Foremost international techno outlet Drumcode is delighted to announce the release of its next full-length album, ‘Satellite’, by enduring Italian techno talent Sam Paganini.

Though he has been active since the mid nineties, recent years have been hugely successful for Sam, with searing techno EPs coming on revered labels such as Riche Hawtin’s Plus8, Sven Vath’s Cocoon and of course, Adam Beyer’s Drumcode. In his time he has been responsible for underground hits like ‘Zoe’, ‘Polyester’ and ‘Fire In My Arms’, all of which demonstrate his dynamic understanding of sexy, dark and hypnotic techno grooves and at the same time have earned him plenty of great Beatport chart positions as well as respect from the best in the game.

Incredibly, ‘Satellite’ is Sam’s first full-length album. Informed by his DJ gigs at legendary places like Berghain in Berlin and Cielo in New York, the album starts with a dystopian bit of sonic scene setting, as if a space ship is charging up ready to take off.

From there it’s a case of getting straight down to business. ‘Another Chance’ is a spacey bit of cantering techno and ‘White’ is rooted in devastating kick drums and is riddled with serrated synth lines that build lots of great techno pressure. ‘Down’ is an undulating bit of funky techno complete with choice vocal flourishes and tracks like ‘Lotus’ are prime offerings from the deeper end of the scale.

No two tracks sound the same on Satellite: Sam is always teasing out a new bit of texture, nailing a slightly different vibe or exploring different amounts of light and dark throughout the course of this most excellent album. This is evidenced by diverse cuts like ‘Dusty’, ‘Toxic’ and ‘Rave’.

Despite ‘Satellite’ being Sam’s debut album, it showcases his seductive style in all its glory across 12 fantastic tracks that will leave you begging for more.

Sam Paganini - Sunflower - Drumcode - DCCD10

No Way Out #01

Pan-Pot - The Other Remixes LP [SNDST015]

Wigbert delivers a stunning remix of the track 'Broken Engine'. A blend of shimmering tones and growling bass resulting in a lush venture through a cosmic backdrop of flickering stars in deep space.

@wigbert
@pan-pot
@secondstateaudio





VINYL PRE-ORDER

Pan-Pot - Broken Engine (Wigbert Deeper Remix)

The Enemy featuring Felix Da Housecat is part of the debut EP on Matador’s new Rukus label.

Beatport: https://pro.beatport.com/release/the-enemy/1693383

iTunes Album Pre Order: http://apple.co/1TZduJM

Follow Rukus:
facebook.com/rukusworld
twitter.com/rukusofficial
instagram.com/rukusofficial
soundcloud.com/rukusofficial

Follow Matador:
facebook.com/matadorofficial
twitter.com/matador320
instagram.com/matador_official/
soundcloud.com/matador_official/
http://bit.ly/MatadorOnSpotify

Matador - The Enemy ft Felix Da Housecat (Original Mix) [Clip] - The Enemy EP

PARANOIA, my new album!

Take a listen and if you like it, feel free to buy the CD incl. bonus DVD with fantastic videos of all tracks.
Also available 2x12" Vinyl and digital versions on Beatport, iTunes and other Downloadshops. 
All of course in full length.

The edits here are just for your pleasure and to get an impression;)

Release: 2.11.2011
Label: Ideal Audio

Oliver Huntemann -  Dark Passenger (Paranoia)

Oliver Huntemann -  Magnet (Paranoia)

Oliver Huntemann -  Tranquilizer (Paranoia)

Moonwalk - Meteora

♫ Read More ♫:
http://www.deephouseamsterdam.com/premiere-enrico-sangiuliano-moonrocks-original-mix

Enrico Sangiuliano makes his return to Adam Beyer's Drumcode with the highly anticipated EP ‘Moon Rocks’.

Enrico Sangiuliano began his career through illegal raves in Italy. In recent years, Enrico began putting his releases out into the international techno scene with rhythmic, deep, hypnotic and technological tracks, exuding techno from the heart. His work has been supported, selected and played by the likes of John Digweed, Carlo Lio, Monika Kruse, Christian Smith, Joseph Capriati, Ramon Tapia, Steve Lawler and, of course, Adam Beyer. In fact, if you were in attendance at Awakenings this year, you would have heard this fat bassed monster closing out the main man's set, now set to release as part of an electric, eponymous EP.

Today, we proudly premiere the EPs title track. Packed with booming percussion, intricate synths and brooding crescendos, this one's not for the faint of heart.

