Just watched this film last night.  A great time capsule, & coming of age story.

Beautiful simplicity. Excellent composition.

Ok so I have a little confession to make.
A while ago, before my tour of Europe I did a version of this edit.
So it could be heard, I created an alias called 'Tet:Dior', which some of you might be familiar with. I have now decided that it is an LNTG work.
So here it is, and just for the record I love Donna and still miss her greatly. Her influence alongside Giorgio Moroder is something that is very strong and influential to me even to this day.
I hope you enjoy my version.
LNTG.

Follow me on Twitter @LateNiteTuffGuy

Love2Love [LNTG Rework]

Free Download

Norman Giscombe Junior - Get Up And Dance (Discomofo Edit)

SWS001 - Greg Wilson Featuring The Reynolds 'Summer Came My Way', the first release on the new Super Weird Substance label - release date June 22nd 2015. 

Vinyl & Digital available here: http://bit.ly/SWS-001
Compilation CD available here: http://bit.ly/SWS-CD001

This is the full length Luxxury club mix, you can hear the radio version on YouTube: https://www.youtube.com/watch?v=MynCxEQ4DyI

Having been one of his biggest festival tunes in the summer of 2014, the Luxxury mix of Greg Wilson’s 'Summer Came My Way' - which originally surfaced on last year’s 'Schooled In The Classics' 12” - was put on the back burner throughout the winter in readiness for a full 2015 release. Juxtaposed by Walter Ego’s equally sublime take on the track, the release marks the first of eight records to be issued over the summer months.

Sometimes composition is a long and arduous process, other times a song arrives fully formed. The latter was the case for Greg when he imagined 'Summer Came My Way' as a vehicle for hitherto unknown vocal forces of nature, The Reynolds - twins Katherine and the song’s lead singer Carmel - who, by beautiful serendipity happened to live within a mile of Greg’s Merseyside home.

Bursting out of LA with a lavish twelve-part re-edit series last year, Luxxury’s brand of hazy, slo-mo reworks - a West Coast Balaeric fusion - has catapulted him onto the world stage. Opening his mammoth eight- hour Berghain set in 2013 with Luxxury’s 'Hotel California' rework, Greg helped bring his Los Angeles vibes to wider attention, bolstered by his subsequent support of other reworks; 'Night Fever' and 'Riders On The Storm'.

A victim of his own success, 'Hotel California' gained Luxxury a little too much notoriety and, after a Wall Street Journal interview began circulating, Warner came down on him like a ton of bricks on finding out he’d used The Eagles’ multitracks. All was resolved however and he’s currently recording his forthcoming album, with great things expected for 2015 and beyond. The Luxxury approach perfectly fitted Greg’s vision of the song and the result is a glorious nine-minute epic, just in time for the summer.

With releases on the legendary Ninja Tune, San Francisco’s murky Symbols and Kerri Chandler’s jackin’ MadTech, Walter Ego’s appeal stretches across the board; from forward thinking house to rough and ready grime. Having got to know the Sheffield musician during recent years, Greg was impressed by what he heard, especially an as yet unreleased project he was working on in collaboration with London singer, Obenewa. Inviting him to remix the track, Walter returned an ethereal yet mechanical take on 'Summer Came My Way', his delicately decaying synths and cold hydraulic rhythm giving the track a brooding quality and placing The Reynolds in an entirely new context.

Check out our Super Weird sounds at: https://superweirdsubstance.bandcamp.com
Stay up to date with the latest at: http://www.superweirdsubstance.com

Greg Wilson Featuring The Reynolds 'Summer Came My Way' - Luxxury Club Mix

To coincide with Ian Dury's birthday @dicky-trisco has shared an edit of the great man's 1977 single 'Wake Up And Make Love With Me'.

Dicky Trisco - 12th May 2017:

"The first 45 single I ever bought was by Ian Dury and The Blockheads and was called ‘Hit Me With Your Rhythm Stick’. I bought it in a newsagent store called John Menzies, which had a black weekly chart board with plastic letters on it that was updated by hand each week.

I can’t really remember how I came across the track, or if it was just potluck. I probably heard it on Top of the Pops, or on the weekly chart show on the wireless as it used to be called back in those days. Anyway I bought it and to this day it is a song that I love and would be happy to hear any time, any place and it introduced me to the music of Ian Dury and The Blockheads.

