busyfrozenfeels

Gyroscopic IDM, lifted from ubu boi and r hunter's abrasive, euphoric Genot Centre debut.

'A Symbol For Disguise' is out April 3rd on Genot Centre.

Pre-order: bit.ly/3NhzUoS

@ububoi
@rhunterrrr
@genotcentre

Premiere: ubu boi & r hunter - Lexiconfluence [Genot Centre]

went back online @Ma3azef this month and i’m ran solo thru plenty new bits from myself and some of my favourite club tracks of late - full drum for the full hour

Tracklist:
Klahrk - Ready
Szare - Miner
Stolen Velour & Klahrk - I.D
Clouds - Can't Anticipate
Alec Pace - Lanes
Ploy - Ramos
Amazondotcom - Household Deity
Klahrk - Out My Mind
Skee Mask - Trackheadz
Metrakit - Marimbas
Despina - Alex In Despair
TÉNÈBRE - Zone & Interzone
Rhyw - Bee Stings
Mosca - From Ere Til Eternity
Swordman - Kitala Kimbalagala (Huna Remix)
Danny Goliger & Justin Jay - Steonardo d'Vibcu
LCY - Slutty Siri
Rvsgr - Biométrica (Imaabs Remix) 
PVSSY & Entrañas - Manía
ETLLER X EMILY GLASS - VOOG1
Loris - Plasma
Arca - Llorando (CITYTRONIX Club Mix)
Skee Mask, Arca - Routine Wound (KAVARI Edit)

Klahrk — Ma3azef April 22'

NTS 075 [20th June 2022] Ft KAVARI

END OF LOVE ⏤ Dua Lity invite RONCE

Taken from SBKT055: TRANCE BAND - Entrancing
Release date: 3rd March 2023

'There's a Ghost in the Lantern
Accordion – Dis Fig
Guzheng – KIM KHAN

In a global landscape that increasingly prioritizes individuality over collaborative expression, TRANCE is a distinctive project. Initiated by Chinese multidisciplinary artist Tianzhuo Chen, best known for his work with Asian Dope Boys, TRANCE is as artistically amorphous as its constantly evolving line-up, that fluctuates as it shimmers across borders and time-zones. In 2019, the project was demoed in Beijing as part of a solo exhibition from Chen, a 12-hour durational performance that examined the altered states of living and dying and pondered the sounds, sensations, bodies and spaces that notion might suggest. On hold for three years due to COVID-19 restrictions, TRANCE was eventually premiered in Hamburg at the Kampnagel Theatre last year where it was presented as a surreal three-day ceremony. This time around the Trance Band was made up of Berlin-based noisemaker and vocalist Dis Fig, Indonesia's Gabber Modus Operandi, musician and MC KIM KHAN, guitarist and engineer Felix-Florian Tödtloff, and Vancouver-based percussionist and producer CITY. Chen directed the show, channeling each artist's unique energy into an alliance that highlighted their independent skills while pushing towards ideas that simply couldn't have been realized discretely.


"Entrancing" is a live documentation of that incendiary Hamburg session, powered by the performative fireworks that came from having the project halted for two years before it was allowed to burst into life once more. Just as with previous iterations of TRANCE, the space was terraformed into an alien landscape that allowed the collective to enact a carnivalesque display that was tightly controlled but creatively boundless. Musical u-turns were accompanied by monumental stage overhauls that reshaped a muddy, fog-filled outdoor riverscape into an arena, or a sweaty nightclub. This theatrical impact can't be visualized as clearly on the record, but musical cues do just enough heavy lifting to provide a tantalizing contour. When the alluring electro-acoustic plucks and resonant sustained string tones of 'There's a Ghost in the Lantern' cascade into cinematic drone metal on 'Ylva's Theme', it's impossible not to be drawn into the TRANCE narrative. Sonic stage lights flicker with uncommon intensity as the nebulous group rewrite their collective personal stories into stirring, synergistic poetry.


"Something changes!" KIM KHAN calls out on 'Soft and Black', cutting through warbling synths and itchy beatbox percussion. The track builds quickly, reaching a sizzling crescendo of buzzsaw noise and acidic electronics. It's a stylistic sea change that channels the group's kinetic energy into a rock show, and CITY picks up the message on 'Trance Genesis', adding rapid-fire drums to a barrage of guitar skronk. 'Shaolin Affliction' glues Trance Band's jagged artistic edges to a vintage metal template, gradually dissolving into throaty post-hardcore, while 'My Fortress' brings the show to a powerful conclusion with Dis Fig assuming the role of grunge balladeer, bellowing into the void over cacophonous live instrumentation. Unbound by musical and artistic conventions, TRANCE peers out from the basement, the gallery and the playhouse to forge an expression that's all of this and something new entirely. It's refreshing, witty, exhilarating and most of all, completely unpredictable.

Preorder

TRANCE BAND - There’s a Ghost in the Lantern

Deconstructed World: AHMED ALAA w/ ICE_EYES - 03/04/2023

Rinse France Podcast

Dawn avec Ronce, Qoso & Gargantuan Grief - 07 Avril 2023

For the fourth episode of our mix series we are presenting a mix from T-Data. Within one hour the artist creates an emotional genre bending scenery. Her fluid and precise mixing allows her to go through a large panel of atmosphere and emotions, making each mix a unique experience. 

It is safe to say that few DJs can match the energy brought to you by a T-Data set. Operating since 2013, the Berlin-based DJ and record store owner has made a strong case for sticking to one’s guns in the face of restrictive techno purism, and her guns shoot at a blisteringly high tempo.

Adventurous and genre-fluid explorations have secured her acclaimed appearances at distinguished institutions such as about blank, RSO, Griesmühle, IFZ, HÖR Berlin and The Lot Radio.

Visuals by Amalia Jaulin and Caroline Dussuel

@tdata

EX004 - T-DATA

@hadji-hajj 's MIX AT @kioskradio 2023-05-14
FOR ISENGARD RESIDENCE

HAJJ @ KiOSK RADIO, 14th May 2023 (guest mix)

Delighted to launch our "premiere" series with Lyon-based @xliks, who is featured on the brand new record label Music for commercials (@user-16359218), dedicated to environmental preservation. All the label's profits are donated to associations for the protection of the environment and anti-advertising actions.
Music for commercials promotes diverse and open aesthetics, from noise, to IDM (Idiocratic Dance music)and destructured pop.

From an ecological point of view, the Lyon-based label's releases take place on floppy disks (these floppy disks are second hand). The race for innovation can make us lose the sense of our priority. They prefer
to use obsolete material to make useful and usable work of art. Nothing is obsolete as long as it is still usable.
musicforcommercials.bandcamp.com/releases

Premiere: xl.iks — Healing Process

webradio-communauté hétéroclite, plurielle et singulière 

Label @olga_productions
https://olgaproductions.bandcamp.com/releases

Marseille

END OF LOVE ⏤ Dua Lity invite RONCE

Ola Radio

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