🌿 DJ-SETS

Percussive and droney techno mix recorded at a private warehouse rave on 07.08.2021. 

More at https://linktr.ee/okinomis

OKIN-OMIS @ KONFLIKT Warehouse Rave II

KONFLIKT SESSIONS 2 // OKIN-OMIS [TECHNO]

This week we’re presenting our first and last techno set for KONFLIKT SESSIONS 2. Resident @OKIN-OMIS will immerse you in a face melting experience of rough techno grooves and industrial smashing breaks. This combination of static driven low end and broken noisey beats, in an almost 1,5h long set, will definitely break your jaws!


// Click here to watch KONFLIKT SESSIONS 2 on YouTube:
https://www.youtube.com/watch?v=bc-9nRW32aI


// Follow OKIN-OMIS here:

Instagram
https://www.instagram.com/okinomis/

Other
https://linktr.ee/okinomis


// Follow KONFLIKT here:

Instagram
www.instagram.com/konflikt__/

More
linktr.ee/konflikt


// Follow our TECHNO Essentials playlist on Spotify:
open.spotify.com/playlist/4GAKV7m…b8b1e7c3bc824582

KONFLIKT SESSIONS 2 // OKIN-OMIS [TECHNO]

Support the artist, buy it here:
https://okin-omis.bandcamp.com

Artist: OKIN-OMIS (https://soundcloud.com/okin-omis)
Title: Buda’s Barrels 
Track: Madách Imre
Label: independent 
Format: Digital
Genre: Techno
Style: Field-Recording
Release date: December 28th 2023
Artwork by Sem Zeeman & Vincent van der Geest 
Mastered by Lőrinczi Áron (Obwigszyh)

Tracklist:
1. Buda's Barrels
2. Mádach Imre
3. A Soundwalk Through Budapest [47.499553° N, 19.054739° O] 

“Buda’s Barrels” is the first release by field recordist and sound designer https://soundcloud.com/okin-omis. The record is an auditory representation of his field-recording session in the capitol of  Hungary, Budapest on February 16th 2022. This so-called sonification of Budapest is created by  several recorded one-shots and ambiences from the city. This collection of raw material from  Budapest results in unique auditory experiences and a distinctive artistic expression. By  converting these surroundings into machines, “Buda’s Barrels” results in a sonic landscapes that  immerse listeners in danceable sonifications of biotic rhythms and organic textures.

Follow OKIN-OMIS here:
https://www.instagram.com/okinomis/
https://www.youtube.com/@OKIN-OMIS
info.okin.omis@gmail.com

Premiere: OKIN-OMIS - Madách Imre

"A Soundwalk Through Budapest [47.499553° N, 19.054739° O]" is an auditory representation of a field-recording session in Budapest on February 16th, 2022. This sonification of the city is created by several recorded one-shots and ambiences, placed in chronological order, resulting in this soundwalk concept. Experience a blend between realistic urban sounds and a surreal soundscape composition. This track is part the record "Buda's Barrels", released under Sem Zeeman's organic dance alias https://soundcloud.com/okin-omis.

The soundwalk starts in the elevator of the apartment complex located on Király Utca. As we exit the building, we are greeted by various street ambiences and daytime sounds. These ambiences form the basis of the intro, interludes and outro in "Buda’s Barrels" and "Madách Imre," which can be found on the same record.
As tourists from a country with a different currency, the abundance of available ATMs in the city is really useful. Along the way, OKIN-OMIS noticed that each ATM has a different pitch, timbre and processing. As the street ambiences evolve, its supported by these authentic sonic pulses from several ATMs.

The second location we arrive at is the Danube River. We are on a boat tour to capture the city’s illuminated landmarks, such as the Chain Bridge, Buda Castle District, and the Hungarian Parliament. The rumbling engine of the boat and the sound of moving water are accompanied by classical music and multilingual speeches, which are captured from the audio guide on the tour as a representation of tourism in this bustling city.

After the boat tour, we once again arrive on the city streets. Budapest, with almost 1.8 million residents, is under constant development, which can be heard as construction noises dominate the street ambiences. As we continue walking, the construction sounds gradually fade away as we arrive at Madách Imre út. On this street, we find several empty barrels. Each barrel has a different timbre and resonance, which can be heard in the presented hits. These one-shot samples also form the main percussive framework of other two tracks, "Buda’s Barrels" and "Madách Imre.”

