p*dis sampler 2016.10

Aveimán / letra y música: Sandra Corizzo (voz, guitarra acústica y piano), Ariel Migliorelli (bajo, voz y programación) y Javier Allende (batería y coros) Músicos invitados Julia Testa (violin) - Grabado, mezclado y masterizado por Ariel Migliorelli en Corcovado Estudio (Rosario) PRODUCIDO y ARREGLADO por AVEIMAN / CORCOVADO PRODUCCIONES 2012

Hombre De Bien (letra y música: Sandra Corizzo)

Released On the µ20 compilation 04/09/2015

MU20

µ20

Slow Knife

Kuedo returns to Planet Mu with his long awaited second album ’Slow Knife’. It’s been five years since his acclaimed debut ‘Severant’ and time has proved it prescient; its futuristic trap influence is now ubiquitous. ‘Slow Knife‘ seems to return to where ‘Severant’ left off, but with the intricate sound design of last year’s haunting EP ‘Assertion Of A Surrounding Presence’ subsumed into the compositions, making them more exacting and beautifully crafted.

Between albums Kuedo has been working as a sound designer and composer for hire and the application of intent and widescreen rigour that commercial work requires has definitely found its way into the new album. ‘Slow Knife’ has the subtlety, ambition and pacing of a brilliant soundtrack - a sense of an album of scenes, that easily lends itself to an impressionistic narrative. But, as with ‘Severant’, the title suggests relationship unease, with the slow knife being a metaphor for the building resentment in any close relationship.

‘Slow Knife’ is almost two albums; the first half, according to Kuedo, invokes the seduction of the city, taking the music of Michael Mann’s ‘Manhunter’ as a cue, with the latter half being inspired by the bloody starscapes and voodoo wilderness of films such as ‘Angel Heart’, ‘Night Of The Hunter’ and more recently the ‘True Detective’ series. Both halves of the album are also in thrall to Mica Levi’s inspiring ‘Under The Skin’ soundtrack, especially in the turbulence of the mid-section. 

The songs of the albums first half are synthetic and seductive, a gelatinous veil with shades of the pseudo-sophisticated trance of Enigma, of all things, underpinned with dusky unsettling shadows and atmosphere. ‘In Your Sleep’, perhaps surprisingly, features the vocals of Hayden Thorpe from Wild Beasts, who settles his dark, whispered vocals into the moonlit shadowy atmosphere. ‘Floating Forest’ is the first track to allow back some of Kuedo’s experimentation with the Southern rap template, which he explored before it became commonplace, with echoed drum splashes and a sinister repetitive motif, ending with a haunting growl.

The second half of the album enters wilderness territory with ‘Approaching’s slow descending notes, before ‘Broken Fox - Black Hole’ throws the record into the cathartic darkness, as undulating chords play hide and seek with riotous reeds and scratchy strings grown from challenging collaborations with cello player Koenraad Ecker (from Lumisokea). ‘Breaking The Surface’ shivers and coils, before metal and strings dominate while ‘In Your Skin’ feels like being lost in a vast hinterland before ‘Warmer Light’ introduces some memories of sunshine, with its plucked bassline and spiralling dub. ‘Halogen Light’ opens with the sound of crickets and a clear piano, cleansing the soul before ‘Lathe’ brings things down to earth with a short, yet powerful coda.

Kuedo - In Your Sleep (ft. Hayden Thorpe) from 'Slow Knife' released on 14th October

The original motion picture soundtrack to ‘Salero’ will be out on November 11th.
Pre-order the (Ltd. Clear) LP/CD/DL here: http://phonofile.link/salero

Having channelled some of the most iconic drift music of our time through A Winged Victory For The Sullen and Stars of the Lid, 2016 has already seen Erased Tapes luminary Adam Bryanbaum Wiltzie provide original scores for a number of feature films including Jalil Lespert’s ‘Iris’ and ‘The Yellow Birds’ by Alexandre Moors.

