Pataky


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Amatria- Chinches (elyella Club Extended Edit)

Qué Bien Tan Mal

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La Casa Azul - La revolución sexual (Club Edit by David Van Bylen)

Opino De Que

Lucía Te Lo Explica

La Supermerienda

Gente Que Imita Mal Los Acentos

Subnopop

Track included at LOVERS (Remixes) EP
(C) 2017 Vanana Records
Editado bajo Licencia de Vanana Records, S.L.

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ELYELLA - 06 - Todo Lo Que Importa Feat. Viva Suecia (NATION Remix )

We have been waiting impatiently for new songs from LA CASA AZUL to arrive. And it clearly wasn’t going to be an easy album. After having reached larger audiences, after having reached mainstream levels with their independent proposal, far from what the mainstream was used to, after having been heard both in small independent festivals as well as the return of Operación Triunfo, after having remixed Camilo Sesto’s “Vivir Así Es Morir De Amor” or having masterfully reconstructed and reinvented Nino Bravo’s whole album. From composing and producing FANGORIA’s latest hits, from writing songs for TV shows and movies, from being a judge on the talent show “Oh Happy Day” on TV3 or the teacher in the Operación Triunfo academy, from continuing with radio collaborations, from writing for different media, from writing and producing five songs for the children’s cartoon show “PINY: Instituto de Nueva York” (which Ali Howard of LUCKY SOUL sings on), from winning a Goya with a rumba, from DJing in the most important clubs in the country or making the latest version of “Sálvame” (made popular in Spain by Bibi Andersen in 1980) to headline the popular show on Tele 5. There have been so many things, and with so much variety, and above all they have all been created from the most independent spirit with the deepest love of music, that Guille Milkyway can be defined as unique and incomparable, and “La Gran Esfera” will be the album that confirmed this, the definitive emergence, eternity.

And the thing is this album needs to be analyzed from two very different angles. First, that of an artist whose discourse faces the facts of time, who maintains his spacey dreams, but whose lyrics are being weighed down with disappointment, reality and the failure of mankind, the pessimism that was hidden in the escapism we saw in “La Polinesia Meridional”. But there is also the angle of an author who is a relentless music lover, an infallible machine for mixing influences, and who takes an unheard of step forward on this new album, crossing boundaries that few have dared to touch: the line that separates commercial music from independent music, a frontier that has so many preconceptions around it that many artists have been forced to go around it without ever being able to look back. On “La Gran Esfera”, Guille Milkyway knocks the wall down, playing with a million references, current and past, greatest hits and underground, tracks for the dance floor and tracks to break our hearts. You can hear hints of LAS AVES, Etienne Daho, Donna Summer, BOY PABLO, THE BEACH BOYS, VIDEO AGE, ROOSEVELT, ROBOTAKI, BLOSSOMS, THE GO! TEAM and ELO. And all of this without losing even a drop of his own personality.

What is “La Gran Esfera”? Is it the awareness of a painful existence? The bittersweet celebration of a planet full of life and pain? A planetary vision of the human condition? We would need a lot more time and space to read into this more deeply, to analyze all the directions this complex, multifaceted album points toward, while still being highly danceable, without any concessions to the mid-tempo, addictive and catchy, like LA CASA AZUL’s best trademark work. That’s where its difficulty lies. That’s where we can begin to decipher the challenge, the incredible proposal that Guille Milkyway brings to the table. Are you ready to look inside “La Gran Esfera”?

Gente Que Imita Mal Los Acentos

Ojete Calor

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