As the barrels slowly disappear, our soundwalk continues at the tram station and then leads us to Budapest Airport, which slowly transitions to the flight back home to Schiphol Airport in Amsterdam.

https://semzeeman.bandcamp.com/album/a-soundwalk-through-budapest-47499553-n-19054739-o
https://www.sem-zeeman.com/a-soundwalk-through-budapest
https://okin-omis.bandcamp.com/album/budas-barrels

Sound design, production and mix by Sem Zeeman. All sounds are sourced from field-recordings made in Budapest, Hungary on February 16th 2022. All recordings are made with a Zoom H5 by Sem Zeeman & Leon Den Dulk. Artwork by Sem Zeeman & Vincent van der Geest. Master by Lőrinczi Áron. Released on December 28th.

Buda's Barrels

A Soundwalk Through Budapest [47.499553° N, 19.054739° O]

OKIN-OMIS X CONCEPT RDAM [SET029]

Purchase the release: https://okin-omis.bandcamp.com/

Artist: OKIN-OMIS
Title: Buda’s Barrels
Format: Digital

Tracklist:
1. Buda’s Barrels
2. Madách Imre
3. A Soundwalk Through Budapest [47.499553° N, 19.054739° O]

https://okin-omis.bandcamp.com/
https://www.instagram.com/okinomis/

“Buda’s Barrels” is the first release by field recordist and sound designer https://soundcloud.com/okin-omis. The record is an auditory representation of his field-recording session in the capitol of Hungary, Budapest on February 16th 2022. This so-called sonification of Budapest is created by several recorded one shots and

ambiences from the city. The collection of raw material from Budapest results in unique auditory experiences and a distinctive artistic expression. By converting these surroundings into machines, “Buda’s Barrels” results in a sonic landscapes that immerse listeners in danceable sonifications of biotic rhythms and organic textures.

Premiere: OKIN-OMIS - Buda's Barrels

[PREMIERE] | OKIN-OMIS - Louterion [SS7.007VA]

◘ SS7.007VA by Various Artists

Artist: OKIN-OMIS
Track: Louterion
Label: Sine Space 7
Genre: Electronic
Style: Techno
Cat No: SS7.007VA
Date release: 31.01
Format: Digital

◘ TRACKLIST

1. Jancen - Abyssal Aura
2. Danya - Dreamwaves
3. Psatura - Lole
4. Luda - Rush Hour
5. Gregi - Matrix
6. OKIN-OMIS - Louterion
7. Space Ventura - Fragments

◘ PRE-ORDER / BUY LINK:

https://sinespace7.bandcamp.com

◘ MORE:

OKIN-OMIS:

https://soundcloud.com/okin-omis
https://www.instagram.com/okinomis/

Sine Space 7:

https://soundcloud.com/sinespace7
https://www.instagram.com/sinespace7/

Louterion

[PREMIERE] | OKIN-OMIS - Louterion [SS7.007VA]

Artists: OKIN-OMIS (https://soundcloud.com/okin-omis) & RONY Group (https://soundcloud.com/
rony-group)
Title: Buda’s Barrels
Track: Madách Imre - RONY Group Remix
Genre: Techno
Style: Field-Recording
Master: João Rodrigues (Temudo)
Buy the full record here:
https://okin-omis.bandcamp.com/album/budas-barrels
Follow OKIN-OMIS here:
https://www.instagram.com/okinomis/
https://www.youtube.com/@OKIN-OMIS
https://linktr.ee/okinomis
Follow RONY Group here:
https://www.instagram.com/rony.group/
https://www.facebook.com/profile.php?id=100039882246005
https://linktr.ee/ronygroup/
“Buda’s Barrels” is the first release by field recordist and sound designer https://soundcloud.com/
okin-omis. The record is an auditory representation of his field-recording session in the capitol of
Hungary, Budapest on February 16th 2022. This so-called sonification of Budapest is created by
several recorded one-shots and ambiences from the city. This collection of raw material from
Budapest results in unique auditory experiences and a distinctive artistic expression. By
converting these surroundings into machines, “Buda’s Barrels” results in a sonic landscapes that
immerse listeners in danceable sonifications of biotic rhythms and organic textures.
Tracklist:
1. Buda's Barrels
2. Madách Imre
3. A Soundwalk Through Budapest [47.499553° N, 19.054739° O]
4. Madách Imre - RONY Group Remix

Support

BT Premiere: OKIN-OMIS - Madách Imre (RONY Group Remix)

OKIN-OMIS / Sine Space 7 Takeover / 12.01.2024

Once Doggerland, an historical connection between Britain and continental Europe. Now an industrial area were fossils are found and traded, surrounded by salty water we today call the North Sea.

