Favs of 2/9/22

Inscryption Original Soundtrack

06 - Leshy's Theme

Dirt Poor Robins - It Tore Your Heart Out (Deluxe Edition)

From the album ‘Beneath The Brine’ (2014) • Pay what you want http://tndr.lv/fam-crest

State your name
State your case
'Cause the lines were drawn
Do you love me babe?

Now you say,
Lover stay
Warm these bones my dear
Light my heart afire!

I know you never mean to say
All of the awful things you say
But oh God, the reason is yours
Oh God, the reason was yours
You smile

I howl to the moon, to the stars
To the way that we were
Howl to the moon, to the stars
When the weight of the world
Is just too much for you

Now I wait
As love and fate
Echo from your lungs
Do you want me babe?

Here you state
That a storm is waiting dear
Turn the lights down low
‘Cause one of us is surely gone

I know you never meant to stay
I know love we weren't meant to be
I know you never meant to go break my heart of gold
But oh God, the reason is yours
Oh God, the reasons are yours tonight
We're smiling

Forever lost together
Forever howling at the moon
‘Cause it's just too much for you

Forever lost together
Forever howling at the moon
When it's just too much for you

I'm gonna kiss, gonna kiss, gonna kiss your lips
I'm gonna make sure dear that my love sticks
I'm gonna shake, gonna shake, gonna shake your legs
I'm gonna make make make make make you beg

I'm gonna make sure that your heart is true
I'm gonna say here, "Darling, I love you!"
I'm gonna make sure that you love me too
Do you love me dear? Do you love me here?

I'm gonna break break break break you dear
I'm gonna shake shake up all your fears
I'm gonna take take you down my dear
Do you love me dear? Do you love me dear?

I'm gonna make make you love me dear
I'm gonna break break you down my dear
Tonight I'll smile 

You’ll howl to the moon, to the stars
To the way that we were
'Cause it's just too much for you

Forever lost together
Forever howling at the moon
'Cause it's just too much for you

Forever lost together
Forever howling at the moon
'Cause it's just too much for you

The brainchild of frontman Liam McCormick, The Family Crest began as a recording project in 2009 with co-founder/bassist John Seeterlin. “We always liked making music with people—getting a bunch of people together and singing. So we put ads everywhere,” says McCormick. “We posted on Craigslist and emailed old friends from school.” The outcome was greater than the original duo imagined, with 80 people credited on the first recording the band produced. From that a seven-piece core band emerged, though the Crest boasts over 400 “Extended Family” members.

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The Family Crest - Howl

The Correspondents - Fear & Delight

The rhythms of hip-hop provide a placemat for nervously melodic splendor and a melting pot of genres.  What are we to call this compellingly oddball mélange of rock, rap, jazz, reggae, and other influences, all in sway to some of the most mirthfully self-conscious streams of consciousness you’ve ever heard? We could call it attention-deficit-disorder rock. Or maybe we should just call it Forrest Day, the Bay-area bandleader who’s releasing his self-titled full-length debut on the Ninth Street Opus label. 

Cohorts include guitarist Terrell Liedstrand, a bandmate of Day’s since they were both 15, and bassist John Sankey, another high school buddy. Keyboard player Nick Wyner also came on board when the band was founded in 2006, and Jasper Skydecker joined up as their first full-time drummer a year later. When they went into the studio together for the first time, it was with several years of live performances under their belts and a chemistry that Day wanted to capture—and ever-so-slightly digitally tamper with.

“We hit analog tape with everything, but then dumped it into ProTools to manipulate it there,” says Day, who produced the album himself. “So a lot of it is like a big marriage between actual performance and then, in editing, turning some of the songs into loops—though it doesn’t really sound like it, because it’s so analog-sounding.” Day also points out that “there’s not a sample on the record. We brought in real violin players, who were in the room with real saxophones.”

Day’s amusingly confessional songwriting dabbles in social commentary about corporate greed (“Hoarders”) and our overmedicated society (“Meds”), among other concerns. But he returns again and again to everyday struggles common to itinerant musicians and non-musicians alike: bad bosses, lost jobs, debt collectors, and the girlfriend as muse or unwitting patron of the arts. There’s an elaborate work ethic apparent in these meticulously crafted tunes that would seem to put the lie to lyrics that talk about being dreamy, uncertain, and aimless. What we have on this striking debut, then, is a collection of incredibly focused anthems for an unfocused generation. 



Forrest Day - Sleepwalk

Inexpicable

Inexplicable

Take Tonight

Pretty Balanced - Station Waggin

cavetown // devil town

Beneath the Brine was recorded by The Family Crest, mixed by Jay Pellicci at Tiny Telephone in San Francisco, and mastered by Jason Ward at Chicago Mastering Services.  These tracks are unreleased. Please refrain from sharing outside your team. 

Beneath the Brine

Favs of 2/9/22

Oliver Duncan