Morpheus Radio – Low808

Manipulations of Bevissthet

Mixed from Tbilisi by @vollok

Новый микстейп для нас записал селектор из Петербурга, ныне базирующийся в Тбилиси - мистер Vollok.

Как и подобает селекторским миксам, внутри нас ждёт много неочевидных поворотов, которые переплетаются между собой тоненькой нитью повествования, напоминая блуждание по дымным клубным коридорам, где из соседних залов то и дело доносятся звуки тихих призраков уходящей ночи. Придет утро, и от них не останется и следа.

Download link:
https://bit.ly/3l9Dh7T

Cover art by @pseudo-art-rose
pseudo-art-rose.tumblr.com

Mixtape For W Λ V E S

Vollok – Mixtape For W Λ V E S 101

Kosaya Gora b2b

http://www.instagram.com/kosaya.gora

2MR TRANSMISSION with Kosaya Gora (Kedr Livanskiy and Flaty)

What is the sound of the Russian dub? There is a storied history of attempts to adapt roots music to Russian soil, but most of them can be attributed to reggae (the so-called ‘northern’ variety) rather than dub. Gost has a history with the town of Smolensk. It’s home to Gamayun, whose great album Filterealism was released on our label last year. Now Anton, one of Gamayun’s members, presents his new duo Dubovaya Kolesnitsa (The Oaken Chariot). In his words, it has no connection to his other band at all and is an attempt to go back to the roots of a genre that doesn’t truly exist.

The Russian word for oak, ‘dub,’ looks exactly like the genre, and the chariot emerged from the name for the group’s jams – ‘telega’ – which can be translated as a cart. All the music here is the result of live improvisations: no samples, just instruments (notably Vasiliy Shilov's bass). These recordings have been slightly edited, and even the almost indecipherable texts are freestyle. There’s no place for real riddims in Russian dub: sometimes this record sounds like something akin to dub variations on underground Russian hip hop (and we mean that in the best possible way).

We should also remember that dub and reggae (and hip hop as well) all started as the voice of people. The voice of those who are always in the minority and try not to be silent. The most prominent dub producers and reggae performers were against hierarchy, imperialism, and colonialism — and their music was born out of the desire to protest against it. As Anton puts it, Oaken Chariot, the “Russian mutation of dub,” is an attempt of voicing the concern. And he links this attempt to a historic Russian tradition of Foolishness for Christ, also known as yurodstvo. The “fool” in question is not naïve at all; he’s trying to seem lunatic on purpose. For Anton, the music of Oaken Chariot is a rebellion with a cut-off tongue. Here, illegible speech, full of inarticulate sounds, is a sign of the inability of the statement. But this inability represents a statement itself that is inevitable.

Yet, the music of Oaken Chariot is genuinely fun, free, and mesmerizing (like the happenings of holy “fools”), but we could also approach it more conceptually. Theoretician Michael E. Veal describes dub as a ‘postsong’, taking the form of “linguistic, formal and symbolic indeterminacy.” The duo’s faintly eerie compositions call back to the notion of musical hauntology. There is an attempt, without any direct references, to reconstruct the feeling of something that was never there at all. A little nostalgic and very forward-thinking at the same time, the music of Oaken Chariot is best described in its own words. In the opening track, a voice can be heard saying “eto delo v lob,” which means something like “it’s a straight-on thing.” This is very direct, almost in the vein of folk music. This is a great – and, it must be said, successful – experiment in searching for the soul of Russian dub. Simple as that.

GOST018 Oaken Chariot "Biznes Time"

Side 1

A1: They are looking at us from above
A2: BIZNES TIME 08:39
A3: Free Poetry 01:51

Side 2
B1: Splendor of Wasteland
B2: Purer Than Love
B3: Volchok
B4: Random Regularities

Music and recording — Anton Dvoenko, Vasiliy Shilov
Mix — Anton Dvoenko
Mastering — @poducedbyflaty
Executive producer — Ildar Zaynetdinov
Cover – Eduard Kulemin "Field" 1988

12" LP full-color sleeve.
October 7, 2022

© «ГОСТ ЗВУК»

GOST018: Дубовая Колесница "Biznes Time"

Запись на случай, если хочется подумать сидя в кресле, а потом отвлечься на музыку и последить за развитием микса, который включает в себя эмбиент и неоклассику, перебиваемые барабанами и басом с саундклауда и пластинок.

@prasdov

Prasdov Oknocast For The Moving Like Kachely

LYL Radio: jamais entendu (28.04.2023)

Meet our new guest in Right FM's catalogue - St Petersburg DJ Primitive. This stuff is unexpectedly different from the artist's usual sound, which is fast and dynamic. Now everything will play unhurriedly and psychedelic, acid and trance, stylish and technical. It's like a shaman's chariot taking off on a mystical quest - let that be the metaphor for the mix at the end of its description. And now "On"!

- 

Новым гостем в каталоге Райт ФМ стал петербургский диджей Primitive. Материал на удивление отличается от привычного саунда артиста — быстрого и динамичного. Сейчас же всё заиграет неторопливо и психоделично, кислотно и трансово, стильно и технично. Словно шаманская колесница несётся по мистическим делам — такая пусть будет метафора о миксе в конце его описания. А теперь «Вкл.»!

@primitiwe
@kikihole

right.cast - Primitive

summa selection to warm your mood from GS (nocow+dj designer)

Gorizont Sobytiy - Summa Days Mix

mix tape apresenta remix originale vtgnike 2019-2020

1. parad planet
2. cyprus mix
3. сознание
4. chaga dub
5. AIM
6. 60კითხვა
7. sverdlovsk fantasy
8. gru kurort mix
9. ___---___
10. youtube dmc 2019
12. SIVMY

sertifiyed quality

13.12.2019

vtgnike - sertifiyed quality

Hipushit lives in Moscow where he's known for his versatile, futuristic and broadminded sets that could take a turn in any direction at any moment. Here is a unique type of DJ and music fan, the kind that is as comfortable playing modern bass and trap as he is playing legacy of acid and ebm. He is a resident of Mutabor and member of the celebrated Arma17 crew that have been a huge presence in Moscow's nightlife landscape since 2008. 

For the next Phase Group Mix he presents us with an hour of absorbing music, shifting in tempo and styles, filled with digitally manipulated voices echoing in different languages across futuristic trap beats, industrial rhythms and synthesized percussion. Thanks Igor!

Artwork by Andrija Čugurović

Prasdov Oknocast For The Moving Like Kachely

okno.club

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