP into the most memorable and oddly cohesive of Stott’s career to date, built and rendered in the spirit of those rare albums that straddle innovation and tradition through darkness and light.

Faith In Strangers

🎧 Turn it up. Feel the surge. Live inside the soundtrack - https://ffm.to/cjmusicmachine

#CinematicEDM #MovieMusic #TrailerMusic #FestivalEnergy #EpicEDM #ElectronicMusic #BigRoom #ProgressiveHouse #FutureRave #EmotionalEDM #SoundtrackVibes #HighEnergyMusic #WorkoutMusic #GamingMusic #EpicDrops #NightDriveMusic #RaveCulture #MainstageAnthem #DanceMusic #ElectronicSoundtrack #BeatportReleases #EDMNation #EuphoricEDM #FestivalAnthems #EpicBuilds #HeroicMusic #PowerfulEDM

Feel the Rush

Bassline Voltage

MINUS48 Heartthrob - Baby Kate (Magda Where's My Baby's Daddy Mix)

‘Peak Magnetic’ is the first single from Clark’s forthcoming album ‘Death Peak’, released on 7 April via Warp Records.

Video - https://www.youtube.com/watch?v=QW7mycj9zbw

‘Death Peak’ – http://smarturl.it/death-bleep
Stream ‘Peak Magnetic’ – http://smarturl.it/peak-stream

Clark Live - https://throttleclark.com/live

Peak Magnetic

Another Autechre remix here - https://soundcloud.com/pittsburgh-q/autechre-tac-lacora-pittsburgh-q-remix

Autechre - Pen Expers (Pittsburgh Q Remix) 2008

"Closed Space" is the first single from CFCF's forthcoming album Liquid Colours

Montreal’s earnest-kitsch-explorer CFCF (aka Mike Silver) has been honing gentle revisions and updates on the outmoded luxuries of pop and new age music for years now. Now he returns with a ‘spiritual sequel’ to his much-loved 2015 ambient opus ’The Colours of Life’, refitted with an eye towards the bygone future: oxygen lounges, chill- out rooms, luminescent spas, and breakbeats. Told in 15 movements, ‘Liquid Colours’ is a 42-minute new age jungle odyssey, perfect for a journey into a dreamworld of pure consumerism. Like all of CFCF’s work, it’s as sincerely and painstakingly composed as it is gently sardonic.

Liquid Colours

Closed Space (Single Edit)

I've always been a massive fan of Boards of Canada, if its not obvious already!  10-11 years ago I stumbled upon a bootleg recording of one of their extremely rare live performances at the Warp 10 Birthday party in 1999.  The closing tune at this show has always remained a mystery to me.  As far as I know it has no title and has never been released.  It's quite possibly one of my favorite things they have done and really is a shame it never came out.  You can hear the original bootleg recording (quite bad quality) here : http://www.youtube.com/watch?v=PYEZueAelKc

Fast forward to Summer 2012...  Since I am a huge nerd I decided to take this bootleg recording and re-produce it for fun.  Using the recording I laid new drums over the existing drum patterns (almost 100% accurate to original), replayed some synth parts and the bassline.  The only thing I didn't try to re-create was the original vocoder parts and some random samples so I used the bootleg recording for that.  I was tempted to make a shorter 4-5 minute version but I figured I should preserve the piece in its intended length (although the length was most likely due to it being a live jam).

Downloads limited to 100 (sorry I still haven't upgraded my account).  I do not claim rights to the original nor do I intend to ever sell this.  Not sure if I'm violating anything or not with Soundcloud so grab it quick!

Update : Ha! Somehow the 100 download limit thing got bypassed, so download freely!
Updated Update : This should work! http://soundcloud.com/selftitledmag/boards-of-canada-untitled/download

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