Ian Dury for me reflected what pop music and music in general was all about back then – a longing to be different and to make a difference. He was a fascinating character. My Dad said he looked like a bloody idiot, which only made me admire him more. When he performed he had a real edge and his singing style was more like someone talking, or at times even shouting in his own London accent rather than something shiny and polished. And you have remember these were the days of The Bee Gees, Barbara Streisand, Leif Garrett and other such highly manicured artists. He also had a tremendous amount of personal style with his hats, braces, rolled up trousers and boots. And it was all this difference literally rolled together as well as the great music he made alongside The Blockheads, which pulled me in as an admiring youth.

And the music…I couldn’t quite explain it at the time. But it was unmistakably ‘New Wave’ although I wasn’t exactly sure what that meant either beyond a handful of artists I was into like Blondie, Talking Heads and The Specials. It was a bit ‘Punk’ and DIY for sure and that was definitely a good thing. But it also had the funk. The Blockheads were a groovy outfit of great musicians. Much later I discovered that Chaz Jankel of The Blockheads went on to make some excellent disco influenced solo productions and that these tracks plus songs by Ian Dury and The Blockheads were played by groundbreaking NYC DJs like Larry Levan in the Disco scene out there and graced the floors of seminal clubs like the Paradise Garage and The Loft. My musical journey from awkward youth to being a DJ myself had come full circle all thanks to Ian Dury and The Blockheads.

Anyway I can’t say I am an expert on Ian Dury or The Blockheads to be honest. I love a lot of their music and it has now been with me my whole adult life while many other things have come and gone. In fact at one stage I used to buy any copy of ‘Hit Me With Your Rhythm Stick’ on 45 that crossed my path. But the thing that seems of significance to me and that I wanted to share here with you is the DIY spirit and original style of those times. And they were great times! Acts like Ian Dury and The Blockheads did things differently and did it their own way and gained recognition for what they did via their music around the world. I salute them for that and it gives me, and I hope you, more than a few reasons to be cheerful.

So as a tribute to the genius and spirit of Ian Dury and The Blockheads and as my own personal way of saying thanks for the influence it has had on my life, I would like to share this rework of one of my favourite tracks on this his birthday. THANKS IAN DURY AND THE BLOCKHEADS! Your music really has made me feel like a lucky bastard x "

DOWNLOAD

Ian Dury And The Blockheads - Wake Up (Dicky Trisco Edit)

A&S - At No Cost (V's Precious Edit)

Yellow 10 Inch (limited to 600 copies) and exclusive download (until 15.3.) at Junodownload

Order all formats here: 
li.sten.to/TSTDEDITS03-DaveMathmos 

Side A: Your Love  (Contemporary Soul Mix by Dave Mathmos)
Side B: You Abandoned Me  (Dave Mathmos Interpretation)

• Follow TSTD on Facebook, Instagram and more https://tooslowtodisco.lnk.to/SocialYD
• Official Website https://tstd.lnk.to/WebsiteYD
• Spotify Too Slow To Disco FM: https://tinyurl.com/yyza7ksd

www.tooslowtodisco.com

get it here

TSTD EDITS 03: Your Love (Contemporary Soul Mix by Dave Mathmos)

London based producers Juan Laya & Jorge Montiel are back with an awesome new single on a NU 80’s kind of tip to welcome the Autumn.

Featuring a real hidden vocal treasure of the UK soul legacy, Andre Espeut.

A tune that will surely dig far into the crates of any music lover who likes the boogie thing…

Cat Nr IMAGENES030
Record Label: Imagenes.co.uk
Format: Vinyl 10” & Digital Download
Release date: 24/09/12 from the usual record stores and all digital outlets. 

It's Got To Be Music - Juan Laya & Jorge Montiel Feat. Andre Espeut (Boogie Magic EP)

Original version of this track appears on the soundtrack of the 1984 film 

"Old Enough" 

Enjoy

Julian Marshall - Theme From Old Enough (Ole Smokey's Extd Edit)

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Nina Simone - Feeling Good  (Mauricio Lage & Beto Redo)

Lots of requests for this one ever since I featured a version on my critically acclaimed 90s themed mix uploaded to Youtube back in July. Unfortunately I didn't win any awards for the mix or secure that elusive world tour so it's back to Soundcloud I'm afraid and all you lovely people.

Dj XS 90s Classics Mix - https://www.youtube.com/watch?v=qEMVsVw1sA8

Anyway, with it being the festive season and this being a bit of a party classic, thought I'd offer it up for the Free DL.

