where is this sample from? "The lie is sweet in the beginning and bitter in the end"

After a long time without recording anything, here's a selection of the finest deep house, dub and minimal techno including two of my own productions. I hope you enjoy the ride!

Sessions From The Other End #1

Here it is, one year more, the anual "Musica para estar" dj mix, featuring:

Stereociti - Day by day
Paresse - Mantra
Jouem - Hyperion
Pablo Bolivar & Mastra - Not Jet (feat Saxtom)
Ron Deacon - Tribute to oxigene
James Teej - City Celebrity
Maurice Aymard - Different Channels (Jonas Saalbach Remix)
Vakula - Ring of night (Andre Lodemann Remix)
Carl Craig - Twilight (Sorry Carl But We Needed The Beats)
Deepchord - Grandbend (cv313 Dub)


Musica Para Estar Vol.12

Download: https://www.xlr8r.com/news/2015/12/matthew-dekay-drops-new-fur-die-liebe-mix-download-here/

"I’ve always been sensitive to my surroundings and the world is in a very vulnerable place at the moment. I felt I needed to express my true emotions through something a little bit different to a conventional DJ mix and also that just writing one song was not going to be enough.

It was almost like composing a score, the only difference being that the pictures were only in my head. My ambition was for the music to evoke a visual response in the listener rather than just an emotional one. To do that I took some audio snippets of real life current affairs scenarios that really struck a chord in me and then used my DJ instinct to think of a track/musical piece that would fit well to that particular scene. Sometimes when I couldn’t find exactly what I wanted I added my own music over existing music or did my own sound design to create my own sound effects and also wrote some original pieces in the moment. It was very important to me to create ultimate flow and I felt this could only have been achieved without having any beats supporting the music. I also didn't want to make it eclectic nor constant as I felt that would disrupt the listener’s focus emotionally. There is a strong dynamic range throughout similar to classical music and also some parts that are almost meditative and then in contrast some more intense moments.

I hope you enjoy this as much as I enjoyed making it." - @MatthewDekay

Download

Download: Matthew Dekay - Fur Die Liebe II

Born in Poona, India, Daso’s first club experience goes all the way back to cruising around his daddy’s disco’s marble dance floor – on a floor polisher! Now imagine this kid grown-up, having soaked up all kinds of musical influences on his “playground”, from Miles Davis and Hendrix to the day-to-day hit machinery of contemporary radio pop: he became one of the most talented acts in the electronic music circus.

Daso’s debut “Daybreak” (MBF Rec., 2006) was released only one year after his move to Cologne: one of Germany’s epicenters of techno culture.

Through the years Daso became a well-established act in the world of electronic dance music. He decided to take his next step and move to Berlin. After arriving in the capital of electronic dance music, Daso continued to release tracks through cutting-edge labels.

Above all, Daso is an extraordinary performer on a dandy level, with elegance and style.

DHB Podcast #5 - Daso

Für die Ewigwachgebliebenen zum Feierabendbier, für die Frühaufsteher als Seelenfutter zum Wochenbeginn: Montagssorbet mit Laut & Luise. Alles erlaubt, was gut tut und Gedanken kreisen lässt, nur der Name ist Programm: cremig, fluffig und ganz schön weich.

Eine Specialty zum Special Tea am Montagmorgen zum sorgenlosen Miteinander, ein Großod - wie in: Kleinod - ein ganz besonderes Stück; sozusagen: Ein Mondubsorbet. Trotz worthaftem Rumgeunke und textlichter Verzarzung: @Doyeq meinen's ernst. Um so dankbarer sind wir für eine knappe Stunde exklusiver Liveverzählung aus eigener Feder, frisch und unverbraucht. Unromantisch gesagt: unreleased.

большое спасибо!

(Intro: Majid an der Hangdrum)

#049: Doyeq *live - Montagssorbet mit Laut & Luise

After a wonderful tour around the world promoting my new album Run, I've experienced many moments that I'll keep with me forever. I've met a lot of nice people and made many new friends. I hope all the people enjoyed my performances as much as I did doing them!

This set was for Bespoke in NYC which was one of the highlights this summer, where the crowd really came for the music, which gives me more freedom and a lot more joy doing so. Cheers to everyone making the tour possible and I hope to see you soon :D

Olaf Stuut - Bespoke NYC (25-06-2016) Hybrid Set

Doyeq - Live @▩ LÄRM ▩ Lost Minute ▩ Plug & Lay ▩ Budapest (28.10.2016)

June's mix is loosely inspired by my recent set at Lightning In A Bottle, early on a sunny Sunday afternoon. This one is a super deep mix, patient, gentle, breezy and relaxed with notes of sunny optimism.

