katharsis is a label founded by the copenhagen-based artist jjjacob in the spring of 2020 focusing on emotionally charged music. The vision of the label is to show the world how music is our best tool to process moods, thoughts and emotions by self-therapeutic involvement with the arts. katharsis showcases various different branches of electronic, ambient and experimental music on their releases featuring artists from all across the world. On this monthly radio show on Ma3azef.live, jjjacob and invited guests who are involved with katharsis exhibit their current musical inspirations for 2 hours. 
After a break in the Ma3azef.live program for the cause of Palestine, katharsis returns with 2 hours of experimental music. jjjacob starts off the show with the usual mixture of melodic synth-driven floaters and a few more hard-hitting tracks, before he lets @zerocrossingpoint and @nexcyia showcase their ambient selections of the moment.

Tracklist:
jjjacob [00:00:00-00:53:43] jjjacob - Oxygen Demand
°w°s - 22 (oklou x taylor swift medley)
Lost Salt Blood Purges and Boring Bathtimes - 'The Violent Light,
Maxwell Sterling - Speaking In The Tongues Of Angels
Concrete Fantasies - An Effigy of Tears
Whitearmor – 13
Parish - Cascade I
HERBARIUM - See You Soon
Clark – Small
ABADIR – III
Chance - Babamın Korunması
Barmer Boys + Himmelrum - Nagma > Ranaji
Oliver Coates - 10 Honey
jjjacob - The Tower
Samuel Organ – A
mo chuisle – corrosion
Mang - All The Glittering Blades
Cor2Pel - hyper careful sweet
danish nxc - waiting here 4 u
jjjacob - ??? 

Zero Crossing Point [00:53:43-01:30:01]
Gabriel Yared - Betty et Zorg
Treha Sektori - Solvah
Ancestral Voices - Eiyani
TCF - 54 c6 05 1c 13 cc 72 e9 cc dc 84 f2 a3 ff cc 38 1e 94 0d c0 50 5c 3e e8 (IDOUL)
Atrium Carceri - Warden
Ital Tek - Deletion Quarter
Liturgy - Glass Earth
Last Life - VAR 3
Clark, Yair Elazar Glotman, Yamila - Shut You Down
FITNESSS - F20 - FAITH
Kashyyyk - The Chestnut Tree
Zero Crossing Point - Karplus-Stuck

Nexcyia [01:30:01-02:00:00]
Oneothriz Point Never - Nothing's Special
Racine - Sous La Poudre
Corporation - Scene
TIBSLC - Beach Life
TIBSLC - Nightmode
picnic - 12 folds and rips (Huerco S. version)

katharsis w/ jjjacob, Zero Crossing Point & Nexciya

https://ra.co/events/1638349

ormside projects
friday february 3 2023
paith
josef kurtz
cliche toupee
xin
susu laroche

Seraph FM 3.2.23 music making angels

"With the help of better entities, earlier attempts to broken fast dancy mixed shuffle music resulted in monopoly jail time; and while managed to escape, landed in a lab where molecules were combining elements in an antenna array in such a way that signals at particular angles experience constructive interference while others experience destructive interference"

After a number of works uniting microsounds with cartoony timbres to hypertrophic rhythms offering a sardonic, off-kilter pace, the Brooklyn-based producer and International Winners label co-founder returns with twenty minutes of on-the-loose pieces of body-shattering beat chains and maximalist rhythmic sketches.

Exploring the vertiginous intersections and high-resolution pitfalls of an inflatable version of speed-freak dance genres such as footwork, juke and gabber, ‘Bmfr’ is a high-adrenaline, augmented reality roller coaster for crash dummies. At times, Dilian’s music sounds like a musical joke with quite literal punchlines.

The album will also feature a series of remixes by fellow digital dwellers and broken grooves masterminds spawned by Artetetra and Dilian dropping in APRIL, and included in the release.

The work is available in a limited edition of pro-printed and hand-written lenticular prints designed by the artist and in digital format. F-urself up with classic fast-paced analog eye-triggers!!!

100% DANK.

♪♫ B M F R ♪♫

Dilian - Falls Off The Edge Like

@mar-vila-495521800

Navigating between ambient and ethereal escenarios, aeria is an artist/producer from a small village near Barcelona. 
A collection of self-consumed music during morning subway rides to work.

TRACKLIST
Lorn - PAWO
SOPHIE - Pretending
Ssaliva - Bodily Harm
James Ferraro - GPS & Cognition
Kurama - Oathkeeper 
Fetva - “Blinding Lights” but you're waking up in a tent at the festival during fetva's morning...
Benjamin Britten - Friday Afternoons, Op. 7 No. 3: Cuckoo!
Mikey Enwright - Images
aeria - untitled
Contacto - ROAD
iuky - la niña
bod [包家巷] - My Hypergraphia Is Exploitable But I Refuse To Allow It to Be
Marçal Xirau - Des
Nils Frahm - Said and Done
Marçal Xirau - Clusters Voice Song

LUNAR PRISM ⏤ DIGITONICA invites aeria

Seraphim w/ Axine M - 12/07/2023

The compilation «Garden of Beatriz: Enchanted» was born a year ago, in the wake of our camp at the Signal Festival 2022. The compilation is scheduled to premiere on July 21st. The release will be available on all platforms.