Awesome original of course, and lets face it, if you're not vibing on the Stereo MCs, Deelite & Skeelo then we're really going to have to stop meeting like this.

Have a great Christmas peeps - XS

FREE Download

Stereo MCs - Step Up (Dj XS Delightful Edit)

Cut From 'Superbreak Presents Bastile Edits 02' Available Now Over at Junodownload!

This Love-Bastille Edits

Welcome. 

For lots more edits that are not on Soundcloud please visit https://ole-smokey.bandcamp.com

I spent the four decades that I’ve waffled on about below, soaking up all the musical goodness that informs my sets today. I was always record collecting, but never thought about DJing, but that would all change when I visited San Francisco in 92. Little did I know that I wouldn’t be coming back for 11 glorious years. There I met Eddie O’Callaghan (former co-promoter of the Garden Festival in Croatia) and together we put on many club nights and events, the flagship being the Bulletproof Boat Parties. 

During those years Bulletproof welcomed countless DJ’s and bands to it’s parties including Mark Farina - DJ Shadow – Galliano - DIY – Gilles Peterson – Marquess Wyatt - Rockers HiFi - Derek Carter – Coldcut - Wicked – DJ Food – Frankie Feliciano – Greyboy and the Greyboy Allstars to name a few. I also had a residency at Mushroom Jazz playing alongside Mark Farina, DJ Is, Thomas (Then Wicked, now Rub n Tug) and George (Behind the Post Office)

When I returned to the UK in 2003 I pretty much retired from DJing, but worked for Eddie at the Magnet nightclub in Liverpool Booking the DJ and Band nights. When Eddie moved out to Croatia in 2005 to plant the seeds for the Garden Festival with Nick Colgan I went out to give them a hand and became a Resident DJ at the Garden Festival for many years. I have also been a guest at various gigs around the UK including Mr Scruff’s Tea Tent, The Devil’s Jukebox and The One Deck Sessions at Electrik 

If music be the food of love... play on brother!

Some of the ingredients along the way that have inspired and influenced the recipe.... 1970 - 1990

Led Zep 3 (first album I bought 1970) - Ziggy Stardust (first 45 I bought 1972) – David Bowie and Roxy Music on Top of the Pops 1972 - James Brown’s “The Payback” (first James Brown album I bought 1973) – Kool and the Gangs Wild & Peaceful (the second funk album I bought 1973) - Pink Floyd’s Dark Side of the Moon tour (Empire Liverpool 1974) - Bowie’s Station to Station tour (Earls Court 1976) – The Sex Pistols’ Never Mind The Bollocks, The Clash’ White Riot, the Stranglers’ Rattus Norvegicus and The Damneds’ New Rose in 1977 –Iggy Pop Live at Colston Hall Bristol 1977 – Ian Durys live at the ? 1978 - The Blitz club 1979 - Buying Planet Rock, Walking on Sunshine and The Message from Groove Records in Soho 1982 – Art Blakey, Airto and Roy Ayers live at Ronnie Scotts - Grandmaster Flash perforforming Adventures on the Wheels of Steel at the Venue London 1984 – Flim Flam v Meltdown (later Coldcut) at the Harp Club New Cross 1984 - Afrikaa Bambaataa at the Hacienda 1984 – Gil Scott Heron at the South Bank - Monday Jazz night and Black Market Fridays at the Wag Club (‘81-‘86) - Tom Waits at the Apollo (1981) The Dominion (1985) Hammersmith Odeon (1987) – The JB’s at the Town and Country Club London 1988 - Dirtbox and many, many warehouse “raves” (’81-’86) at places like Battlebridge Rd and Clink St years before the House music phenomenom arrived with a bang with the likes of Shoom – Norman Jay’s High on Hope and Shake and Fingerpop nights - Soul II Soul DJing at the Africa Centre – Sonny Rollins at the Royal Festival Hall 1989 - Tribe Called Quest, Pharoah Sanders, Roy ayers, Galliano, Brand New Heavies and Steve Williamson at the Jazz Weekender Camber Sands 1990 - Gilles Peterson and Patrick Forge at the legendary Talkin’ Loud Sunday sessions at Dingwalls (‘87-’90) where you could hear Tribe Called Quest followed by Yusef Lateef’s Brother John and no one would leave the dancefloor! 

“What a Long Strange Trip It's Been”

I’m just glad I was along for the ride!

Julian Marshall - Theme From Old Enough (Ole Smokey's Extd Edit)

Ole Smokey

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