Toubtrooberhain EP

URSL001 I Duererstuben - Geschlossenheit schlaegt Naehe

kalabrese and the rumpelorchestra live at kaufleuten 

Wanzka 1.5.2013 at  Kaufleuten

NYLove continues its steady streak of quality output with release number 18, bringing back Mike Kings and his standout single "Underground Resistance." Previously released to strong support, the track returns with fresh firepower and a brand-new remix.

The original remains a dark, driving affair, soaked in New Yok club grit, powered by a rolling low end, and wrapped in tightly wound rhythm. It's a peak-time statement piece that proudly carries the underground spirit in its DNA.

On remix duty, label boss John Creamer teams up with studio partner FALFAN to deliver a deeper, hypnotic reimagining. John Creamer & FALFAN stretch the tension across a brooding groove, layering atmospheric textures and trippy vox treatments that transform the cut into a late-night weapon.

Mike Kings - Underground Resistance (John Creamer & FALFÁN Remix) (NYLOVE)

Gang Game

Senegal - 12

Mother Mother by Fat Freddy's Drop and  Luca Rossetti's version of Morphine by Andrea Giuliani glued together.

cover from "A Prisão"

morphine mother (Fat Freddy's Drop vs. Andrea Giuliani)

Jürgen Paape - So Weit Wie Noch Nie   (OLDMAN EDIT)

Out Now On Wind Horse Records:

1.   Laya
2.  Aria

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Helmed by Hamza, New Delhi’s Wind Horse Records returns with “Laya,” a collaboration between Zone+ & Usif from Bahrain (the biggest House Music export from the Middle East). Following separate releases on Day I Dream, Underyourskin Records, and Sol Selectas, Zone+ & Usif collaborated on releases for Akumandra/Underyourskin and Talavera Records before collaborating on “Laya”

“Laya” is another in the impressive Wind Horse roster seamlessly melding house music rhythms, traditional instrumentation from Indian and other world music in superlative production standards. The title track is a meandering jaunt through lush soundscapes, deep grooves, percussive and hypnotic house. Haunting flute, keys, and pads weave contemplative strains throughout. “Aria” is a slappy late-night affair with driving bass sounding sonar depths and building slowly with unexpected vocals and polyrhythmic treatments, mounting new surprise midway through the nearly 10-minute opus. Give “Laya” a spin, and be prepared for transport to a globe-spanning ride suited to dancefloors everywhere. 

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Kenny Substance (Redflux) – “Two nicely done originals.”  
Nick Warren (The Soundgarden) – “Both tracks are really cool.”  
Fer Ferrari (Deepclass Records) – “Aria is the one for me. Nice.”  
Chang (Chang Bang) – “Laya is smokin’.  I love the mystical vibe and flute.”  
Bob Duskis (Six Degrees Records) – “Love both tracks but ‘Aria’ is particularly beautiful.”  
Aryan Sharma (Dimension Radio) – “I really like how ‘Laya’ flows.”  
Ejaz Ahamed (Global Mission / Proton Radio) – “These guys are on fire lately.  Great EP.”  
SimonG / Deep South Audio (Volcano Radio) – “Both tunes are ripe for my deep house sets … Lovely.”  
Al Bradley (3am Recordings) – “Really strong, warm vibes here.  Aria stood out on the initial listen, but both have real quality running through them.”  
Black Alley (In Control Radio Show) – “Beautiful soundscapes take you on a journey through the Middle East and Asia.  Cool stuff!”  

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Available Now From Beatport:  https://is.gd/4iJeUv
Traxsource: https://is.gd/qOzlVH
iTunes: https://is.gd/r6x2DJ
And Spotify: https://is.gd/F7ONVh


Label and Artist Links:
www.windhorserecords.com
www.facebook.com/zone.usif/

Laya

Zone+ & Usif - Laya (Wind Horse Records)

VOM ANFANG

Brigade - My Name Is … / My Planet Is Saturn

The Odd Orchestra has once again landed and they’ve brought stories from their time in the sky. This odd group of three soars beyond previous explorations.

Free floating in a blend of techno, dub, jazz and rock they song-write their way through a landscape that is truly their own. Perhaps even more than the critically acclaimed albums released on Get Physical a decade ago, they now expose the rough edges, rendering themselves naked, perhaps even egoless. 

Please give a warm embrace to the intoxicating voice of Raz Ohara, the Belgian bohemian Oliver Doerell and guitarist/musical “akurat” Tom Krimi as “The Odd Orchestra”, and dwell into this bundle of delicate electronic tristesse.

In addition to the originals, there’s three remixes included. AMyn takes on Driftwood in his very own r&b manner. The addition of chords and extra melodies shows how the song holds its own in different genres.  

Hölle gets an revamp by Berlin locals TRU and Moodfamily’s Beazar. Both approaches are similar, both trying to strip the original song to the bone. Where Beazar distills a pertinent groove in the remix, TRU delivers an excellent bonedry beatless version of Hölle, oozing with drama and terrific contrasts.

www.moodfamily.net

Jürgen Paape - So Weit Wie Noch Nie (OLDMAN EDIT)

OLDMAN

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mochilero / mossy

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