Located on the Noorderhoofd pier along the busiest waterway in Europe, in Hoek van Holland, The Netherlands. The waterway is a ship canal called de Nieuwe Waterweg, which makes the Port of Rotterdam accessible for seagoing vessels from and to the North Sea. It’s the largest port in Europe and specialised in the petrochemical industries and cargo transshipment handlings. Across the water of Noorderhoofd are the Maasvlakte and Europoort, which are very heavily industrialised with also petrochemical industries, as well as coal- and biomass-fired power plants, styrene- and propylene-oxide production and transhipment of ore, coal and palm oil.

This industrial area is surrounded by beaches where crabs, shrimps and starfish can be found. By dunes with foxes, rabbits, lizards and moles. By the air with sandpipers, polecats, buzzards and seagulls. And by the water with seals, sea bass’ and garfishes.

The auditive beauty of these surroundings is abruptly disturbed by increasing buzzes, noise and suddenly appearing rhythmical radar frequencies presenting itself through electromagnetic signals. The infrasound from the petroleum industries across gets supported by a slowly growing even intenser engine rumbling. The waves crashing on the pier are rising, each one followed by a greater force.

An interference of low and high increasing frequencies, as a collaboration between human and nature, is resonating through a pole standing on the pier. Beholding the industrial infrasound and coastal acoustics, responding in the creation of abrasive metallic harmonics. This pole is holding a warning sign, to contain our behaviour on the pier.

“Dangerous waves from shipping. Enter at your own risk.”


Noorderhoofd [51,98021° N, 4,11153° O]
through the ears of its aquatic- and surrounded wildlife, adapted to the petrochemical industries and cargo shipping.

All sounds are captured with a Zoom H5, LOM Geofòn, OrganicAudio Cjossul and Soma Ether at Noorderhoofd in Hoek van Holland, The Netherlands. The recordings are processed, mixed and mastered during post-production in Logic Pro X.

Released on February 28th 2024.

https://semzeeman.bandcamp.com/track/noorderhoofd-5198021-n-411153-o
https://www.sem-zeeman.com/noorderhoofd


“Noorderhoofd [51,98021° N, 4,11153° O]” is also part of the long-form sound composition Upstream Ensemble, where mainly its infrasound recording is used. This composition is initiated by TBA21’s Ocean-Archive, ocean comm/uni/ty and Pablo Diserens, who invited 35 field recordists to venture in the world and record aqueous sonic encounters. Upstream Ensemble navigates between the multiplicity of the water cycle as a sounding body. The work moves upstream through oceans, rivers, pipe networks, ponds, and glaciers while investigating the continuous flow of water and the environments that surround it. Here, the world’s aqueous fauna, flora, geologies, and technologies mingle into a synchronized motion that documents the sonic articulations of these wet zones. Upstream Ensemble is released digitally on TBA21’s Ocean-Archive website and physically released on the label forms of minutiae as cassette. 

f-o-m.bandcamp.com/album/upstream-ensemble

Noorderhoofd [51​.​98021° N, 4​.​11153° O]

Located at just a fraction of the European Route E25, called the Rijksweg 20 or A20. This motorway is supported by several overpasses through The Netherlands, of which one of them in the Rotterdam-The Hague metropolitan area forms the base of this piece.

While the fast pace of humanity is causing hot asphalt and infrasound to move through the concrete, underneath the overpass a slower pace is causing more innocent reflections. Captured impulse responses from these reflections create a somewhat terrifying and slowly building-up reverb scape. Dynamic impacts from the A20’s bouncing surface, caused by the passing vehicles, result in irregular rhythmic echo’s to scatter beneath the construction.

All these never-ending sound waves are occasionally dominated by several other sound sources. Car horns translate the human’s frustration from within, while they try to balance it out with amplified FM frequencies. However, this more pleasing part of the electromagnetic spectrum gets interfered often with higher frequencies from passing metros and trains. These signals being pitched-down, form the cold and resonant chords through the piece. 

The massive amounts of weight rolling over the railway next to the overpass,  result in ground-shaking infrasound all over the area. Rumbling frequencies vibrate schematically through the concrete pillars. Moments later, fireworks suddenly feed the already existing sonic-tangle, followed by emergency signals that appear no less distinctive without its optical parts.

https://www.sem-zeeman.com/a20-e25
https://semzeeman.bandcamp.com/track/a20-e25-5192393-n-440872-o

The recordings are made near the Brandersbrug in Schiedam, The Netherlands on March 30th 2023. All sounds are recorded with two unidirectional condenser microphones in X/Y setup, a geophone, contact microphone and electromagnetic receiver.