It’s on the non-fiction film ‘Salero’ however, that we see Wiltzie weave some of his finest work and deliver an expertly distilled accompaniment to director Mike Plunkett’s sprawling, uncompromising visuals. Set in Bolivia’s Salar de Uyuni, the world’s largest salt flat, the narrative follows the region’s ‘Saleros’ – those who have for generations gathered salt and earned enough to somehow carve out an existence in such a barren landscape. It’s with the discovery of huge Lithium reserves – a mineral used frequently throughout the tech industry – under the scorched earth that acts as a catalyst for exploitation of the environment and its people; holding a microscope to the drastic effect industrialisation has on local culture and tradition.

“I have always said that composing music is infinitely easier when you have beautiful images to be inspired by. It was a pleasure to write a score over this captivating place of endless, glimmering salt before its impending demise. I was fascinated by this mythical space and its ability to define the identities of the people who live in its vicinity, where this vast salt flat itself would be a central character” – Adam Bryanbaum Wiltzie

Recording took place in Adam’s Belgium-based studio for the guitars, percussion and small string ensemble tracking. Hungary was chosen for the final large string orchestra recordings at Magyar Radio Studio #22 with the Budapest Art Orchestra.

Adam will be touring his Stars Of The Lid project across European cities this autumn including a performance at The Barbican in London. Tickets and more information can be found here: http://www.bandsintown.com/StarsOfTheLid

TRACK LISTING:  

1. Armstrong Opening/Closing 2. The Premonition 3. Potosi 4. Marcelo Intro 5. The Few Of Us Left 6. They Dream Of More 7. Bring This Place To Life 8. Transforming The Country 9. Wealth Baby 10. Using Magnifico 11. It Ends With Me 12. Colchani Is Changing 13. Lithium, The New Era 14. Salero End Credits (For Moises)

WEBSITES:  artificialpinearchfailures.org · facebook.com/adam.wiltzie · twitter.com/adamwiltzie · erasedtapes.com

Salero (Original Motion Picture Soundtrack)

Lithium, The New Era

Buy LP/CD/DL

Adam Bryanbaum Wiltzie - Lithium, The New Era

Syrinx - Hollywood Dream Trip

Learn more at RVNG: http://smarturl.it/rervng08-rvng
Add to your collection on Bandcamp: http://smarturl.it/rervng08-bcamp

From Tumblers From The Vault. Out everywhere October 14, 2016.

℗ and © 2016 RVNG Intl. / www.igetrvng.com

Tumblers From The Vault 

Syrinx - Hollywood Dream Trip

10 de Abril -Diego Hübbe

Estudio Páramo 2016- 
Fernando Cremaschi - Gonzalo del Peral 

10 De Abril - Ojo de Agua

11月6日発売、エレクトロジャズのユニット Why not nil? の全国流通盤 Numeric night, Ivory morning の全曲ダイジェスト。
2013年に結成し音楽同人即売会M3等で着実に存在感をアピールしてきたユニット待望の1stアルバムです。
発売元：Cat&Bonito 定価1,500円＋税

Why not nil? - "Numeric night, Ivory morning" - Album Digest

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María Eugenia Moreno (Flauta - Mariano Moreno (Piano)- Diego Hübbe (Guitarra)- Diego Araneda Pinto (Bajo) Yair Cáceres (Percusión)

Primer disco de Ojo de Agua grabado a mediados de 2014 en Estudio Páramo (Mendoza, Argentina) 

“Ojo de agua” se forma en el año 2010 con la intención de abordar músicas de autores sudamericanos y componer arreglos originales para esta formación, a la vez compone canciones y formas instrumentales propias. Parte de ritmos latinoamericanos con contenidos armónicos y texturales originales que se vinculan a un tratamiento urbano y contemporáneo de la música popular. Su repertorio se fusiona con el Jazz y en él conviven además elementos de la música académica y la raíz folklórica tradicional.

10 de Abril -Diego Hübbe

Ojo de Agua Ensamble

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