Blogged here: http://letyourearschillout.wordpress.com  Click here to discover more good stuff or join the facebook page "3615 Chill Out" !

great dreaming track blogged on Indéphonix: http://indephonix.blogspot.fr/

Sweet! Got a sort of Mac Demarco feel to it!

accidently put this on: https://www.youtube.com/watch?v=SwKLKcN5_uw and it worked perfectly

Hey, Morphée #1

Amelia Rivas and Christian Pinchbeck don't just sing about feverish, frayed and  fractured romances – in the three years since forming  Elephant, they've been living one.

Their first recordings, recorded in the strung out early mornings after the night before, were delirious and light-headed. Rivas’ stream of conscious lyricism combined with Pinchbeck’s innate melodic nous to create vignettes of delight and wonder.  A debut single followed, 2011’s woozy Ants, followed by the Assembly EP.   But before they had a chance to capitalise on the growing acclaim around them the duo’s relationship broke down, almost to the point of no return.

That seemed to be Elephant’s graveyard.  Yet an unexpected rapprochement in late 2012, and a renewed musical hunger saw Rivas and Pinchbeck reconcile.  The first fruit was this year’s gauzy single Skyscraper, which announced their return in spectacular fashion, with Rivas’ swooping vocals allied to a spectral chorus creating an eerie, lens-flared 3 minute wonder of song.

Now, new release Shapeshifter provides confirmation that Elephant are truly back as a force to be reckoned with. “I flew to the moon to mirror you and I saw the future” sings Rivas, with a raw melancholy and nostalgic longing. A sumptuous missive of love lost and lessons learned, that sparkles with charm, optimism, and the sort of lush swoonsome string arrangements that reach into your chest and wring your heart dry. 

Backed by the sparse and stretched out Snowday, as icily cool as it sounds, full of chiaroscuro contrasts and flickering atmospherics, it’s a release that suggests their debut album is set to be one of the standout albums of 2014.

ELEPHANT LINKS: 
 
Facebook - www.facebook.com/elephanttheband    
Twitter – www.twitter.com/ElephantTwit  
Label -  www.memphis-industries.com


Elephant - Shapeshifter

Download the EP: smarturl.it/satchmode-collide

http://hypem.com/track/210hc/Satchmode+-+Best+Intentions

FOLLOW → twitter.com/satchmode
LIKE → facebook.com/satchmode
LISTEN → www.satchmode.com

Best Intentions

Holland by NOVO AMOR.
Buy on iTunes: https://itunes.apple.com/gb/album/holland-single/id827660408
Watch Official music video: http://www.youtube.com/watch?v=usPrYhk9VG8

FACEBOOK: https://www.facebook.com/novoamorsongs?ref=hl
"Woodgate, NY" Ep is out via Brilliance records 31st March

Holland

From the forthcoming album 'Red Tide Opal In The Loose End Womb' out May 5th on Howling Owl Records. www.oliver-wilde.com

Pre-order special editions here www.howlingowlrecords.bigcartel.com

On This Morning

'Tethered Bones' b/w 'Bloom' will be released on 12"/digital on Feel Good Lost on December 01, with remixes from WIFE, Eomac and Slow Magic.

Official Video: https://www.youtube.com/watch?v=5KH5FwtEX44

http://www.talostalos.com
https://www.facebook.com/TalosTalosTalos
https://twitter.com/talostalostalos

Tethered Bones

__PROMO PURPOSE. Posted on www.delicieuse-musique.com

__ SC :  https://soundcloud.com/scissorandthread
__VINYL : http://www.juno.co.uk/artists/Francis+Harris/

Francis Harris - You Can Always Leave

Foreground-Grizzly Bear

Engineered and mixed by Mark Rains at Station House Studios
Mastered by Ed Brooks at RFI Mastering
Miya- guitar, vocals, synth, cafe sounds
Josh Grondin- guitar
Jon Engelhard- bass
Cassidy Turbin- drums

I Got Drunk

Engineered and mixed by Mark Rains at Station House Studios
Mastered by Ed Brooks at RFI Mastering
Miya- vocals, synth, casio, acoustic guitar, computer sounds
Josh Grondin- guitar
Jon Engelhard- bass
Cassidy Turbin- drums

Strange Darling

"Sparks" from the 8/28/15 Beach House album 'Depression Cherry'
Order now 
Sub Pop Mega Mart http://u.subpop.com/1effnQr
Amazon http://amzn.com/B00ZIAODGE
iTunes  https://itunes.apple.com/us/album/depression-cherry/id997913392

Beach House  http://www.beachhousebaltimore.com/
Facebook https://www.facebook.com/beachhouse
Twitter https://twitter.com/BeaccchHoussse
Instagram  https://instagram.com/beaccchhoussse/

Sub Pop Records  http://www.subpop.com
Twitter  https://twitter.com/subpop
Facebook  https://www.facebook.com/subpoprecords
SoundCloud  http://soundcloud.com/subpop
MegaMart https://megamart.subpop.com/


 

Depression Cherry

Sparks

Beach House - Sparks

Porches ‘Hour’, taken from the new album ‘Pool’, out now.

Buy on iTunes: http://smarturl.it/PorchesPoolDL
Buy on Dom Mart: http://smarturl.it/PorchesPoolDM
Buy on Bandcamp: http://smarturl.it/PorchesPoolBC

http://facebook.com/porcheshiii 
http://twitter.com/porches_hiii/
http://porcheshiii.tumblr.com/ 
https://www.instagram.com/porches_hiii/

- - - - -

in my loner hour
i turn to my
twin bed for power
like a swimming a pool even alone
it gets me wet and cool
simple as the crow flies
that all i want
is an apple inside of my gray skies
in my stoner hour
o how i float
just wondering about her
in my stoner hour like a swimming pool

Hour

Porches - Hour

Taken from C Duncan's forthcoming four track EP which is released on FatCat records digitally on the 19th of February.

C Duncan - Pearly - Dewdrops' Drops

Download / stream ‘No Woman’: https://lnk.to/whitneytheband

https://www.facebook.com/whitneychicago
https://twitter.com/whitneytheband
https://www.instagram.com/whitneyband/

No Woman

Whitney - No Woman

Violens' forthcoming album, "True," finds the Brooklyn three-piece further amplifying their innovative songwriting with a palette of exquisitely crafted sound. The band's music eludes classification, expertly blending percussive guitar work and silky harmonies, seeking the silver lining yet to be discovered between the sounds we know and love. With a wash of 90s sonic pop drawn from artists like Pale Saints, Cocteau Twins and McCarthy, Violens paint soft watercolor notes across their compositions, adding crucial emotional depth via layered vocal harmonies.

The album's first single, "Totally True," demonstrates this with its stone-washed, semi-improvised feel, celebrating bands like The Chameleons and Martin Newell's Cleaners From Venus. The guitars are clean and jangling, meshing perfectly with the driving bassline. The lovely vocals have an almost 60s feel; their debt to such soft-rock touchstones as The Association and Sagittarius is one of the unique elements of Violens' sound that sets them well-apart from many of their contemporaries. The b-side "Something Falling" is a dreamy ballad marked by an effectively spare production, sweeping synths and the band's trademark harmonies. Simply gorgeous.


On This Morning

Oliver Wilde

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