Cover by @celestixis
Mastered by @fmsao

Garden Of Beatriz: Enchanted (snippets)

https://soundcloud.com/romancerelic for https://soundcloud.com/sofftronic

https://www.retreatradio.net/foil

FOIL #3 w/ Romance Relic (23/09/23)

German  newcomer  Ausschus  debuts  on  Haunter  Records  with  a  6-track  offering,  throwing  in  elements  from  the  whole  spectrum  of  contemporary  experimental  music.  The  subtle  yet  intense  melodic  work,  put  in  a  place  of  dangerous  acoustic  creatures  (bit-crushed  drones,  metallic  clangs,  slow  hard  beats),  allows  him  to  explore  both  negative  and  positive  affections.  The  main  goal  is  dominance—or  rather,  positive  acceptance—of  melancholia,  using  harsh  frequencies  as  a  crucible  for  one’s  psyche,  teaching  how  to  stand  amidst  the  noise,  breathing  it,  accepting  it  as  nutrition.  It’s  not  a  matter  of  riffing  against  listeners,  but  of  accompanying  them  through  different  rooms,  different  states,  and  molding  them  according  to  their  will  and  sensibility.  Ausschuss’  use  of  space,  reverb  and  harmony  gives  solidity  to  the  sound,  creating  a  proper  environment  in  which  insight  and  growth  can  happen  freely.


All tracks written and produced by L. Nicholson
Additional Vocals by Stella Chung
Mixed by James Kelly and L. Nicholson
Mastered by Tapewave Mastering
Cover by Richard Frater
Design by Jack Kimberley
Original painting by Richard Bryant

For Mattis

Haunter Records 2018

Ausschuss - Drown Later

Dommage Teknique no.8: Rabit

Production mix featuring collaborations with
@shitandshine
&
@angel-h0

Dommage Teknique no.8: Rabit

Anne Imhof - Faust
Format: 2xLP / CD / Digital
Cat.No: PAN 98
Release Date: 13 September 2019
Purchase: bit.ly/2NCegzC / bit.ly/2zo1bRY

Deriving from the acclaimed performance and exhibition—staged by Anne Imhof at the 57th International Art Exhibition of La Biennale di Venezia and awarded the Golden Lion for Best National Participation— the album Faust is part documentation and part elaboration, the sonic capture and extrapolation of the gestures, intensities, and durations of the live event.
Serving as the dramatic backbone of a several-hour long performance seen by thousands over the course of the Biennial, the soundtrack was a product of the collective and its individuals, animating and organising the performers while immersing the audience in the potent images of power and paradise. The music for Faust was written in a band-like process by Imhof and her close collaborators Billy Bultheel, Eliza Douglas, and Franziska Aigner during the months leading up to its premiere at the opening of the German Pavilion in Venice. From the chaos of the performative, the album is constructed out of live recordings and original arrangements, teasing out the most potent strands and weaving them into a new composition of brutal feeling and baroque intricacy, each track a testament to the energy that brought it into being.

Faust is anchored around three pieces—Medusa’s Song, O.W.E.N., and Queen Song—written and sung by performers Eliza Douglas and Franziska Aigner, whose sonorous and elegiac voices imbue the work as a whole with their crushing depths and dolorous moods. Between these urgent vocal interventions march and twist the winding fugues and electronic abstractions of Billy Bultheel, who has dismantled and reassembled the sonic landscapes of the pavilion, crafting new arrangements that couple the forcefulness of the physical encounter with the artifice of the studio. Throughout the album and culminating in its closing act—the brutal chorus of Douglas’ Faust’s Last Song, a pulsing canon of looped and layered voice pierced by black metal screams—the record admits the listener into the inner space of Imhof’s dramatic vision of power, complicity, and vulnerability.

Shifting hypnotically between times and spaces, between cries and calls, between polyphonic antiquity and polyrhythmic complexity, Faust is the record of a lost event and the promise of a new creation. The release of Faust illustrates the centrality of music to Imhof’s artistic practice. Her musical collaborations with Bultheel began in 2013, and this generative constellation expanded to include the contributions of Douglas and Aigner, together scoring Imhof’s Angst (2016) and recently her performance trilogy Sex (2019).

The album comes with an expansive booklet of photography by Nadine Fraczkowski, another long-standing collaborator of Imhof and a prolific photographer, whose images of the performance and portraits of its cast offer intimate views of the work far beyond documentation.

It was mixed by Nanni Johansson at Hansa Studios and Ville Haimala, mastered by Rashad Becker at Dubplates & Mastering, and designed by Zak Group featuring artwork conceived by Imhof together with Douglas and Fraczkowski. Co-published with German Pavilion 2017 and Galerie Buchholz, Berlin / Cologne / New York.

http://p-a-n.org

Faust 

Billy Bultheel - Opening March (PAN 98)

MADE BY COLLECTIVE ORDER
ASCETIC HOUSE
2020

Jaclyn Kendall "Higher Source"

webradio-communauté hétéroclite, plurielle et singulière 

Label @olga_productions
https://olgaproductions.bandcamp.com/releases

Marseille

LUNAR PRISM ⏤ DIGITONICA invites aeria

Ola Radio

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