A20/ E25 [51.92393° N, 4.40872° O]

Located by a former vibrant flowing river, now called Ru du Pierreux. The river used to be rich in life with trout swimming through the clear waters. The sounds of flowing water and splashing fish, which symbolized the vitality of the river, are now long gone. Today during summer, only a small water stream can be found.

The name Ru du Pierreux, which means "stone stream", refers to the current dried-up riverbed where almost only stones, rocks, and organic material remain. The residents call the former river “the ugly street,” a sad contrast to its glorious past. The soft rippling sound of the remaining water symbolises the transience and change of this place. Higher temperatures and an irregular pattern of precipitation have led to frequent heat, drought and water scarcity. 

Despite there is little water left, this place is rich in various old plant and tree species, represented by the soft rustling of leaves and the whisper of wind through the trees. Through the dense foliage only a few rays of sunlight reach the flora and fauna on the soil on summer days. The vegetation therefore offers a sheltered, moist, and warm place for the remaining life found there, which is well housed and fed by these factors. The old forest creates a mostly isolated place, where swarms of flies protecting the untouched surface and all kinds of birdsong marking the territory of this ecosystem. The diverse range of flora and fauna in this place has the realm to itself and is rarely disturbed by humanity, one of the few remaining places without air and noise pollution. Nature can therefore take its course undisturbed with pollination, spore formation and reproduction.

The trees act as resonance boxes where sap flows in the trunks and insect kingdoms in the hollows can be heard. The last bits of water is getting distributed among theirselves and absorpted by the roots in the former riverbed. The recordings trace the rich history and adaptability of nature, which make us aware of the vulnerability and strength of our ecosystems. The chirping and fluttering birds, crackling insects, rustling leaves, buzzing flies, and the echolocation of bats create a lively and complex auditory image of the life that, despite everything, continues to exist in Ru du Pierreux.

https://www.sem-zeeman.com/ru-du-pierreux
https://semzeeman.bandcamp.com/track/ru-du-pierreux-5038536-n-578953-o

"Ru du Pierreux [50.38536° N, 5.78953° O]" is released on August 16th 2025. The recordings are made in Rahier, Stoumont in Belgium on July 13th 2023. All sounds are recorded with two unidirectional condenser microphones in X/Y setup, a geophone, an hydrophone and an ultrasonic receiver.

Ru du Pierreux [50.38536° N, 5.78953° O]

🍃 Organic Dance Music

✨ Soundscape & Ambient as https://soundcloud.com/semzeeman

=======================================

OKIN-OMIS is a field recordist, sound designer and DJ based near The Hague in the Netherlands. Embarking on journeys as a field-recordist by exploring the outside world through sound and capture audio from various locations, OKIN-OMIS' creative process and strategy form a harmonious collaboration between nature, humanity, and machines.

=======================================

💿 RELEASES
[12.28.2023] "Buda's Barrels" (independent)
[01.31.2024] “Louterion” (Sine Space 7)
[03.29.2024] "Kid Baltan - Mechanical Motions (OKIN-OMIS Remix)" (Antilounge Records)
=======================================

💿 DJ-SETS
[10.05.2018] KONFLIKT @ Forest Rave
[08.30.2019] KONFLIKT @ Warehouse Rave I
[03.07.2020] TechnoBunker @ The Hague
[06.16.2021] KONFLIKT SESSIONS 1 
[08.07.2021] KONFLIKT @ Warehouse Rave II
[05.27.2022] Fluid Frequencies I @ Amsterdam
[05.28.2022] KONFLIKT SESSION 2
[03.10.2023] Fluid Frequencies II @ Amsterdam
[03.16.2023] DRLD Radio livestream @ Rotterdam
[09.23.2023] KONFLIKT @ Warehouse Rave III
[11.12.2023] CONCEPT @ Rotterdam
[01.12.2024] STUDIO /K @ Amsterdam
[03.16.2024] 5 YEARS OF DERAILED @ Club PEP, Hoek van Holland
[03.29.2024] 20 YEAR OF ANTILOUNGE @ PIP, Den Haag
[07.05.2024] INDEX PRESENTS: TYMPANIC @ Musicon, Den Haag
=======================================

OKIN-OMIS @ KONFLIKT Warehouse Rave II

OKIN-OMIS

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