Peruvian regional train reimagined by Elisabetta Senesi.

"The original field recording I choose inspired me a lot in this lockdown time, and made me think about some vital and similar trips I experienced in South America in 2016. Also, the entire project reminds me my last travels in Europe on several regional trains I took before the pandemic restrictions in 2020. With all this in mind I wanted to create an imaginative travelouge for 2021 by remixing different geographies/experiences to give a sense of unpredictability which every significant journey brings to our lives. 

"The richness and diversity of each clip are combined together - cleaned and manipulated, in motion and more stationary, quiet and loud, at southern and northern hemispheres - mostly on a space-time continuum mood. To remember how easy was traveling and how important is the way we discover spaces/places and people far from our habits. To keep in mind that moving is a crucial human need/right and to imagine a freer future way of traveling with a new idea of mobility, slower and more train-based than before, possibly.

"The composition includes snippets of a manipulated version of the original recording, with sonic portions of an ecological jungle train I recorded at the boundaries between Argentina, Paraguay and Brazil, and a couple of field recordings gathered from two important train stations in France and Swiss. 

"Locations of recordings are: 
Marseille, Southern France (2020)
Locarno, Canton of Ticino, Southern Swiss (2019)
Juliaca, Southern Perú (2017)
Puerto Iguazú, Northern Argentina (2016)"

Part of the Until We Travel project to map and reimagine the sounds of transport and travel in a pre-pandemic and pandemic world. See the whole project at https://www.citiesandmemory.com/travel.

Bon Voyage

//Transmisión 02 
🔹Sonido y Bienestar🔹
📻 www.suraural.org/radio

En esta Segunda transmisión pueden escuchar los siguientes trabajos 

//Las aventuras de Lili y Simón Cap. 1 
Colectivo Ramonas Revolucionarias Ramonas Bolivia

//TEATRO ORACULAR (Uru)
Matias Ygielka 
https://casrecords.bandcamp.com

//ONN FOREST EPIPHANY (Mex)
Alina Sánchez López Alina Sánchez López
https://alinasanchez.com

// IMPERMANENCIA (BO/HOL)
Cristina Collazos DE LA PUTA electronics / Ibelisse Guardia Ferraguti Ibelisse Guardia Ferragutti
www.ibelisseguardiaferragutti.com
https://soundcloud.com/cristina-collazos-m

//MONOTIEMPO DE MAYO (ARG)
Mariana Pellejero 
https://marianamao.bandcamp.com/

//CANCIONES DEL AGUA (MEZ/ESP)
Jaime Yamakan Jaime Yakaman
https://soundcloud.com/user-360049681

// NAIADS (LET)
Rostislav Rekuta / Sound Meccano 
https://soundmeccano.com/

//IN THE MIDST OF CHAOS (ITA)
Elisabetta Senesi Elisabetta Senesi
http://elisabettasenesi.me/me.html

//LA CURA (BO)
Horacio Jimenez Horacio Jimenez
https://soundcloud.com/user-522463264

//MOMBASA MIX (CHI)
Felipe Otondo
www.otondo.net

//PARAISO PERDIDO (MEX)
Andrés De Robina Andrés De Robina
https://soundcloud.com/andres-de-robina

Sanar Sonar

Transmisión 02 - Sanar y Sonar 2021

Solidarity Noise is a social sound sculpture initiated and facilitated by Kam Seng Aung, Joshua Weitzel and Samuel Cho. 
Taking the idea of the pots-and-pans-protest against the military coup in Myanmar, musicians, sound artists and other solidaric people from over 40 countries sent some "noise". This noise from the international artist community is a gesture of solidarity towards the people of Myanmar and their struggle for democracy and justice. 

Sound by Jan Klare, Mano Kinze, Guy Fixsen, NO Moore, Eva Macali, C-Drik Fermont, Bene Schuba, Roland Kuit, 8rnd, Mike W, Juan Bermúdez, Ove Volquartz, Sebastian Kuhn, Bettina Behage, Petra Kuhn, Wingel Mendoza, Luis Krummenacher, Sarah Wenzinger, Dounia Biedermann, Eric Petzoldt, Massimo Magee, Annette Walther, Uli Phillipp, Xianxi Chordia He, Rachel Chew, Felix Mayer, Lothar Reitz, Annabel Strange, Marty from Ireland, Blanche the Vidiot, Peter Kiefer, Stephan Glitsch, Alia Josephine, Jauk Armand, Elisabetta Senesi, Daniela Solis, Paul Devens, Nick Vander, Lucy Yao, Tim Green, Joseph Franz Lanceras, Sebastian Profundo, Chie Nagai, Kam Seng Aung, Samuel Cho, and other contributers who wish to remain anonymous.

Shared credit.
Project coordinated and collage assembled by Joshua Weitzel.

Picture by Hae Thaw Htet.