"Moon Rocks" is available 22 August on Drumcode

https://soundcloud.com/enrico-sangiuliano

♫ READ MORE ♫

Premiere: Enrico Sangiuliano - Moon Rocks (Original Mix)

Filth on Acid is excited to welcome Cari Golden for a new collaboration with label honcho Reinier Zonneveld. "Bending The End" is the second track they recorded together and the follow up of the enormous hit "Things We Might Have Said", which was one of the biggest electronic hits of 2016.

That being said, Cari and Reinier wanted to bring something new to the table and started with a white canvas when composing "Bending The End", and because of that they ended up taking a totally different direction. This time the track comes in two variations, the melody centred original mix and a dancefloor orientated 4AM mix. 

The original mix starts out with a throbbing, deep Moog bassline, and a round, deep bassdrum, while at the same time blending soft, haunting effects and a fragmented, distorted melody. Cari Golden's voice, deep and beautiful, comes in and sets the mood for a hypnotic slow burner. The bassline initiates a subtle chord progression and delicate production skills elevate the mood of the track. Powerful but stripped back drum programming along with short bursts of white noise bring impact for the dancefloor. A long breakdown starts the orchestra by three of the big classic synths - Oberheim, Moog and Juno - and pave the road for unimpeachable ear candy with Cari's angel like voice as the centerpoint of the attention. All the elements come together and form an indisputable peak; without building up too obvious. In the vein of bending the end to the beginning again, the track's outro ends as it started: deep and delicate. The second version in the package - 4AM Mix - has a definite peaktime feel to it. Powerful driving drums and a heavy bed of sub bass kick lead the way to the introduction of looped elements of Cari's voice. Colossal, bassy stabs hint to original in a disrobed way. Long synth notes lying somewhere between bass and melody introduce the harmonies of the original during the breakdowns and translate it to demanding dancefloors in a profound way.

Early feedback (in random order)
Monika Kruse: does reiner ever sleep? nice track again! 
Victor Ruiz: Reinier is on fire!!!!!!! 
Karotte: original and 4AM mix are great. love it.
Gabriel Ananda: Nice one! I am not exactly an vocal fan, but its really well made and a nice track. thanks
Sasha Carassi: good stuff!
Umek: top work 
Oliver Koletzki: 4AM mix is amazing!!
Coyu: 4AM mix sounds good
Noir: Nice tracks guys ;)
Chus & Ceballos: Beautiful vocal, great production! thanks 
Franky Rizardo: Supporting

Get it here

PREMIERE: Reinier Zonneveld & Cari Golden - Bending The End (Original Mix)

Drumcode has become a label synonymous with some of the most-cutting edge and forward-thinking techno over the last 20 years. Their artists include both emerging and established names, and one of those well recognised is Enrico Sangiuliano. Now announcing the very first concept album of his career.

The prolific Italian producer has been catapulted into the limelight after the runaway success of his past releases, and now Biomorph is born. 

A very special concept album designed to take the listener on a journey of evolution. A musical adaptation describing how biological and technological advances over numerous generations of time have all started from the same first step in our own biological journey.

Divided into 4 parts, Organisms opens with atmospheric tones, gradually blending complex textures and timbres to begin the evolutional process. The beginning of this section combines full sounding arrangements before stripping it all back to basics. From here it dissolves into the atmosphere. Organisms then progresses into a break-beat influenced, down tempo track using synths to add complexity to the straight, broken rhythms.

Galactic, futuristic elements are found in both tracks in Cosmic Forces. Upbeat, groovy, electronic synths resonate, before ‘Hidden T’ brings the tension to get things pumped up with stratospheric swirls and twirls to lay down one of the most mind meltingly deep drops.

Metamorphosis is mysterious, its opening beat is a deep and piercing tone that sends the listener into a sensory awareness of their surroundings before breaking into a fully charged, techno track, with Enrico’s trademark sounds and textures.

All evolution has an ending.

Two Probabilities shows the positive, starting out evocative and emotional, with a gentle harmony, gazing towards a ‘New Dawn’. On the other side of the spectrum lies the negative. This is influenced with a rhythm that articulates the beat of death, mathematical, cold and metallic in texture, it shows the unsustainability of its nature, with a hectic, anxious break beat influenced ending.

The digital version also features a bonus track; 'A Further Existence'.

Oliver Huntemann - Magnet (Paranoia)

Oliver Huntemann

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