(00:00) Feathered Sun (Acid Pauli, NU, Jo.Ke., Raz Ohara & Chris Schwarzwâlder) - How Strange [Denature, 2017]
(04:29) Helly Larson - Longing For You [Plastic City, 2017]
(09:29) Vincent Casanova - Druid's Drink [Archipel, 2017]
(12:48) D.M.P. - Oasis (BDTom Remix) [Sound Vessel, 2017]
(18:02) Adham Zahran - Shiny Rhodes [Kolour, 2017]
(22:59) Portable Sunsets - Vega [Atomnation, 2017]
(27:36) Till Kruger - Far [200 Records, 2017]
(31:15) Jose Vizcaino - Underground Shit [Jelly Beast, 2017]
(37:11) Black Loops - Blomst [Pets, 2017]
(42:14) Jazzuelle feat. Da Capo - Blood Moon [Get Physical, 2017]
(48:22) Dauwd - Glass Jelly [Technicolour, 2017]
(53:00) Spieltape, Alexander Daf - Be Water (Ambient Mix) [dkommmusic, 2017]
(56:20) Of Norway - The Loneliest Man In Space [Connaisseur, 2017]

Sundrops: Lazy Sunday

Mark Slee - Sundrops: Lazy Sunday [June 2017]

Artist: Pablo Bolivar (Spain), Anton Tumas (USA)
Name: DHM Podcast #404 (Live at Subtract, Los Angeles 2018)
Genre: Deep House / Electronic
Release Date: 27.02.2018
Exclusive: Deep House Moscow

Pablo Bolivar: www.facebook.com/pablobolivarofficial
Soundcloud: @pablo-bolivar
Official Site: http://pablobolivar.es/

Anton Tumas: https://www.facebook.com/AntonTumas
Soundcloud: https://soundcloud.com/antontumas

CONTACT (DHM): 
Email — deephousemoscow@hotmail.com

Follow us:
www.facebook.com/deephousemsk/
www.instagram.com/deephousemoscow/
vk.com/deephousemsk
https://deephousemsk.tumblr.com/

https://soundcloud.com/deephousemsk

Pablo Bolivar B2B Anton Tumas — DHM Podcast #404 (Live at Subtract, Los Angeles 2018)

STIMMING on:
- Facebook: www.facebook.com/stimming
- SoundCloud: @stimming

HOW I MET THE BASS on:
- Facebook: www.facebook.com/howimetthebass
- Twitter: www.twitter.com/howimetthebass
- Mixcloud: www.mixcloud.com/HowIMetTheBass

3 QUESTIONS to STIMMING:

Q: Lets talk about your exciting mix. From Ambient to Drum N Bass, from heartbreaking melodys to distorted beats: How did these different tracks and styles have an early impact on your career?

A: Well, the music I played here is pretty much the kind of music I listen and listened to in general. In a sense this mix represents my musical horizon - I just restrained to go further than Amon Tobin on the complex side of things. I took the name of the series literally and tried to sketch the path I took in meeting the bass: starting with Trip Hop, followed by Drum And Bass to finally meet the 4/4 formula. All framed by an approach that doesn't care too much about popularity but is much more about musicality and aesthetics. Even a bit of radicalism if you think of Krust’s "Warhead".

Q: Field recording has become an important part of making your own music. As you also used some recordings inside this podcast, give us a little insight please.

A: Yes, I included two in the mix here: one is just raindrops recorded from inside my car - one day I figured how beautiful rain sounds when dropping not too hard on the panorama roof. The other recording I made while I was in Mumbai - I played there but had a bit of time off the next day. So I took a walk and brought my portable recorder - the recording took place in between two streets on a traffic island and I was seriously frightened to death to leave it. I needed about ten minutes to be brave enough to again cross the street. But allow me to say: yes, I use found sounds in the broadest sense in my music but for me they are just a source just like any other.  Synth, piano, plugin, sampler, field record, my voice - it's all just a part of the painting.

Q: Your last album “Alpe Lusia” has been produced on top of the italian alps in 2016. Which future Stimming projects are on the way and where are you planning to work on them?

A: Concept-wise I will build content for a concert type of show so my next album might leave the strict 4/4 formula (again?). But in the meantime I got a family which I’m afraid I won’t be able to leave for such a long time again like for the "Alpe Lusia" album. Two months after the wodden cabin in the italian alps I also joined a cargo ship for a week to build the liveset which I still play (elektron octatrack based, no laptop at all) and afterwards I realized I fulfilled two live-dreams just on time before son#1 was about to join us.

Stimming - HOW I MET THE BASS #142

You can catch us on Jan 10th at Rote Sonne Munich !!!

http://www.facebook.com/events/529325257086959/

Olaf Stuut - Bespoke NYC (25-06-2016) Hybrid Set

Olaf Stuut

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