Solidarity Noise (short Version)

Lena Ortega (aka Leena Lee) is a sound artist, field recordist, researcher, designer and teacher whose line of research explores the intersections between natures/cultures. Member of the interdisciplinary research group Arte+Ciencia at the National Autonomous University of Mexico (UNAM). She has been a visiting artist and researcher in Spain, Portugal, Germany, Italy and Finland and has participated in national and international group exhibitions. She has published articles in collective books on design, philosophy and sound art publications. Currently host of the radio program Sin Superficie, la Piel no es el Límite, dedicated to the active practice of listening. She presents works, mostly by women and non-binary artists, in the fields of sound ecology, sound art and experimental music.
https://soundcloud.com/johnnybillylee
https://www.leenalee.net
https://www.artemasciencia.org
https://www.mixcloud.com/leena-lee/
https://www.mixcloud.com/radionopal/playlists/sinsuperficie/
https://www.instagram.com/johnnybillylee/
https://twitter.com/leenalee__

TRACKLIST:
00 Introduction
01 Jessica Rosen - Fire Water  // 2019 
02 Leena Lee & Vania Fortuna - Niebla // 2020 
03 Elisabetta Senesi - Still (excerpt) // 2020 
04 Kate Carr - Pebble Dash Static // 2020 
05 Valentina Villaroel - Geofonías I // 2021 
06 Chiquita Magic - Isabel // 2019 
07 Ana María Romano - Posdomingo (excerpt) // 2021
08 Morita Vargas - La Montaña // 2019
09 CNDSD - Primal Urge // 2020
10 Diana Restrepo - Río con Sordina // 2020
11 Vania Fortuna & Gladys UC - Chaak // 2021
12 Amina Cyu - Tacca Chantrieri // 2020

f:p podcast episode 94_Leena Lee

I walked and led another group of people on the same route I took a week before in the streets of Livorno, Italy, same time frame. Lots of things changed in terms of sounds/noises encountered, human landscape, and environmental ambience. This is a recording of the entire walk from my position in the spaces/places we pass through, there is always something lost during the process of recording but also something new to decode when I re-listen.

Elisabetta Senesi, Soundwalk, September 18, 2021

Ideazione, Creazione, Voci, Partiture, Flauti, Microfoni, Elettroniche: Elisabetta Senesi, Ilaria Palloni

Il progetto, inedito e attualmente in fase di sviluppo, nasce da una volontà di riflettere sul valore universale e personale del proprio dialetto nativo, nonché della radice da cui esso proviene, fatta di legami fisici e simbolici. Siamo partite inizialmente dal libro tradotto in vernacolo maceratese 'Lu Pringipittu' (Il Piccolo Principe), per creare un nuovo processo, intimo e importante, di ascolto fonetico dei luoghi e dei ricordi. Successivamente, abbiamo decostruito e astratto le parole dialettali dalla loro funzione lineare primaria, traslandole in un flusso acustico legato alla sfera emotiva, terrena e ultraterrena della voce e del respiro. Questo breve pezzo iniziale dell'intero progetto in cui diversi strati sonori dialogano e confliggono tra loro, è quindi aperto a molteplici interpretazioni linguistiche e auditive in un contesto fortemente metanarrativo e transdisciplinare.

FLOWING PRINGIPITTU (PILL01), è stato selezionato per il festival di '24 Hours Radio Art' 2024 a cura di Bepi Crespan e trasmesso live per la prima volta da Vancouver sulle frequenze di CITR.FM & Discorder il 17 gennaio, e nelle dirette radio settimanali del 20, 27 gennaio e 2 febbraio 2024 in cui diversi linguaggi del suono convergono. (https://www.citr.ca/radio/bepi-crespan-presents/episodes/)

Si consiglia l'ascolto in cuffia per una maggiore immersione ed esperienza di ascolto.


_________________
Flauto: traverso, Haynes Classic, handmade, argento, 2005
Microfoni : XY, MS, Piezo Electric, H2N, IQ7  
DAW: laptop, NI audio komplete 2CH, ableton, reaper, audition

FLOWING PRINGIPITTU (PILL 01)

This track by Elisabetti Sensi was submitted to 'Intermission an Audio Portrait of Place' for a live broadcast event in 2013.

The project was produced by the artist collective Echoes for the Lisbon Architecture Treinnale and curated by Jennie savage. This track was selected from an international call asking people to record their 'local', in response to the question 'What can a sound recording tell us about architecture?'

This archive brings all of the recordings together. A full list of contributors can be seen here:

jenniesavage.co.uk/index.php/project/intermission/

Elisabetta Sensi 378KM - Capisci Amore MIo

141220 / 2pm

/ ora, aspetti, sento la mi moglie
/ vo a piglià l'autobusse e vengo a casa, dio diavolo
/ ho iniziato a dipingere come un dio
/ belline, sono parecchio belline
/ io la ringrazio no una volta, mille volte

Sant'Ambrogio / Firenze

Where has it gone, all the beautiful music of our grandparents? It died with them, that’s where It went...

Sant'Ambrogio / Firenze

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